In a gated condominium community in Fort Lee, New Jersey, the dense shrubbery suggests a botanical garden more than a residential one. A lantern at the foot of each house's staircase is illuminated before sundown, and there is a late-model sport utility vehicle in nearly every drive. But there is only one hot-pink Range Rover. That is how you can tell the house of Cameron Giles.
For the better part of two years, pink has been the dominant color in the life of Giles, a rapper who performs as Cam'ron. "When I did pink, I did it so I wouldn't be dressing like everybody else," he said. The color seemed guaranteed to set him apart in the world of hip-hop, where men's style tends to conform to notions of hypermasculinity.
PHOTO: NY TIMES
When Giles first wore pink, in the summer of 2002 in a video for Hey Ma and at music industry events, he thought he had found a one-of-a-kind look.
A funny thing happened, though. Not long after Hey Ma began climbing the Top-40 charts, pink began to show up in the wardrobes of other urban young men. At last year's Puerto Rican Day Parade, pink clothing on men offered a counterpoint to the event's macho posturing.
Other hip-hop figures like P. Diddy and Russell Simmons, and the R & B singer R. Kelly, wore pink.
"Cam was the first hard-core rapper to rock pink," said Emil Wilbekin, a former editor in chief of Vibe magazine, who is now an executive at the fashion house Marc Ecko. "What was interesting was how quickly the streets caught on."
Giles himself, however, said he is over the look. He wants to move on. "Me, personally, I haven't worn pink in about four or five months, just for the simple fact that everybody's wearing pink," he said the other day.
He plans to adopt a new color, raising the possibility that he might start a new fad. The sartorial decisions of hip-hop stars strongly affect clothing trends. The fortunes of companies like Tommy Hilfiger and Timberland rose after they were embraced by rap stars, and labels like Sean John and Ecko stake everything on anticipating the urban market.
Giles is cagey about his next big color, hoping to find a way to reap financial gains this time. That might include starting a clothing line of his own. "I'm not going to tell anybody until I patent it," he said of his post-pink color.
"If this many people enjoy my style, and other people want to be fly in the same type of fashion I'm being fly in, then I might as well benefit off it."
It is possible, though, to make an educated guess about Giles's secret. His next album, due in December, is called Purple Haze. A limited-edition cap he designed last summer for the New Era Cap Company featured metallic purple accents. One of his rap crews is called Purple City, a nod to a neighborhood in Harlem and a type of marijuana sold there.
And in April, Giles, in partnership with a company called Harbrew Imports, introduced Sizzurp, a "purple punch liqueur" named for a codeine-laced concoction popular in the South.
Giles, 28, was born and raised in Harlem, and he found fashion at an early age. "Just growing up in Harlem, it didn't matter what you had to do to get fresh, you would do it," he said. "I recall the Skate Key in the Bronx," he continued, referring to a roller disco popular in the 1980s. "You maybe had to go steal your mom's earrings and go pawn them, borrow US$10 from four or five people, but when you got there, it looked like you had $8,000 in your pocket."
In the mid-1990s, he joined his first rap crew, Children of the Corn. Membership required clothes as impressive as one's rhymes -- Sergio Tacchini track suits in particular. "I had to make sure I was on point" around the other rappers, Giles recalled. "They used to go all the way downtown to look for stuff nobody would have. Growing up with them was a privilege."
Giles found stardom as a soloist in 1998 when his album Confessions of Fire went gold. A follow-up, Come Home With Me, in 2002, went platinum and reached No. 2 on the Billboard charts.
Although he has not had the mainstream popularity of P. Diddy or Jay-Z, he is Harlem's most prominent rapper, famous for a sort of avant-garde gangster rap that is dense with polysyllabic rhyme schemes and fashion references.
Giles credits his stylist, Monica Morrow, with introducing him to pink. "I came up with it," Morrow said, "but him putting it on made everyone fall in love with it."
June 2 to June 8 Taiwan’s woodcutters believe that if they see even one speck of red in their cooked rice, no matter how small, an accident is going to happen. Peng Chin-tian (彭錦田) swears that this has proven to be true at every stop during his decades-long career in the logging industry. Along with mining, timber harvesting was once considered the most dangerous profession in Taiwan. Not only were mishaps common during all stages of processing, it was difficult to transport the injured to get medical treatment. Many died during the arduous journey. Peng recounts some of his accidents in
“Why does Taiwan identity decline?”a group of researchers lead by University of Nevada political scientist Austin Wang (王宏恩) asked in a recent paper. After all, it is not difficult to explain the rise in Taiwanese identity after the early 1990s. But no model predicted its decline during the 2016-2018 period, they say. After testing various alternative explanations, Wang et al argue that the fall-off in Taiwanese identity during that period is related to voter hedging based on the performance of the Democratic Progressive Party (DPP). Since the DPP is perceived as the guardian of Taiwan identity, when it performs well,
A short walk beneath the dense Amazon canopy, the forest abruptly opens up. Fallen logs are rotting, the trees grow sparser and the temperature rises in places sunlight hits the ground. This is what 24 years of severe drought looks like in the world’s largest rainforest. But this patch of degraded forest, about the size of a soccer field, is a scientific experiment. Launched in 2000 by Brazilian and British scientists, Esecaflor — short for “Forest Drought Study Project” in Portuguese — set out to simulate a future in which the changing climate could deplete the Amazon of rainfall. It is
Artifacts found at archeological sites in France and Spain along the Bay of Biscay shoreline show that humans have been crafting tools from whale bones since more than 20,000 years ago, illustrating anew the resourcefulness of prehistoric people. The tools, primarily hunting implements such as projectile points, were fashioned from the bones of at least five species of large whales, the researchers said. Bones from sperm whales were the most abundant, followed by fin whales, gray whales, right or bowhead whales — two species indistinguishable with the analytical method used in the study — and blue whales. With seafaring capabilities by humans
RSS