With tens of thousands of style moguls in the world’s fashion capital this month checking out and stocking up on the latest trends, counterfeiters and crime-busters are having a field day.
From jewelry to apparel to home accessories and goods, the city’s twice-yearly trend and trade shows held on the eve of Paris Fashion Week attract more than 100,000 buyers and designers, both domestic and foreign.
Photographs are banned and access severely restricted to stands at the half dozen events taking place in town, yet at this week’s lingerie show a top lace-maker from Austria was furious.
On visiting the Mode City trends center, a focal point for makers of underwear and swimwear looking for next season’s colors, fabrics and cuts, Markus Hammerle stumbled onto one of his own exclusive laces — but it was a forgery being exhibited by an Italian firm as its own design.
“All our designs are offered on an exclusive basis to our clients,” he said. “If they see a copy elsewhere they might conclude we were selling them counterfeits, that we were cheats. This could damage our reputation.”
Long blamed on Asia and believed to be restricted to luxury brands, counterfeiting clothes is widespread across Europe and as often as not practiced by reputable high street brands, said specialist lawyer Corinne Champagner Katz.
As head of a prestigious one-hundred-year-old embroidery firm on Lake Constance that sells to established lingerie brands such as Triumph or Wacoal, Hammerle took his case to her and within 24 hours had secured a signed pledge from the Italian counterfeiter to withdraw the lace from sale.
“We invest a lot of money in design and research,” Hammerle said in an interview.
“This is a huge problem. When designers are faced by counterfeiters they must take action as we did. You musn’t let forgers feel they can get away with it,” he said.
Though they may seem insignificant, the swatches of lace trimming on underwear, not to mention wedding gowns, are key to sales.
“It’s that piece of lace that will sell a bra,” said Champagner Katz, who for several years has been helping lingerie makers protect their rights during the Paris shows.
“Lace is a prime victim of forgery,” she added.
Industrial espionage and forgery were age-old problems, she said, “but there are more and more copies being made in every sector of the fashion field. And with the modernization of communication the copies are quick.”
At the exclusive fabrics fair, Premiere Vision, where stands have high enough walls to conceal the samples, one resourceful counterfeiter used a watch-camera that transmitted snapshots directly via the Internet.
“Whenever you come up with a really exceptional design you can be sure someone else will copy it,” said Christian Keusseyan, joint director of French swimsuit and lingerie firm Pain de Sucre.
“If it’s a tiny boutique or a small company we don’t react because fashion after all is always inspired by someone else’s design. But when it’s a well-known brand with a turnover 10 times as big as ours that exports across the world, it’s unacceptable. It’s like being robbed,” Keusseyan said from inside his stand, where staff admit visitors only after checking their credentials.
Keusseyan’s company produces 200,000 swimsuits a year and has already won lawsuits for copyright breach against Spain’s Manuel Canovas, Italy’s Argento Vivo and known brands from France, Germany and Australia.
A complaint has also been filed against one of the top US labels, which cannot be named with the case still pending.
“It can take us three to four years to get a design just right and then that model will sell through several seasons in different fabrics,” Keusseyan said.
“No one would copy the Coca-Cola or Evian bottle, would they?” he said.
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