In the wake of its immensely successful and long-running show Communicating Doors (
A further cross-cultural touch is provided by Jeffery Locker, who has established himself as a local radio and television personality and who is making his first venture onto the stage in Taiwan.
PHOTO COURTESY OF GODOT THEATER COMPANY
The presentation of Black Comedy is part of a double feature of Shaffer's work, with Amadeus (1984), which is scheduled to open at the Dr Sun Yat-sen Memorial Hall on Sept. 6.
Schaffer's work was last performed in Taiwan with the powerful adaptation of his 1974 play Equus by the Performance Workshop (
Black Comedy, a humorous romp though the petty deceits of a young sculptor caught in a power outage when trying to impress a rich art collector and his fiance's father, is not a work in the same league as Equus, but is full of energy and easy laughs.
According to director James Liang (
"We decided to relocate all the action to Taipei, and the characters have also been changed in many respects," said Liang.
Thus Colonel Melkett, a crusty old army man who is the hero's prospective father-in-law, is transformed into General Sun, with dialogue and attitudes making the transition with little difficulty. A gay art collector who is the hero's neighbor and whose house is pillaged to provide suitable furnishings for the sculptor's stark flat, takes more of a beating in the translation process, losing some of the subtlety of British verbal high camp for a rather broader humor. Veteran actor Lee Tien-zhu (
Working from a direct translation of the English script, some of the verbal humor is lost, according to Jeffry Locker, who plays the leading role. But there was plenty of room for improvisation, and the mixed accents of the English original were replicated in Chinese with the distinctly mainlander accents of the general, and the use of Cantonese-tinged Mandarin for roles originally intended for German-accented English. Locker's less-than-perfect Chinese provides additional scope for a number of jokes as well.
Foreign residents in Taiwan have not been active in local Chinese-language theater, and this is the first occasion on which a foreigner has played with a local troupe at the National Theater. To Locker's credit, he manages to hold his own, and although reference is made to him as a foreigner, the show rises above the "lets laugh at the wai guo ren" stuff that happens on Super Sunday and other such TV variety programs.
If there is a criticism to make, the choreography of the piece, which is made even more important than in the original by the alterations, is not tight enough. Luckily, there is enough happening on stage to keep the audience occupied. With much of the action taking place in pitch darkness, there is plenty of humorous stage business, and Locker's lanky build is used effectively to exaggerate the effects.
While Black Comedy suffers from certain limitations relating both to the original work and the adaptation, in the terms that it sets itself, namely in pushing the boundaries of Taiwan's modern theater and in presenting strong plays by foreign playwrights to a Taiwan audience, Godot has hit the mark.
Performance Note:
What: Peter Shaffer's Black Comedy by Godot Theater Company
When & Wnere: At the National Theater, 8pm, Aug. 10 - Aug. 13; 2pm, Aug. 11 - Aug. 12; at the Dr Sun Yat-sen Memorial Hall 8pm, Sept. 13 - Sept. 15; 2pm, Sept. 15.
Tickets:NT$600 - NT1,400 from performance venue or ERA ticketing outlets Performances will also be held in Kaohsiung, Taichung, Hsinchu and Tainan.
During the Metal Ages, prior to the arrival of the Dutch and Chinese, a great shift took place in indigenous material culture. Glass and agate beads, introduced after 400BC, completely replaced Taiwanese nephrite (jade) as the ornamental materials of choice, anthropologist Liu Jiun-Yu (劉俊昱) of the University of Washington wrote in a 2023 article. He added of the island’s modern indigenous peoples: “They are the descendants of prehistoric Formosans but have no nephrite-using cultures.” Moderns squint at that dynamic era of trade and cultural change through the mutually supporting lenses of later settler-colonialism and imperial power, which treated the indigenous as
By 1971, heroin and opium use among US troops fighting in Vietnam had reached epidemic proportions, with 42 percent of American servicemen saying they’d tried opioids at least once and around 20 percent claiming some level of addiction, according to the US Department of Defense. Though heroin use by US troops has been little discussed in the context of Taiwan, these and other drugs — produced in part by rogue Chinese Nationalist Party (KMT) armies then in Thailand and Myanmar — also spread to US military bases on the island, where soldiers were often stoned or high. American military policeman
An attempt to promote friendship between Japan and countries in Africa has transformed into a xenophobic row about migration after inaccurate media reports suggested the scheme would lead to a “flood of immigrants.” The controversy erupted after the Japan International Cooperation Agency, or JICA, said this month it had designated four Japanese cities as “Africa hometowns” for partner countries in Africa: Mozambique, Nigeria, Ghana and Tanzania. The program, announced at the end of an international conference on African development in Yokohama, will involve personnel exchanges and events to foster closer ties between the four regional Japanese cities — Imabari, Kisarazu, Sanjo and
The Venice Film Festival kicked off with the world premiere of Paolo Sorrentino’s La Grazia Wednesday night on the Lido. The opening ceremony of the festival also saw Francis Ford Coppola presenting filmmaker Werner Herzog with a lifetime achievement prize. The 82nd edition of the glamorous international film festival is playing host to many Hollywood stars, including George Clooney, Julia Roberts and Dwayne Johnson, and famed auteurs, from Guillermo del Toro to Kathryn Bigelow, who all have films debuting over the next 10 days. The conflict in Gaza has also already been an everpresent topic both outside the festival’s walls, where
RSS