Although its a party/arts event at Huashan organized by lao-wai, this is a far cry from the "foreigner head-shaking party" that tabloids enjoy getting steamed up about. It is, in fact, the Urban Nomad Film Festival (城市游牧影展), now back at Huashan for the second year.
This time round, a more complete selection of films will be shown, and these will be more focused on a single theme. In total, there will be 25 films (experimental, shorts, documentaries and mockumentaries) screening over two days.
PHOTO COURTESY OF URBAN NOMAD
The Friday event begins with three experimental shorts. Tony Wu (吳俊輝), from Taiwan, a frequent participant in international short film or experimental film festivals, will present his latest work Making Maps (製造地圖). Wu's experimental style makes use of found footage, animated images and optical printing.
In Making Maps, he uses these methods to talk about pornography, specifically blood and semen. For Wu, the pornographic images he weaves through this 21-minutes is a way of creating a physical and psychological map of human beings.
Another Taiwan entry is Lin Hongjohnn's (林宏璋) film about Taiwan's UFO cult. Lin, as the nephew of UFO cult leader, Chen Heng-ming, has unique access to the true believers.
The main event on Saturday is the Taiwan premiere of an underground film Redneck Vampire, a mockumentary by Mike Anderson. In the film, Anderson tracks down a man in central Alabama, who claims to be a redneck vampire, and explores his life of drugs, sex and immortality. The film proved a big hit on the Internet with its hilarious play on racial and class stereotypes. Even Ann Rice, the author of Interview with the Vampire, has signed on at the film's Web site.
The mockumentary is followed by the rockumentary session of three film. Dark Funeral, a film documenting the Taiwan performance of a Swedish black metal band. It explores their views on satanic cults and church burning. The film was previously selected for the 2002 New York Underground Film Festival.
For film-loving people, Urban Nomad will be an event to spot some innovative or odd creations of independent filmmaking. And for those who just want to chill out, there will be live music today and tomorrow nights, accompanied by film footage of surfing, punk rock concerts and a remix of Hitchcock's classic film Psycho.
The Urban Nomad Film Festival will run tonight and tomorrow at the Huashan Arts District (華山藝文特區) starting at 8pm. Huashan is located at 1 Pateh Rd., Sec. 1,Taipei (台北市八德路一段1號). Tickets are NT$200 for one day or NT$300 for both days. Tickets available at the door.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she
RSS