Wed, Aug 19, 2020 page3

• Aborigines furious over ‘decency’ fix for totems

  ‘HURT’: The contractor covered the totems’ lower bodies with skirts during restoration because they looked ‘vulgar,’ without informing their creator

  • By Tsai Tsung-hsien and William Hetherington / Staff reporter, with staff writer
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  A Paiwan community in Pingtung County’s Mudan Township (牡丹) is angry and disappointed after a set of totems carved by a local artist were altered during restoration.

  The totems, carved by Hua Heng-ming (華恆明), had depicted Paiwan men and women with their lower bodies uncovered. Feeling that the totems in their original form were indecent, the contractor covered their lower halves with colorful skirts.

  After learning about the change, Hua said he felt “deeply hurt.”

  

  Aboriginal totems near the Mudan Reservoir in Pingtung County’s Mudan Township are pictured in an undated photograph, before they were modified during restoration work.

  Photo copied by Tsai Tsung-hsien, Taipei Times

  “The contractor made the change on his own, saying that the display of genitals was ‘vulgar,’” the Mudan Township Office said, adding that it would hold a town meeting to gather opinions, and would ask the contractor to restore the totems to their original form based on the community’s demands.

  Located at the entrance of the road leading to the township’s reservoir, the totems form the sides of an arched entryway and are made with reinforced concrete painted to look like wood.

  The entryway was built in 1999, and continues to be one of Hua’s best-known works.

  

  Aboriginal totems near the Mudan Reservoir in Pingtung County’s Mudan Township are pictured on Monday, after they were modified during restoration work.

  Photo: Tsai Tsung-hien, Taipei Times

  The use of bright colors in the restoration, along with the addition of skirts has destroyed the special characteristics of the work, and has removed their cultural connection with Paiwan ancestry, Hua said.

  “[The contractor] made these major changes and did not even inform me — the original artist,” he said.

  The original entryway had become a landmark for tourists, and also held significance for the Paiwan community, which was relocated for the construction of the reservoir, he said.

  The use of the original wood color and the depictions of the Sun God in the archway are signs of respect to Paiwan ancestors, and the archway was built to call on those ancestors to protect the community, he said, adding that it was the equivalent of temples built by Han Taiwanese.

  Temples also cannot be modified at will, and changing the archway has caused worry and discontent among the community’s elderly, he said.

  The added skirts are also not the type of clothing Paiwan would wear, and adding them to the totem made a mockery of Paiwan culture, he said.

  The township office had secured permission from the Pingtung County Government to repaint the entryway in its original color, but the contractor ignored the request and added his own changes, office secretary Tsai Chung-jen (蔡重仁) said.

  The office would have the archway restored properly, he said, adding that he apologized to Hua over the mishap.
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