The Taiwan Peace Foundation (
The museum is municipal property, operated under private management and municipal sponsorship.
The exhibits have helped me to understand the sorrow of the Taiwanese and the pain of the "Mainlanders" (Chinese immigrants who arrived after 1949 and their descendants) and sense the longing for peace and ethnic integration.
On weekends, thousands of people of different races, age and sex have watched folk culture performances in the small plaza in front of the 228 Memorial Park (
When the management contract was first signed, the Taipei government asked the museum not to seek profits by charging high fees, set the admission fee at NT$10 per person and required periodic free admission for Taipei residents and students.
The foundation had to finance the museum's operation with special government grants and private donations. Modeling its operation after museums in other advanced countries, the foundation recruited business talents who were good at fund raising and management specialists to serve as directors. Based on the success of the museum's operations, I cannot help but admire the director's accomplishment in running the museum as an enterprise.
I also admire the two mayors who allowed the private operation of the museum and the introduction of the idea of running a museum as a business enterprise. They helped build a sense of identity among the residents of greater Taipei.
Regretfully, before the management contract expired, the city's Bureau of Cultural Affairs violated both the contract's principles and the government procurement law.
Under the contract, the city government granted the foundation priority in renewing the contract. So why did the city fail to obtain a novation or propose a contract amendment in the six months after the government procurement law was passed?
Claiming that public bidding is required under the new procurement law, the city unilaterally changed the terms of the museum contract from the initial 3-years to 10-months. The move was an obvious breach of contract. It is no wonder that the foundation refused to accept the change and has even threatened to decline management.
On the other hand, if the foundation accepts the new contract, shouldn't the new term come under the procurement law? Doesn't this also make the city's under the table agreement with the foundation also illegal? Therefore, the city's move is contradictory.
The procurement law does not mandate public bidding for all purchasing by government agencies. Selective and restrictive bidding are other alternatives. Why doesn't the city government adopt one of these alternatives? Why does it try to force a contract renewal based on an authoritarian mentality?
It is truly beyond the understanding of legal and administrative logics. Perhaps politics is the real underlying reason?
The truly fascinating thing is that the Bureau of Cultural Affairs' Director-general, Lung Ying-tai (
Chen Pi-yuan is a freelance writer based in Taipei.
When US budget carrier Southwest Airlines last week announced a new partnership with China Airlines, Southwest’s social media were filled with comments from travelers excited by the new opportunity to visit China. Of course, China Airlines is not based in China, but in Taiwan, and the new partnership connects Taiwan Taoyuan International Airport with 30 cities across the US. At a time when China is increasing efforts on all fronts to falsely label Taiwan as “China” in all arenas, Taiwan does itself no favors by having its flagship carrier named China Airlines. The Ministry of Foreign Affairs is eager to jump at
The muting of the line “I’m from Taiwan” (我台灣來欸), sung in Hoklo (commonly known as Taiwanese), during a performance at the closing ceremony of the World Masters Games in New Taipei City on May 31 has sparked a public outcry. The lyric from the well-known song All Eyes on Me (世界都看見) — originally written and performed by Taiwanese hip-hop group Nine One One (玖壹壹) — was muted twice, while the subtitles on the screen showed an alternate line, “we come here together” (阮作伙來欸), which was not sung. The song, performed at the ceremony by a cheerleading group, was the theme
Secretary of State Marco Rubio raised eyebrows recently when he declared the era of American unipolarity over. He described America’s unrivaled dominance of the international system as an anomaly that was created by the collapse of the Soviet Union at the end of the Cold War. Now, he observed, the United States was returning to a more multipolar world where there are great powers in different parts of the planet. He pointed to China and Russia, as well as “rogue states like Iran and North Korea” as examples of countries the United States must contend with. This all begs the question:
Liberals have wasted no time in pointing to Karol Nawrocki’s lack of qualifications for his new job as president of Poland. He has never previously held political office. He won by the narrowest of margins, with 50.9 percent of the vote. However, Nawrocki possesses the one qualification that many national populists value above all other: a taste for physical strength laced with violence. Nawrocki is a former boxer who still likes to go a few rounds. He is also such an enthusiastic soccer supporter that he reportedly got the logos of his two favorite teams — Chelsea and Lechia Gdansk —