The Taipei International Book Exhibition (TIBE,
Jointly organized by Cite Publishing (
Attracting publishing houses from around the world, the annual event has become Asia's largest and the world's fourth-largest international book exhibition since its inaugural show in 1987. This year a total of 925 publishing houses representing 51 countries are set to fill 2,078 booths at TWTC's I and II exhibition halls.
Although this is a slight drop in last year's record-breaking figures, which saw 925 publishing houses displaying their tomes in 2,092 booths, this year's TIBE has been touted by organizers as the most "reader friendly" in the event's history.
In contrast to previous TIBEs, where entrance to the event for the opening two days was restricted to those within the publishing industry, this year will see the entire six-day event open to the general book-reading public. The move is expected to substantially boost the number of visitors and organizers anticipate a huge turnout. They are already predicting the number of visitors will be between 250,000 and 300,000 over the six days.
"This year's TIBE is not the largest, but we do expect it to attract more visitors than ever before. There are over 2,000 stalls, many of which represent local publishing, which is a main feature of this years event," said Chairman of the TIBE Organizing Committee Jan Hung-tze (詹宏志). "There are also many special events focusing on special topics, which will bring together local and international publishing houses."
In order to appeal to the large number of visitors expected at TIBE 2004, the show has been divided into six major exhibition areas, the largest and most extensive of which is the publications area. This area includes the international exhibitors' area, where foreign exhibitors representing publishing houses from the Asia-Pacific region, Europe, the Americas and Africa will be displaying their wares.
The children's books area will see publishing houses specializing in children's and teen books. There is a general-books area, where both paper and hardback fiction and non-fiction will be available, as well as a spiritual and religious books area, which will include inspirational, philosophical and religious texts. Magazines will also be available this year and have an area of the TWTC set aside for them for first time.
As always, the comic book area is expected to prove one of the event's biggest draws. Under the auspices of the Comic Artist Labor Union in Taipei (
Large numbers of fans of cosplay will be on hand at the comic book pavilion dressed up as their favorite comic book characters.
Those feeling left out and not bedecked in costumes or toting the latest in comic book merchandise will be able stock-up on the latest in comic book chic paraphernalia at a special comic book merchandise pavilion.
While organizers are putting an emphasis on the reading public this year, publishing deals and publishing rights negotiations between local and international publishing houses remain a major part of the event.
"TIBE may have changed somewhat this year, with more focus on the reader, but we still hope that the event will bring together publishing houses from all over the world in order to sign deals and develop new contacts," said Huang Hwei-chen (黃輝珍) of the GIO.
"We hope that through the event local publishing houses will continue to develop and raise the standard of international publishing."
Along with books, there will also be a chance for visitors to catch up with the latest in Internet and digital publishing applications, as well as multimedia and e-learning material at the TIBE 2004 Digital Cultural Area.
Unlike previous years, when there was a "Country of Honor," no one country is celebrated at this year's TIBE.
There are, however, several special events and related exhibitions set to take place over the coming week focusing on Italian illustrators.
Art Design Italy: Illustrations features works by 41 Italian illustrators; Art Design: Italy showcases works by 10 Italian designers. The International Publishers and Special Book Design features works by US publishing company Chronicle Books and Corraini Editions from Italy.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby