Get ready to "Scream." Or should we say "squeal"?
The Spring Scream Double Pig 2007 (春天吶喊豬豬年) music festival, which starts this Thursday, attracts musicians and fans from around the world to the Kenting area for three days of sun, fun and rock 'n' roll. Taiwan has no shortage of outdoor music festivals, but for purists this is the most eagerly anticipated.
Spring Scream is always a party, even though Taiwan's music industry has had little to sing about in recent years. In 2006, overall album sales volumes were down 34 percent year on year, and industry employment has fallen 30 percent since 1999, according to the International Federation of the Phonographic Industry.
PHOTOS: TAIPEI TIMES AND COURTESY OF SPRING SCREAM
But Spring Scream has been going strong. As many as 230 bands, including some 40 groups from overseas, have signed up to participate in this year's event. Organizers are expecting daily attendance figures of 5,000 or more.
Drawing on Spring Scream's cache but run by a variety of different and non-related organizers is a slew of electronic dance music and hip-hop parties running simultaneously in the Kenting area. For coverage of these events, see today's article on the hip-hop oriented Spring Wave events and a rundown of the electronic dance music parties in the Vinyl Word on page 15.
Although the latter events are not connected with Spring Scream, Chinese-language media tend to lump them together. The distinction is important, however, as in recent years the dance parties have attracted heavy police attention and raids netting arrests of drug users and dealers, while Spring Scream has remained free of such trouble.
Some estimates say the total migration to what is collectively known as Kenting Spring Weekend could be as high as 100,000 or even 200,000 people.
It's the same, but different
This year Spring Scream has undertaken a major expansion, leaving its longstanding base at Liufu Ranch (六福山莊) and moving to two separate locations more than 20km apart, at Kentington (小墾丁) in Manjchou Township (滿州鄉) and Erluanpi National Park (鵝鑾鼻公園). (For useful information, including band bios and links to their music, log on at www.springscream.com).
The new format looks complicated, but it isn't. Think of Spring Scream Double Pig as two separate events with two different crowds: Manchou is where most of the bands — especially the expat and foreign groups — will play, while more established Taiwanese acts like the Brit-pop oriented 1976 and indie songstress Deserts Chang (張懸) have been booked for Erluanpi. A few bands, notably Austin, Texas-based World Music ensemble Atash, will play both venues.
"We're experimenting with bigger Taiwanese acts over [in Erluanpi] to get the crowd off the Kenting streets," said Spring Scream cofounder Wade Davis. "Manchou is where you go to see your local [Taiwanese] indie group." It's also where the Japanese bands will be playing, as well as foreign indie acts like California hipster muses Mates of State and instrumental space dance quartet The Octopus Project out of Austin, Texas.
In other words, if you liked the old Spring Scream — or at least the way things have been developing over the past few years — you will go to the Manchou venue and probably not leave. There, you will find six stages for live music, food vendors, campsites and cabins for rent. But make reservations now, as spots for cabins and campsites are limited and filling up fast. (See the fact box on Page 14 for more information.)
For those who decide to check out Erluanpi's more pop-oriented scene and its three stages, Spring Scream is running shuttle buses there from Kenting and the Manchou venue. There are also shuttle buses connecting the Manchou venue to Hengchun (恆春).
The shuttle buses will run from noon until midnight. Exact schedules had not been finalized as of press time.
In an interview Monday evening, Spring Scream co-organizer Jimi Moe urged festival-goers to rent cabins at the Manchou venue. He said the rooms are of resort quality and rates are comparable to or better than hotel rooms in Kenting, which is more than 20km away from the Manchou venue. The international bands and many local bands will be staying in the cabins, and musicians will be allowed to play unamplified music there after midnight. Those staying in cabins are also encouraged to set up stalls outside their rooms.
The buzz is here
Started in 1995 by longstanding Taiwan residents Jimi Moe and Wade Davis when Taiwan's alternative music scene was in its infancy, Spring Scream is Taiwan's most important indie music showcase.
Among the acts who got their start here are insult rapper MC Hot Dog and Taiwan's most successful "indie" band May Day (五月天), whose first album sold more than 1 million copies and whose new release Born to Love (為愛而生) was third on last week's national Mandarin album charts.
Many teenagers and college students save money all year just to make the trek, and each year new groups form and practice specifically so that they can play here.
"They get up on the stage and they're fulfilling their childhood dreams," said 1976 drummer Lin Yu-lin (林雨霖).
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50