United 93 is a sober reminder of the breakdown in leadership on the morning of Sept. 11. Unlike Michael Moore's Fahrenheit 9/11, the film doesn't get into the whereabouts of the president that day, or why Osama bin Laden ordered the attack; its focus is purposely narrow. But that narrow focus, along with the lack of fully realized characters, and the absence of any historical or political context, raises the question of why, notwithstanding the usual (if shaky) commercial imperative, this particular movie was made. To jolt us out of complacency? Remind us of those who died? Unite us, as even the film's title seems to urge? Entertain us?
To be honest, I haven't a clue. I didn't need a studio movie to remind me of the humanity of the thousands who were murdered that day or the thousands who have died in the wars waged in their name. That's one reason why the arguments about whether it's too soon for a film about the attack rings hollow and seriously off the point.
Sept. 11 has shaped our political discourse and even infiltrated our popular culture, though as usual Hollywood has been awfully late to that table. Yet five years after the fact and all the books, newspaper and magazine articles, committees and scandals later, I think we need something more from our film artists than another thrill ride and an emotional pummeling. United 93 inspires pity and terror, no doubt. But catharsis? I'm still waiting for that.
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