The arts in Taiwan have coexisted along parallel streams, often without mutual contact. At the highest, Government-funded arts cater to the elite avant-garde who glorify university fine art departments and national or municipal museums.
Every two years in Venice, some of these Taiwanese artists meet other avant-gardists (again), exchange the latest ideas and then bring them back to their respective lands. Such contacts make the world a smaller place as images and concepts spread -- sometimes like a virus -- affecting Venice art participants and their associates at home yearning to "modernize." Their videos or installations, however, usually remain unknown to Taiwan's population at large.
PHOTO COURTESY OF FANGLIAO ARTISTS' VILLAGE
At the lowest end are the traditional "backwater" manifestations at temples and temple-markets that still exude strong regional flavors, tastes and images encountered nowhere else on earth.
In between fall high school art classes and workshops teaching people to sketch from Western plaster busts, and the vast majority of Taiwan's modern public who are too urbanized to recognize local traditions, or too lacking in art education to be interested in experiencing "modern art."
In recent years, however, there has been a healthy development in Taiwan bringing arts to people by way of artists colonies. The government has been funding imaginative reclamation projects where abandoned sugar factories in their park-like environs are transformed into open-air theaters, art galleries, warehouse-sized show-cases, conference sites and individual artists' housing complexes.
In Taiwan's southernmost Pingdong County is the little fishing village of Fangliao. Its waterways are crammed with fishing boats and nets, and its restaurants resplendent with fish and seafood freshly caught. Fangliao is celebrated for bell-shaped "Black Pearl" bell-fruit of glowing dark crimson skin, and tiny whitebait called Burahi.
Now we can say that Fangliao is celebrated also for its admirable Fangliao Artists' Village (
My visit was upon a gray day, but the sea was a bright green. Not far from the beach is the Artists' Village set along a lane with row-houses built of local dark brick. Many of these abandoned dormitories are renovated -- while keeping the original facade. Young artists and architects are invited to live and work there on an annual contract basis in the 20 two-story brick houses that function as residences.
Last year there were several avant-garde installation artists. Today there are 18 resident artists, all from Taiwan, including a woodcut printmaker, a stone sculptor, a wood sculptor, a paper sculptor, a leather carver, several oil painters, a traditional ink painter, a mosaic artist, an interior decorator, a puppet-maker and puppeteer, and a the piano and drums percussion musician.
The portly, humorous Huang Mingdao (
Huang's puppets are made of recycled bottles brightly painted. He writes the plays and goes to different districts to teach school children to make puppets, manipulate them and act out ancient local myths.
Sculptor Huang Jingyung (
The year was 1991. A Toyota Land Cruiser set out on a 67km journey up the Junda Forest Road (郡大林道) toward an old loggers’ camp, at which point the hikers inside would get out and begin their ascent of Jade Mountain (玉山). Little did they know, they would be the last group of hikers to ever enjoy this shortcut into the mountains. An approaching typhoon soon wiped out the road behind them, trapping the vehicle on the mountain and forever changing the approach to Jade Mountain. THE CONTEMPORARY ROUTE Nowadays, the approach to Jade Mountain from the north side takes an
Last week Joseph Nye, the well-known China scholar, wrote on the Australian Strategic Policy Institute’s website about how war over Taiwan might be averted. He noted that years ago he was on a team that met with then-president Chen Shui-bian (陳水扁), “whose previous ‘unofficial’ visit to the US had caused a crisis in which China fired missiles into the sea and the US deployed carriers off the coast of Taiwan.” Yes, that’s right, mighty Chen caused that crisis all by himself. Neither the US nor the People’s Republic of China (PRC) exercised any agency. Nye then nostalgically invoked the comical specter
Relations between Taiwan and the Czech Republic have flourished in recent years. However, not everyone is pleased about the growing friendship between the two countries. Last month, an incident involving a Chinese diplomat tailing the car of vice president-elect Hsiao Bi-khim (蕭美琴) in Prague, drew public attention to the People’s Republic of China’s (PRC) operations to undermine Taiwan overseas. The trip was not Hsiao’s first visit to the Central European country. It was meant to be low-key, a chance to meet with local academics and politicians, until her police escort noticed a car was tailing her through the Czech capital. The
April 15 to April 21 Yang Kui (楊逵) was horrified as he drove past trucks, oxcarts and trolleys loaded with coffins on his way to Tuntzechiao (屯子腳), which he heard had been completely destroyed. The friend he came to check on was safe, but most residents were suffering in the town hit the hardest by the 7.1-magnitude Hsinchu-Taichung Earthquake on April 21, 1935. It remains the deadliest in Taiwan’s recorded history, claiming around 3,300 lives and injuring nearly 12,000. The disaster completely flattened roughly 18,000 houses and damaged countless more. The social activist and