Some took issue with the lack of French content. Others focused on the small glitch at the end of the ceremony, when one of the legs forming the Olympic torch failed to rise. A few have complained about the fact that the other torch — the one displayed outside — is surrounded by barbed wire and inaccessible to the general public.
For this author, it was the exploitation of Aborigines: Even though they were given prominent position during the opening ceremony of the Vancouver Winter Olympics, Canada’s natives continue to be treated as second-rate citizens by the Canadian government and remain largely impoverished.
Case in point: Of the 206 athletes who are representing Canada in the Games, only one — snowboarder Caroline Calve from Quebec — is an Aborigine. If the Canadian team were truly representative of Canada’s ethnic fabric, there would be seven or eight Aborigines on the team (about 4 percent of the population identify as Aboriginal). Canada will also have only one Aborigine — Colette Bourgonje — at the Paralympic Winter Games next month.
‘AUTHENTIC’
That some of the “authentic” First Nations Olympic souvenirs were found to have been manufactured in China, Italy and Thailand, when one in four children in First Nations communities lives in poverty (the highest rate is in British Columbia), also underscores the handicap that Canada’s Aborigines face today.
That said, artistic director David Atkins gave us an eyeful on Feb. 12, turning BC Place in Vancouver into a dreamlike scene that blended actors, dancers, an unprecedented use of projectors, as well as poetry and music. For many, the highlights were the wonderful narration by Canadian actor Donald Sutherland and K.D. Lang’s haunting rendition of the great Leonard Cohen’s Hallelujah, where the signer stood, alone, among millions of bright stars in the night.
Above all, the ceremony distinguished itself through its focus on the individual and its embrace of difference. Carrying the Olympic flag, for example, were individuals such as Romeo Dallaire, who led UN peacekeeping forces during the Rwandan genocide in 1994. The torch, meanwhile, was carried in by Rick Hansen, a paraplegic athlete. Lang is lesbian. Hockey great Wayne Gretzky did not light the torch alone; he was one among equals.
This was quite the contrast with the opening ceremonies in Beijing in August 2008, where the individual could not be distinguished from the masses and where a child was deemed not pretty enough (she had crooked teeth) to sing before the public and was therefore replaced by a picture-perfect lip-synching stand-in. Beijing gave many a frisson, a spectacular feat that sent a chill down one’s spine. It screamed nationalism unleashed, the setting in motion of a wheel that crushed the individual on its road to glory. And criticism of the ceremony — at least domestically — was silenced.
HUMILITY
In the end, Atkins’ work was far more moving for its centering on the individual and its humility in design. It was much more intimate and drew the spectator in rather than keep him at bay. However grandiose Zhang Yimou’s (張藝謀) Beijing feat may have been, it was difficult to connect emotionally with his work. It was exclusive rather than inclusive, meant to intimidate rather than to inspire.
Ultimately, Vancouver showed maturity and confidence, something that was lacking in Beijing — and continues to be lacking today. Humility can be strength where muscular fanfare is a sign of weakness.
J. Michael Cole is an editor at the Taipei Times.
The government and local industries breathed a sigh of relief after Shin Kong Life Insurance Co last week said it would relinquish surface rights for two plots in Taipei’s Beitou District (北投) to Nvidia Corp. The US chip-design giant’s plan to expand its local presence will be crucial for Taiwan to safeguard its core role in the global artificial intelligence (AI) ecosystem and to advance the nation’s AI development. The land in dispute is owned by the Taipei City Government, which in 2021 sold the rights to develop and use the two plots of land, codenamed T17 and T18, to the
Art and cultural events are key for a city’s cultivation of soft power and international image, and how politicians engage with them often defines their success. Representative to Austria Liu Suan-yung’s (劉玄詠) conducting performance and Taichung Mayor Lu Shiow-yen’s (盧秀燕) show of drumming and the Tainan Jazz Festival demonstrate different outcomes when politics meet culture. While a thoughtful and professional engagement can heighten an event’s status and cultural value, indulging in political theater runs the risk of undermining trust and its reception. During a National Day reception celebration in Austria on Oct. 8, Liu, who was formerly director of the
US President Donald Trump has announced his eagerness to meet North Korean leader Kim Jong-un while in South Korea for the APEC summit. That implies a possible revival of US-North Korea talks, frozen since 2019. While some would dismiss such a move as appeasement, renewed US engagement with North Korea could benefit Taiwan’s security interests. The long-standing stalemate between Washington and Pyongyang has allowed Beijing to entrench its dominance in the region, creating a myth that only China can “manage” Kim’s rogue nation. That dynamic has allowed Beijing to present itself as an indispensable power broker: extracting concessions from Washington, Seoul
Taiwan’s labor force participation rate among people aged 65 or older was only 9.9 percent for 2023 — far lower than in other advanced countries, Ministry of Labor data showed. The rate is 38.3 percent in South Korea, 25.7 percent in Japan and 31.5 percent in Singapore. On the surface, it might look good that more older adults in Taiwan can retire, but in reality, it reflects policies that make it difficult for elderly people to participate in the labor market. Most workplaces lack age-friendly environments, and few offer retraining programs or flexible job arrangements for employees older than 55. As
RSS