In the dead of night on a beach in Suriname’s capital Paramaribo, a group of just-hatched baby sea turtles clamber out of their sandy nesting hole and race, flippers flailing, towards the sea.
For years, endangered leatherbacks and green turtles have emerged onto Braamspunt beach to lay their eggs.
But the land spit at the tip of the Suriname river estuary is rapidly vanishing as erosion, caused by rising sea levels linked to climate change, gobbles up entire swathes of Paramaribo’s coastline.
Photo: AFP
“Maybe we’ll get one more season out of this,” Kiran Soekhoe Balrampersad, a guide who accompanied a group of tourists on a recent expedition to see the nesting turtles, said.
“But after that there’ll no longer be a beach,” he added dolefully.
Suriname, South America’s smallest country, is one of the most vulnerable in the world to rising sea levels.
Photo: AFP
Nearly seven out of 10 people in the former Dutch colony of 600,000 inhabitants live in low-lying coastal areas, according to the UN Intergovernmental Panel on Climate Change.
“Every day I see a piece of my land disappear,” said Gandat Sheinderpesad, a 56-year-old farmer who has lost 95 percent of his smallholding to the sea.
Local authorities have for years been trying to find a way to hold back the tide.
Photo: AFP
“Some areas are not problematic because we have five, 10, even 20 kilometers of mangrove” acting as a buffer between the waves and the shore, Minister of Public Works Riad Nurmohamed said.
But near Paramaribo, “there is just one kilometer so it’s a very vulnerable zone,” he added.
In 2020, a program to restore the capital’s mangroves was launched.
UN Secretary General Antonio Guterres sought to add VIP power to the initiative in 2022 by wading into the mud to personally plant seedlings.
But five years later, Sienwnath Naqal, the climate change and water management expert who led the project, surveys a scene of desolation.
The sea is now lapping at the edge of a road and the wooden stakes to which he had attached hundreds of samplings are largely bare.
High seas carried away the substrate sediment, leaving the roots exposed.
“Over the last two to three years the water forcefully penetrated the mangroves, which were destroyed,” Nurmohamed said.
The dredging of sand at the entrance to Paramaribo estuary to facilitate the passage of boats headed upriver to the port also contributed to the erosion, Naqal said. But like the Amazon rainforest in neighboring Brazil, the destruction was also deliberate in places, with farmers uprooting mangroves to make way for crops.
With the water lapping at the feet of Paramaribo’s 240,000 people, Suriname has changed tack and set about building a dyke.
For Sheinderpesad, the levee represents his last chance of remaining on his land.
“I have nowhere else to go. When we have the dyke, I will be safer, although I’m not sure for how long,” he said.
The 4.5km-long barrier will cost US$11 million, which the government has vowed to fund from state coffers.
“If you go see donors it takes years before you can start to built. We have no time to waste, we’ll be flooded,” Nurmohamed explained.
But plugging one hole in the country’s maritime defenses will not suffice to keep the mighty Atlantic at bay.
The government wants to build up the entire network of dykes that dot the country’s 380km coastline. It’s just not sure where to find the money.
“It’s a colossal investment,” Nurmohamed said.
The country’s newly discovered offshore oil deposits may provide the answer.
Last year, French group TotalEnergies announced a US$10.5 billion project to exploit an oil field off Suriname’s coast with an estimated capacity of producing 220,000 barrels per day.
Last week the government announced that by year’s end Taiwan will have the highest density of anti-ship missiles in the world. Its inventory could exceed 1,400, or enough for the opening two hours of an invasion from the People’s Republic of China (PRC). Snark aside, it sounds impressive. But an important piece is missing. Lost in all the “dialogues” and “debates” and “discussions” whose sole purpose is simply to dawdle and delay is what the Chinese Nationalist Party (KMT) alternative special defense budget proposal means for the defense of Taiwan. It is a betrayal of both Taiwan and the US. IT’S
March 16 to March 22 Hidden for decades behind junk-filled metal shacks, trees and overgrowth, a small domed structure bearing a Buddhist swastika resurfaced last June in a Taichung alley. It was soon identified as a remnant of the 122-year-old Gokokuzan Taichuu-ji (Taichung Temple, 護國山台中寺), which was thought to have been demolished in the 1980s. In addition, a stone stele dedicated to monk Hoshu Ono, who served as abbot from 1914 to 1930, was discovered in the detritus. The temple was established in 1903 as the local center for the Soto school
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.