Joao Gilberto, a Brazilian singer, guitarist and songwriter considered one of the fathers of the bossa nova genre that gained global popularity in the 1960s and became an iconic sound of the South American nation, died on Saturday, his son said. He was 88.
Joao Marcelo said his father had been battling health issues, although no official cause of his death in Rio de Janeiro was given.
“His struggle was noble. He tried to maintain his dignity in the light of losing his independence,” Marcelo posted on Facebook.
A fusion of samba and jazz, bossa nova emerged in the late 1950s and gained a worldwide following in the 1960s, pioneered by Gilberto and Antonio Carlos Jobim, who composed the iconic The Girl From Ipanema that was performed by Gilberto and others.
His wife, Astrud Gilberto, made her vocal debut in the song.
Self-taught, Gilberto said he discovered music at age 14 when he held a guitar in his hands for the first time.
With his unique playing style and modern jazz influences, he created the beat that defined bossa nova, helping launch the genre with his song Bim-Bom.
By 1961, Gilberto had finished the albums that would make bossa nova known around the world: Chega de Saudade, Love, a Smile and a Flower, and Joao Gilberto.
His 1964 album Getz/Gilberto with US saxophonist Stan Getz sold millions of copies.
“It was Joao Gilberto, the greatest genius of Brazilian music, who was the definitive influence on my music,” singer Gal Costa wrote on social media. “He will be missed but his legacy is very important to Brazil and to the world.”
Born in Bahia in northeastern Brazil, Gilberto moved to Rio de Janeiro at a young age. He was influenced by US jazz greats and recorded songs in the US, where he lived for much of the 1960s and 1970.
Over his career he won two Grammy awards and was nominated for six, and the US jazz magazine DownBeat in 2009 named him one of the 75 great guitarists in history and one of the five top jazz singers.
An entire subsequent generation of Brazilian musicians, including Gilberto Gil, Chico Buarque and Caetano Veloso, are considered his disciples.
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