Ken Ishii was one of the first DJs who wasn't European or American to be respected wherever he played around the world. Tomorrow, he returns to Taipei by popular demand, for the third time.
The techno turntablist made a name for himself in his home country after being wowed as a student by Tokyo's only dance club at that time, Kave, in the fashionable Tokyo district of Shibuya. He showed all the signs of dependancy on DJing when he started hanging around record shops, and made his debut in 1993.
PHOTO COURTESY OF ARTIST
"I just followed the Euro techno sound. I wanted to be an artist. I was making music already with a synth I bought, just doing copying-type stuff. There were no fans and no teachers, it was just an imitation sound to begin with," Ishii said from Tokyo in telephone interview.
Never afraid to go where others fear to tread, Ishii took off for Belgium and was signed up for the top label R & S, which ran the underground techno scene in the mid-1990s.
Asked whether the well-worn cliche that Japanese copy something and make it better applied to him, Ishii said. "There's a line, it's hard to tell. The musical equipment is from Japan, of course Maybe we are better with details in sound, so possibly the Euro sound is loud or phat, but we build more complex and detailed arrangments. Maybe this is our `sound.'"
Ishii said he saw himself as "the artist-type guy" who was sometimes recognized in the street and at restaurants, but basically just enjoyed making and playing records for a living.
"I have softened up a little a bit. Before I was known for experimental sounds, but now I'm more interested in combining with dance rhythms. It's back to basics. I've been a DJ for many years and get a lot of feedback from the floor. I respond to that. My latest DVD and CD package Interpretations is like an official compilation of music, so that shows the attitude at the moment."
He described his last two visits to Taipei as too short and said he was looking forward to looking at some tourist destinations this time around. "It gets very plane-hotel-don't-see-anything, sometimes."
"What I felt last time I visited Taipei is that it is more similar to KL [Kuala Lumpur] and Singapore than Tokyo. The crowd hasn't divided into small cliques. In Tokyo there has been no mainstream for the last few years and everybody has their own style," Ishii said.
"Tell people to come by and enjoy the music -- techno-funky, music with a smile on its face. It's more than half-naked guys going bang bang, that muscle feeling. I'm more laid back, there's something for the ladies."
Ishii will play Luxy tomorrow night, but speaking of half-naked guys there were a lot of them at X-Direction last weekend, where Victor Cheng was on fire, playing a strong set from his latest album -- along with some new tunes.
Come 3am, the heat, sweat and atmosphere of hormones was overpowering. My companion, one of only three women sighted, thought they must have been pumping chemicals onto the dance floor. This is not true, but the occasion was intoxicating. Tonight, Steve Gerrard from the UK is going to get the dance floor shaking, with the Taipei leg of his Thinking Out Loud Tour.
At Luxy, it's Citrus' "Tropicana Party," where SL and his mates -- Saucey, Nina and Daryl -- will be maintaining the Summer madness. Tonight at Ministry of Sound, DJ Sneak is creeping in for a night of house grooves with surreptitiously inserted disco sounds. A top-100 DJ over the last five years, it could be a big night out.
"Volume One: Take the Power Back" is tomorrow's pick, with DJ Marcus Aurelius (whose sausage was the focus of last week's Vinyl Word). DJ Finni will be playing a set inspired by NWA's Straight out of Compton, along with Vicar, Alicia Hush, Riptide and Elements. It all takes place, fittingly enough, in the Combat Zone, at The Party Pub, on Shuang Cheng Street, Lane 32, 7-1, NT$200 for six hours of fun from 10pm.
In Taichung, Saturday, it's "Foundation" with A100, Saucey (again), Blueman and Osbourne on the decks at Sparc.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist