Elizabeth Cameron Dalman became the pioneer of modern dance in Australia when she founded the Australian Dance Theater in 1965. It was the first modern dance group in her country and the first to be granted a government subsidy. For nearly forty years, Dalman has taught and collaborated with numerous dancers in various countries, including Taiwan.
One year after Grace Hsiao (
PHOTO: VICO LEE, TAIPEI TIMES
In Crossing Tracks II -- A Meeting of Two Cultures (
Sun and Moon, the opening piece of the show, is adopted from an Australian aboriginal legend, which represents the sun as a woman and the moon as a man.
"In modern dance, female dancers' movements are usually more activated and male dancers' more smooth. It's just like the legend," Dalman said.
This piece will be performed in Taiwan for the second time. Dalman staged it in 1971 when she was touring in Taiwan. Her performance so inspired Tsai Ruei-yuei (
Prayer, created in 1972, will probably strike a chord with audiences today with its human-rights theme and anti-war message. Based on a true story that occurred during the Troubles in Northern Ireland, the dance tells the tragic story of a Catholic girl who falls in a love with a Protestant soldier, then accidentally shoots him dead. Grace Hsiao's dancers act out the story with such precision and feeling that this piece is the highlight of the show.
The only shortcoming of this otherwise superb production is that Round-15 (
Crossing Tracks II -- A Meeting of Two Cultures will be performed at Round-15 Theater, 3F, 40-1 Chungshan N. Rd., Sec. 2, Taipei (
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