The Second Miaoli International Mask Festival (第二屆苗栗國際假面藝術節), which opened Saturday, is presenting one of the most comprehensive exhibitions of Asian masks ever held in Taiwan. The event, which runs until April 29, will also incorporate an array of folk music and dance performances associated with the use of masks.
The exhibition and performances are sponsored by the Miaoli County Culture Bureau (
PHOTO COURTESY OF ACEF
The current exhibition, which focuses on Asia, contains 403 masks, many of them over a century old. Highlights of the exhibition are two sacrificial masks from Java which date back 1,000 years, one of which is made of gold, the other of bronze. Securing these objects' shipment to Taiwan for the show was perhaps the event's biggest coup. "Insurance made up a large part of the expenses for this show," said Chou.
PHOTO COURTESY OF ACEF
The mask exhibition takes the form of an installation art display and aims to cover the two main traditions of mask art in Asia, Chinese and Indian. Chou said said viewers will be able to see the frequent overlap of the traditions,especially visible in the mask art of regions like Tibet. Featured masks originate from Mongolia, Tibet, China, Japan, Taiwan, Thailand, India, Nepal and Sri Lanka.
The Miaoli Mask Festival was initiated in 1999 during the preparation for the construction of the Sanyi Museum of Wood Sculpture (三義木雕博物館), when cultural administrators happened upon the strong vein of mask art that exists within Miaoli's wood carving tradition.
PHOTO COURTESY OF ACEF
The subtitle of the show "Masks, a Banquet for the Soul" (假面的藝術,心靈的饗宴) is intended to emphasize the important role that masks play in expressing religious aspirations and the importance of masks in traditional culture.
PHOTO COURTESY OF ACEF
Although masks are not commonly used in Chinese ritual or performance, Hakka (客家) culture, which is strongly represented in Miaoli, uses masks in funeral rites, which explains the choice of Miaoli for the event.
Hakka masks will be on display, as will another form of Chinese masks, called "Nuo" (儺面), which date back to the Tang dynasty (618-907) and are currently only used in China's relatively isolated Guizhou (貴州) and Jiangxi (
PHOTO: TIFFANY FENG, TAIPEI TIMES
One of the most dynamic elements of the festival will be performances by troupes from all over the world. These will be held in many different locations around Miaoli and most, with the exception of those by higher-profile dance groups, will be free.
Organizers say the event is a rare opportunity to learn about the rich heritage and multiple religious and cultural usages of masks. "By wearing a mask I represent a ghost. In the northeast of Thailand, the masked performers scare away evil spirits that lurk in the wilderness," said one ghost performer of the Nongkhai Dramatic Art Club (農凱戲劇藝術團) from Thailand.
Members of Mongol National Ethnic Dance Group (蒙古國家民族歌舞團) said that their masks were representations of Buddha, and their performance was intended to subdue demons and enhance people's faith in Buddhism.
Fu Hsueh-peng (傅學鵬), Miaoli County commissioner, said he hoped the arts festival would become a regular event to show off Miaoli's culture and give Miaoli residents a chance to learn more about the cultures of other nations.
What: The Second Miaoli International Mask Festival (
When: April 1 to April 29, 9am to 9pm
Where: Miaoli County Culture Bureau (
Ticket: Exhibition NT$100; Performances, free or NT$100 to NT$500
For more information call (037) 352-961 ext. 611-614 or check out the festival Web site at http://www.mask.org.tw.
Wooden houses wedged between concrete, crumbling brick facades with roofs gaping to the sky, and tiled art deco buildings down narrow alleyways: Taichung Central District’s (中區) aging architecture reveals both the allure and reality of the old downtown. From Indigenous settlement to capital under Qing Dynasty rule through to Japanese colonization, Taichung’s Central District holds a long and layered history. The bygone beauty of its streets once earned it the nickname “Little Kyoto.” Since the late eighties, however, the shifting of economic and government centers westward signaled a gradual decline in the area’s evolving fortunes. With the regeneration of the once
Even by the standards of Ukraine’s International Legion, which comprises volunteers from over 55 countries, Han has an unusual backstory. Born in Taichung, he grew up in Costa Rica — then one of Taiwan’s diplomatic allies — where a relative worked for the embassy. After attending an American international high school in San Jose, Costa Rica’s capital, Han — who prefers to use only his given name for OPSEC (operations security) reasons — moved to the US in his teens. He attended Penn State University before returning to Taiwan to work in the semiconductor industry in Kaohsiung, where he
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and
Perched on Thailand’s border with Myanmar, Arunothai is a dusty crossroads town, a nowheresville that could be the setting of some Southeast Asian spaghetti Western. Its main street is the final, dead-end section of the two-lane highway from Chiang Mai, Thailand’s second largest city 120kms south, and the heart of the kingdom’s mountainous north. At the town boundary, a Chinese-style arch capped with dragons also bears Thai script declaring fealty to Bangkok’s royal family: “Long live the King!” Further on, Chinese lanterns line the main street, and on the hillsides, courtyard homes sit among warrens of narrow, winding alleyways and
RSS