Politicians might consider the meaning of taike (台客) to be of national inte-rest and great importance, but for the predominantly 20-something crowd that filled the Taipei International Conference Center (TICC) for the Taike Rock Concert (台客搖滾演唱會) on Friday their opinions didn't matter one bit.
The crowd couldn't have cared less whether taike had positive or negative connotations. They were there for the music.
After a thankfully brief intro by the bubbly, yet sadly tone-deaf 3 Shining Sisters (閃亮三姊妹), early 1990s folk/rock combo Baboo took the stage and started off the evening on a good note with a faultless set.
No doubt having noticed the average age of the audience was somewhere between 19 and 25 years-old, the four-piece felt it wise to introduce itself and joke about its combined age of 150 years. While the combo, which scored its sole hit in 1992 with the haunting theme tune to the movie Xiaonien Anna (少年 -- 安啦) didn't enthuse the crowd, its performance was solid and the revamped version of its 12 year-old hit was one of the evening's highlights.
The crowd didn't need any introduction to the next act, as local potty-mouthed rocker Chang Chen-yue (張震嶽) and his backing band Free Night were greeted to rapturous applause as soon as they hit the stage.
Opening with the latest single, Malasun, Chang and Free Night should have performed one of the evening's most notable sets. Chang's repeated use of English-language expletives dampened that idea, however. It might have been appreciated by a booze-riddled crowd at on outdoor festival, but in the confines of the TICC it fell flat, impressed no one and made him look and sound immature and stupid.
Thankfully Chang had ceased swearing by the time he was joined on stage by MC Hotdog. The two popular acts combined to produce a superbly executed wall of guitar-driven Taiwanese language hip-hop music that was well received.
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When he finally took to the stage with his backing band China Blue the house erupted and it was obvious just who the vast majority of the audience had paid their hard-earned cash to see perform.
Bursting in with the crowd pleaser, The End of Love (愛情的盡頭), Wu Bai had the audience on its feet with the opening chords. The long-serving rocker's performance might not have been as lively as usual, but the crowd enjoyed every moment of the set and was screaming for more long after Wu Bai and his band had left the stage.
Next up came Joy Topper (豬頭皮), who, true to form, set out to both entertain and amuse the audience with a fantastic set of comedic musical routines belittling taike. Bobby Chen (陳昇) attempted to do much the same dressed in his night-market clothes and wearing cheap plastic open toed sandals. His spoof taike routine worked well for the first couple of numbers.
Unfortunately Chen dragged the joke out just a little too long for most people's liking. And while the New Treasure Island Band did its musical best, by the fourth number the combo and Chen were sounding more like a third-rate pub band rather than a professional act playing in an auditorium.
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