In the US, The Daymakers, who play The Underworld tonight, would probably be described as cheesy good fun. But all I've ever heard about the band whispered between girls at their shows -- and the crowds are predominantly girls for some reason -- is that they're very ke-ai (可愛).
Is that because two thirds of the trio are identical twins from Texas with matching mutton-chop sideburns and dorky army-issue glasses? Or is it the band's penchant for awful late-70s zoot-suits and uniforms stolen from the high school marching band's closet? Or maybe it's the high-school puppy love Chinese lyrics sung with an audible foreign twang.
PHOTO: JULES QUARTLY, TAIPEI TIMES
I don't know, it all sounds a bit cheesy. But they've obviously hit on something that connects across lots of boundaries.
The three guys in the band -- JT Long, JD Long and Jason Copps -- started jamming about two years ago in Ilan County, where they work as English teachers, and built up a small repertoire of simple songs while Copps picked up the drums from scratch. It's clear, though, that the songs aren't simple by necessity, but are that way because that's the sound they're going for in a similar vein as Green Day or Offspring.
"The roots are definitely punk, but it's kinda pop punk," said JT.
Along with the jangly four-chord guitar riffs, the pop side shines through in the theatrical element to their shows, starting with the hideous outfits complemented by plenty of over-the-top hip gyrations and choreographed instrument swinging. And most recently the addition of cheerleader-dancers has drawn the band comparisons with Clippers, who also tend to have pom-pom girls flailing about on stage. But the Clippers plumbed Taiwan's nakashi music heritage for inspiration, whereas The Daymakers are clearly rooted in American punk, rockabilly, Dick Dale surf rock and even country music's dark angel, Johnny Cash.
It's the Chinese lyrics, though, that place the band in Taiwan. Like the music, they're intentionally, some might even say studiously, simple with the themes humorously recalling adolescent relationship angst.
"Some students' grades are too bad/They feel the pressure from catching flak from their teacher/Some girls get dumped/They're really sad cuz there's no one with them ..." goes the song The Daymakers on their self-released EP Here Comes Excitement (興奮來了). Or the song Love at First Sight (一見鐘情) that goes: "When I see your pretty smile/It's love at first sight I want to talk to you/When we talk I feel bored/Once you start talking I want to sleep ..."
It's probably the lyrics like these, which sound a lot better in Chinese by the way, that earn the band the description of ke-ai. There's also a healthy measure of happy insouciance in the music that comes from their foreknowledge that they'll never be the next big thing in Taiwan and can just get on with the business of having fun playing music. "We're not going to be the next Mayday (五月天) or anything." But still they have their ambitions. "We'd like to be known as the best live band in Taiwan," JT said.
Tomorrow night at the Underworld, we'll have the last chance for several months to see if they measure up before they take a break to write some new songs. The Underworld is located at B1, 45 Shida Rd, Taipei (台北市師大路45號B1). The show starts at 9:30pm and tickets cost NT$250.
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
By far the most jarring of the new appointments for the incoming administration is that of Tseng Wen-tsan (鄭文燦) to head the Straits Exchange Foundation (SEF). That is a huge demotion for one of the most powerful figures in the Democratic Progressive Party (DPP). Tseng has one of the most impressive resumes in the party. He was very active during the Wild Lily Movement and his generation is now the one taking power. He has served in many of the requisite government, party and elected positions to build out a solid political profile. Elected as mayor of Taoyuan as part of the
Moritz Mieg, 22, lay face down in the rubble, the ground shaking violently beneath him. Boulders crashed down around him, some stones hitting his back. “I just hoped that it would be one big hit and over, because I did not want to be hit nearly to death and then have to slowly die,” the student from Germany tells Taipei Times. MORNING WALK Early on April 3, Mieg set out on a scenic hike through Taroko Gorge in Hualien County (花蓮). It was a fine day for it. Little did he know that the complex intersection of tectonic plates Taiwan sits
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50