Elizabeth Cameron Dalman became the pioneer of modern dance in Australia when she founded the Australian Dance Theater in 1965. It was the first modern dance group in her country and the first to be granted a government subsidy. For nearly forty years, Dalman has taught and collaborated with numerous dancers in various countries, including Taiwan.
One year after Grace Hsiao (
PHOTO: VICO LEE, TAIPEI TIMES
In Crossing Tracks II -- A Meeting of Two Cultures (
Sun and Moon, the opening piece of the show, is adopted from an Australian aboriginal legend, which represents the sun as a woman and the moon as a man.
"In modern dance, female dancers' movements are usually more activated and male dancers' more smooth. It's just like the legend," Dalman said.
This piece will be performed in Taiwan for the second time. Dalman staged it in 1971 when she was touring in Taiwan. Her performance so inspired Tsai Ruei-yuei (
Prayer, created in 1972, will probably strike a chord with audiences today with its human-rights theme and anti-war message. Based on a true story that occurred during the Troubles in Northern Ireland, the dance tells the tragic story of a Catholic girl who falls in a love with a Protestant soldier, then accidentally shoots him dead. Grace Hsiao's dancers act out the story with such precision and feeling that this piece is the highlight of the show.
The only shortcoming of this otherwise superb production is that Round-15 (
Crossing Tracks II -- A Meeting of Two Cultures will be performed at Round-15 Theater, 3F, 40-1 Chungshan N. Rd., Sec. 2, Taipei (
It’s a good thing that 2025 is over. Yes, I fully expect we will look back on the year with nostalgia, once we have experienced this year and 2027. Traditionally at New Years much discourse is devoted to discussing what happened the previous year. Let’s have a look at what didn’t happen. Many bad things did not happen. The People’s Republic of China (PRC) did not attack Taiwan. We didn’t have a massive, destructive earthquake or drought. We didn’t have a major human pandemic. No widespread unemployment or other destructive social events. Nothing serious was done about Taiwan’s swelling birth rate catastrophe.
Words of the Year are not just interesting, they are telling. They are language and attitude barometers that measure what a country sees as important. The trending vocabulary around AI last year reveals a stark divergence in what each society notices and responds to the technological shift. For the Anglosphere it’s fatigue. For China it’s ambition. For Taiwan, it’s pragmatic vigilance. In Taiwan’s annual “representative character” vote, “recall” (罷) took the top spot with over 15,000 votes, followed closely by “scam” (詐). While “recall” speaks to the island’s partisan deadlock — a year defined by legislative recall campaigns and a public exhausted
In the 2010s, the Communist Party of China (CCP) began cracking down on Christian churches. Media reports said at the time that various versions of Protestant Christianity were likely the fastest growing religions in the People’s Republic of China (PRC). The crackdown was part of a campaign that in turn was part of a larger movement to bring religion under party control. For the Protestant churches, “the government’s aim has been to force all churches into the state-controlled organization,” according to a 2023 article in Christianity Today. That piece was centered on Wang Yi (王怡), the fiery, charismatic pastor of the
Hsu Pu-liao (許不了) never lived to see the premiere of his most successful film, The Clown and the Swan (小丑與天鵝, 1985). The movie, which starred Hsu, the “Taiwanese Charlie Chaplin,” outgrossed Jackie Chan’s Heart of Dragon (龍的心), earning NT$9.2 million at the local box office. Forty years after its premiere, the film has become the Taiwan Film and Audiovisual Institute’s (TFAI) 100th restoration. “It is the only one of Hsu’s films whose original negative survived,” says director Kevin Chu (朱延平), one of Taiwan’s most commercially successful
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