Women in Taiwan often say “my aunt is visiting” (大姨媽來了) or “my ‘that’ is here” (那個來) when their menstrual cycle arrives — but there are no euphemisms to describe it at the Red House Period Museum (小紅厝月經博物館), which opened on Thursday.
“Due to a lack of understanding, fear of blood and various taboos, the period has historically and globally been something that cannot be discussed publicly,” a display on period stigma at the museum states. “Or, it is replaced by all sorts of indirection.”
The museum estimates that there are more than 30 such terms in Taiwan to describe that time of month, related phenomena and items such as menstrual pads. Taiwan is not alone: there are over 5,000 terms used across the world to avoid saying the actual word.
Photo: Han Cheung, Taipei Times
Located on a market street in Taipei’s Datong District (大同) frequented by the elderly, the museum’s bright red facade stands out — especially the statue of a smiling, anthropomorphic drop of blood sitting on a bench. Once inside, visitors encounter a large, bright-red tree and a wall of vaginas.
Anatomy lessons, art displays, personal stories and period-related products, the museum has been three years in the making by With Red (小紅帽), a nonprofit organization dedicated to eliminating period poverty, period inequality and period stigma. In addition to the museum, the organization has an ongoing exhibition at the Taiwan Women’s Center (國家婦女館) with period-related stories they’ve collected from four generations of Taiwanese women.
“Periods are the elephant in the room,” founder Vivi Lin (林薇) says in a video at the museum. “It’s obviously there, but we don’t see it. But when we create a physical space in this city … that’s immediately noticeable, people can’t ignore it anymore.”
Photo: Han Cheung, Taipei Times
The first part, which explains how the uterus and menstrual cycle works, leans toward the cutesy side with displays that look like they come from children’s sex-ed textbooks. The treatment works in this case as it eases the viewers in, and despite the light-hearted tone, the anatomical information is detailed and clear.
ART INSPIRED BY THE PERIOD
The other side of the wall is dedicated to period-inspired art. Interestingly, the inaugural exhibition, Flow (身體伏流), includes pieces by male artists. This makes sense as much of the stigma is caused by traditional patriarchal attitudes. Many men are ashamed to buy menstrual hygiene products for their loved ones, or think that female colleagues who take time off due to menstrual discomfort are lazy.
Photo: Han Cheung, Taipei Times
Of note is the mini gift shop with stickers, earrings, shirts, trinkets and even sanitary pad and moon cup-shaped tea bags, all created by With Red. What better way to remove stigma than to make the period fashionable?
Covered from ground to ceiling in a stylish bright red paint, the second floor deals with more serious issues through personal testimonies.
Some are quite eye-opening. One woman details how her mom forbade her from touching houseplants during her period as she believed that it would kill them. Another tells of a female teacher, who would put her hand into the underwear of a student after she requested time off due to her period. The teacher wanted proof that the student was “bleeding.” After this policy caused a stir, the school had each student submit their period cycle to the male swimming teacher, who ignored the fact that periods could be irregular.
Photo: Han Cheung, Taipei Times
PERIOD POVERTY
Period poverty is also a subtheme, a topic people rarely broach. About 9 percent of women in Taiwan struggle to purchase sanitary products. Several artworks with personal stories illustrate the hardships they endure — skipping meals to save money or sitting on the toilet to let the blood drip to conserve pads.
This exhibition continues the work that With Red has been doing over the past few years, and will definitely raise awareness and provoke discussion about menstruation. It would be great if the displays and stories could be translated into English, however, something the staff say they are planning to do in the future.
Growing up in a rural, religious community in western Canada, Kyle McCarthy loved hockey, but once he came out at 19, he quit, convinced being openly gay and an active player was untenable. So the 32-year-old says he is “very surprised” by the runaway success of Heated Rivalry, a Canadian-made series about the romance between two closeted gay players in a sport that has historically made gay men feel unwelcome. Ben Baby, the 43-year-old commissioner of the Toronto Gay Hockey Association (TGHA), calls the success of the show — which has catapulted its young lead actors to stardom -- “shocking,” and says
Inside an ordinary-looking townhouse on a narrow road in central Kaohsiung, Tsai A-li (蔡阿李) raised her three children alone for 15 years. As far as the children knew, their father was away working in the US. They were kept in the dark for as long as possible by their mother, for the truth was perhaps too sad and unjust for their young minds to bear. The family home of White Terror victim Ko Chi-hua (柯旗化) is now open to the public. Admission is free and it is just a short walk from the Kaohsiung train station. Walk two blocks south along Jhongshan
The 2018 nine-in-one local elections were a wild ride that no one saw coming. Entering that year, the Chinese Nationalist Party (KMT) was demoralized and in disarray — and fearing an existential crisis. By the end of the year, the party was riding high and swept most of the country in a landslide, including toppling the Democratic Progressive Party (DPP) in their Kaohsiung stronghold. Could something like that happen again on the DPP side in this year’s nine-in-one elections? The short answer is not exactly; the conditions were very specific. However, it does illustrate how swiftly every assumption early in an
Jan. 19 to Jan. 25 In 1933, an all-star team of musicians and lyricists began shaping a new sound. The person who brought them together was Chen Chun-yu (陳君玉), head of Columbia Records’ arts department. Tasked with creating Taiwanese “pop music,” they released hit after hit that year, with Chen contributing lyrics to several of the songs himself. Many figures from that group, including composer Teng Yu-hsien (鄧雨賢), vocalist Chun-chun (純純, Sun-sun in Taiwanese) and lyricist Lee Lin-chiu (李臨秋) remain well-known today, particularly for the famous classic Longing for the Spring Breeze (望春風). Chen, however, is not a name
RSS