A recording of Paiwan singers from Sinevaudjan Village echoes through the exhibition room, the lyrics looking back at the hardships their ancestors suffered to give them the life they have today. Nearly 150 years ago, the village was wiped off the map by the Japanese during the Mudan Incident (牡丹社事件), and it took 36 years for the people to return and rebuild it.
Due to a misunderstanding caused by language and cultural barriers, the ancestors of these singers — along with those from neighboring Kukus — killed 54 shipwrecked Ryukyuan sailors who had accidentally wandered into their territory in 1871. Their actions triggered a Japanese punitive expedition three years later that alarmed the Qing Dynasty, who long-treated Taiwan as a remote backwater that wasn’t worth investing in.
It was a pivotal moment in East Asian history. The Qing started paying more attention to governing and defending Taiwan, while Japan annexed the Kingdom of Ryukyu, its first move in what would be decades of imperial expansion.
Photo: Han Cheung, Taipei Times
Both Paiwan villages were burnt down, and for more than a century, the events were told exclusively from Japanese, Chinese and Western perspectives. Over the past 20 years, experts and locals have been reconstructing a new historical interpretation with the Paiwan as the main subjects. Earlier this month, Mudan Township unveiled new statues of Paiwan leader Aruqu Kavulungan and his son, who were killed in the incident but left out of the conventional narrative.
This display in Huashan 1914 Creative Park is a teaser for later next month’s Listening to Mudan: Formosa Incident of 1874 (聆聽牡丹的聲音) audiovisual exhibition that literally returns the voice to the Paiwan on their traditional land in Pingtung County. The Huashan exhibition closes on June 8, and the Pingtung event opens on June 24.
The Mudan Incident is often connected to the Rover Incident of 1867, which happened further to the south and was also triggered by Paiwan warriors killing shipwrecked foreigners — in this case Americans.
Photo: Han Cheung, Taipei Times
This story was recently dramatized into last year’s hit mini-series Seqalu, drawing much public interest to the history of this area. The research that led to this exhibition is the result of the International Conference on Encounters between Southern Formosa and World, which was held in November 2019, and two years of field research into both incidents by Story Studio (故事).
The Taipei display offers an atmospheric general overview of the events in Chinese and English, but in Pingtung visitors can listen to recordings of Kukus and Sinevaudjan descendants telling their accounts of the incident, which have been passed on orally through the generations, in the Paiwan language and tradition. This is symbolic because the original dispute was caused by cultural and linguistic differences, and most visitors will have to rely on the translations to understand it.
The Pingtung show will also provide transportation and possible tours to several historic sites related to the incident, including one of the main battlefields that can be explored through riverside trails restored earlier this year. Also on the list are the graves of the 54 Ryukuan victims and a memorial to the incident erected by the Japanese in 1935. The Chinese Nationalist Party (KMT) scratched off the memorial’s text after World War II, and it was only restored in 2020.
Photo: Han Cheung, Taipei Times
More details will be announced later next month.
A few weeks ago I found myself at a Family Mart talking with the morning shift worker there, who has become my coffee guy. Both of us were in a funk over the “unseasonable” warm weather, a state of mind known as “solastalgia” — distress produced by environmental change. In fact, the weather was not that out of the ordinary in boiling Central Taiwan, and likely cooler than the temperatures we will experience in the near-future. According to the Taiwan Adaptation Platform, between 1957 and 2006, summer lengthened by 27.8 days, while winter shrunk by 29.7 days. Winter is not
Taiwan’s post-World War II architecture, “practical, cheap and temporary,” not to mention “rather forgettable.” This was a characterization recently given by Taiwan-based historian John Ross on his Formosa Files podcast. Yet the 1960s and 1970s were, in fact, the period of Taiwan’s foundational building boom, which, to a great extent, defined the look of Taiwan’s cities, determining the way denizens live today. During this period, functionalist concrete blocks and Chinese nostalgia gave way to new interpretations of modernism, large planned communities and high-rise skyscrapers. It is currently the subject of a new exhibition at the Taipei Fine Arts Museum, Modern
March 25 to March 31 A 56-year-old Wu Li Yu-ke (吳李玉哥) was straightening out her artist son’s piles of drawings when she inadvertently flipped one over, revealing the blank backside of the paper. Absent-mindedly, she picked up a pencil and recalled how she used to sketch embroidery designs for her clothing business. Without clients and budget or labor constraints to worry about, Wu Li drew freely whatever image came to her mind. With much more free time now that her son had found a job, she found herself missing her home village in China, where she
In recent years, Slovakia has been seen as a highly democratic and Western-oriented Central European country. This image was reinforced by the election of the country’s first female president in 2019, efforts to provide extensive assistance to Ukraine and the strengthening of relations with Taiwan, all of which strengthened Slovakia’s position within the European Union. However, the latest developments in the country suggest that the situation is changing rapidly. As such, the presidential elections to be held on March 23 will be an indicator of whether Slovakia remains in the Western sphere of influence or moves eastward, notably towards Russia and