This weekend, if you're in the mood for slapstick comedy, spend NT$220 and check out Chu Yen-ping's (
Two Birds with One Stone is a China-Taiwan co-production, with Chu's Yen-ping Films and the Beijing-based Time Films (
Starring the notorious TV host Jacky Wu (
PHOTO COURTESY OF YEN-PING FILMS
The film is intentionally a parody and mocks some hit martial-arts movies of recent years, such as Zhang Yi-mou's (
Chu's films often insist on using poor taste to mock the classics and Two Birds with One Stone is no exception. But he seems to overdo this technique and forgets to tell a complete story. The only character that works is played by Wu in a convincing performance as a slacker who secretly adores the minister's daughter.
Behind the Palace, Beyond the Horizon (
PHOTO COURTESY OF YEN-PING FILMS
In 2003 the National Palace Museum underwent a series of cultural exchange projects in hopes of refreshing its public image. One of them was a "visiting artists" program that invited international artists to visit Taiwan and the museum. The program inspired this PTS documentary.
Film director Wang Hsiao-ti (
Dutch animation filmmaker Gerrit van Dijk is known for his unique style, which uses collage and deformation of images. During his visit to the museum, he is especially intrigued with a Ming-dynasty block print, Stories of the West Chamber (
PHOTO COURTESY OF YEN-PING FILMS
Van Dijk praised the work as so refined that he found its execution centuries ago simply unbelievable. And his 40-second animation is made like an impressionist painting, inspired by the block print and also infused with his personal impressions of his Taiwan visit.
French pottery artist Jean Girel owns the title of Maitre d'Art, presented by the French National Committee of Art. Girel came to see the Soong-dynasty china that he had been longing to see. He was also impressed by the animal-shaped ornaments on the bronze wares of the Bronze Age that depict bears, horses and birds.
Apparently, Girel was moved by the spirit of ancient people worshiping the universe and nature. His pottery work, which was made in the studio of Taipei Teacher's College reflects such a spirit. It is graceful artwork, simulating the thick and solid quality of bronzeware and at the same time demonstrates an experimental variation of glazed colors.
PHOTO COURTESY OF YEN-PING FILMS
As director Wang Hsiao-ti puts it, the relation between the collection pieces and the new artwork is the flow and transformation of creativity, and proves that such an old place like the Palace Museum can still generate new ideas and new creations.
The most valuable part of the film deals with seven architecture and design students and their works. Some were inspired by the art of calligraphy and invented a mechanism that looks like a huge writing brush. Others designed an imaginary world of plastic tubes that was inspired by Qing-dynasty snuff bottles.
From the young creative spirits shown in the film, Wang vividly paints a picture of those ancient collections being infused with new life. They no longer stay static in history but have become part of people's lives.
PHOTO COURTESY OF NATIONAL PALACE MUSEUM
PHOTO COURTESY OF NATIONAL PALACE MUSEUM
Water management is one of the most powerful forces shaping modern Taiwan’s landscapes and politics. Many of Taiwan’s township and county boundaries are defined by watersheds. The current course of the mighty Jhuoshuei River (濁水溪) was largely established by Japanese embankment building during the 1918-1923 period. Taoyuan is dotted with ponds constructed by settlers from China during the Qing period. Countless local civic actions have been driven by opposition to water projects. Last week something like 2,600mm of rain fell on southern Taiwan in seven days, peaking at over 2,800mm in Duona (多納) in Kaohsiung’s Maolin District (茂林), according to
It’s Aug. 8, Father’s Day in Taiwan. I asked a Chinese chatbot a simple question: “How is Father’s Day celebrated in Taiwan and China?” The answer was as ideological as it was unexpected. The AI said Taiwan is “a region” (地區) and “a province of China” (中國的省份). It then adopted the collective pronoun “we” to praise the holiday in the voice of the “Chinese government,” saying Father’s Day aligns with “core socialist values” of the “Chinese nation.” The chatbot was DeepSeek, the fastest growing app ever to reach 100 million users (in seven days!) and one of the world’s most advanced and
Has the Taiwan People’s Party (TPP) changed under the leadership of Huang Kuo-chang (黃國昌)? In tone and messaging, it obviously has, but this is largely driven by events over the past year. How much is surface noise, and how much is substance? How differently party founder Ko Wen-je (柯文哲) would have handled these events is impossible to determine because the biggest event was Ko’s own arrest on multiple corruption charges and being jailed incommunicado. To understand the similarities and differences that may be evolving in the Huang era, we must first understand Ko’s TPP. ELECTORAL STRATEGY The party’s strategy under Ko was
The latest edition of the Japan-Taiwan Fruit Festival took place in Kaohsiung on July 26 and 27. During the weekend, the dockside in front of the iconic Music Center was full of food stalls, and a stage welcomed performers. After the French-themed festival earlier in the summer, this is another example of Kaohsiung’s efforts to make the city more international. The event was originally initiated by the Japan-Taiwan Exchange Association in 2022. The goal was “to commemorate [the association’s] 50th anniversary and further strengthen the longstanding friendship between Japan and Taiwan,” says Kaohsiung Director-General of International Affairs Chang Yen-ching (張硯卿). “The first two editions
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