The Second Miaoli International Mask Festival (第二屆苗栗國際假面藝術節), which opened Saturday, is presenting one of the most comprehensive exhibitions of Asian masks ever held in Taiwan. The event, which runs until April 29, will also incorporate an array of folk music and dance performances associated with the use of masks.
The exhibition and performances are sponsored by the Miaoli County Culture Bureau (
PHOTO COURTESY OF ACEF
The current exhibition, which focuses on Asia, contains 403 masks, many of them over a century old. Highlights of the exhibition are two sacrificial masks from Java which date back 1,000 years, one of which is made of gold, the other of bronze. Securing these objects' shipment to Taiwan for the show was perhaps the event's biggest coup. "Insurance made up a large part of the expenses for this show," said Chou.
PHOTO COURTESY OF ACEF
The mask exhibition takes the form of an installation art display and aims to cover the two main traditions of mask art in Asia, Chinese and Indian. Chou said said viewers will be able to see the frequent overlap of the traditions,especially visible in the mask art of regions like Tibet. Featured masks originate from Mongolia, Tibet, China, Japan, Taiwan, Thailand, India, Nepal and Sri Lanka.
The Miaoli Mask Festival was initiated in 1999 during the preparation for the construction of the Sanyi Museum of Wood Sculpture (三義木雕博物館), when cultural administrators happened upon the strong vein of mask art that exists within Miaoli's wood carving tradition.
PHOTO COURTESY OF ACEF
The subtitle of the show "Masks, a Banquet for the Soul" (假面的藝術,心靈的饗宴) is intended to emphasize the important role that masks play in expressing religious aspirations and the importance of masks in traditional culture.
PHOTO COURTESY OF ACEF
Although masks are not commonly used in Chinese ritual or performance, Hakka (客家) culture, which is strongly represented in Miaoli, uses masks in funeral rites, which explains the choice of Miaoli for the event.
Hakka masks will be on display, as will another form of Chinese masks, called "Nuo" (儺面), which date back to the Tang dynasty (618-907) and are currently only used in China's relatively isolated Guizhou (貴州) and Jiangxi (
PHOTO: TIFFANY FENG, TAIPEI TIMES
One of the most dynamic elements of the festival will be performances by troupes from all over the world. These will be held in many different locations around Miaoli and most, with the exception of those by higher-profile dance groups, will be free.
Organizers say the event is a rare opportunity to learn about the rich heritage and multiple religious and cultural usages of masks. "By wearing a mask I represent a ghost. In the northeast of Thailand, the masked performers scare away evil spirits that lurk in the wilderness," said one ghost performer of the Nongkhai Dramatic Art Club (農凱戲劇藝術團) from Thailand.
Members of Mongol National Ethnic Dance Group (蒙古國家民族歌舞團) said that their masks were representations of Buddha, and their performance was intended to subdue demons and enhance people's faith in Buddhism.
Fu Hsueh-peng (傅學鵬), Miaoli County commissioner, said he hoped the arts festival would become a regular event to show off Miaoli's culture and give Miaoli residents a chance to learn more about the cultures of other nations.
What: The Second Miaoli International Mask Festival (
When: April 1 to April 29, 9am to 9pm
Where: Miaoli County Culture Bureau (
Ticket: Exhibition NT$100; Performances, free or NT$100 to NT$500
For more information call (037) 352-961 ext. 611-614 or check out the festival Web site at http://www.mask.org.tw.
June 2 to June 8 Taiwan’s woodcutters believe that if they see even one speck of red in their cooked rice, no matter how small, an accident is going to happen. Peng Chin-tian (彭錦田) swears that this has proven to be true at every stop during his decades-long career in the logging industry. Along with mining, timber harvesting was once considered the most dangerous profession in Taiwan. Not only were mishaps common during all stages of processing, it was difficult to transport the injured to get medical treatment. Many died during the arduous journey. Peng recounts some of his accidents in
“Why does Taiwan identity decline?”a group of researchers lead by University of Nevada political scientist Austin Wang (王宏恩) asked in a recent paper. After all, it is not difficult to explain the rise in Taiwanese identity after the early 1990s. But no model predicted its decline during the 2016-2018 period, they say. After testing various alternative explanations, Wang et al argue that the fall-off in Taiwanese identity during that period is related to voter hedging based on the performance of the Democratic Progressive Party (DPP). Since the DPP is perceived as the guardian of Taiwan identity, when it performs well,
The Taiwan People’s Party (TPP) on May 18 held a rally in Taichung to mark the anniversary of President William Lai’s (賴清德) inauguration on May 20. The title of the rally could be loosely translated to “May 18 recall fraudulent goods” (518退貨ㄌㄨㄚˋ！). Unlike in English, where the terms are the same, “recall” (退貨) in this context refers to product recalls due to damaged, defective or fraudulent merchandise, not the political recalls (罷免) currently dominating the headlines. I attended the rally to determine if the impression was correct that the TPP under party Chairman Huang Kuo-Chang (黃國昌) had little of a
At Computex 2025, Nvidia CEO Jensen Huang (黃仁勳) urged the government to subsidize AI. “All schools in Taiwan must integrate AI into their curricula,” he declared. A few months earlier, he said, “If I were a student today, I’d immediately start using tools like ChatGPT, Gemini Pro and Grok to learn, write and accelerate my thinking.” Huang sees the AI-bullet train leaving the station. And as one of its drivers, he’s worried about youth not getting on board — bad for their careers, and bad for his workforce. As a semiconductor supply-chain powerhouse and AI hub wannabe, Taiwan is seeing
RSS