To bring sustainability and prosperity to their farms, some agriculturalists in southern Taiwan have embraced innovative types of companion planting. In contrast to the monoculture that dominates much of the rich world’s farmland, companion planting is the cultivation of different crops in proximity, usually to optimize the space, for pest control or to enhance pollination.
The symbiotic relationship between cacao trees and betel nut, which may be unique to Pingtung County, is striking when one visits the cacao plantations maintained by Choose Chius (邱氏可可) and Wugawan (牛角灣) in Neipu (內埔).
The history of growing cacao in Taiwan goes back to Japanese colonial rule. Taichiro Morinaga, founder of Morinaga & Co — the first modern candy company in Japan, and the first manufacturer of chocolate in that country — visited Taiwan in 1927 to find land suitable for growing cacao. He hoped the company could become self-sufficient in cocoa in order to meet the high demand for chocolate in Japan.
Photo: Katy Hui-wen Hung
His successor, Matsuji Ogushi, continued the cacao mission in 1937, setting up a cacao-focused research institute in Pingtung County. However, challenging conditions and the outbreak of World War II dashed Morinaga’s and Ogushi’s Taiwan chocolate dreams.
When the Japanese left in 1945, the Neipu area was dotted with cacao trees, but unsustainable farming techniques meant few of them survived. The growing of cacao became a forgotten wrinkle in the region’s agriculture history, especially after the Chinese Nationalist Party (KMT) regime began to promote betel nut for its economic value.
HAKKA CHOCOLATE
Photo: Katy Hui-wen Hung
Now, as before, cacao cultivation is concentrated in Hakka communities in Pingtung County. Chiu Ming-sung (邱銘松), a Hakka farmer who started growing betel nut in 1975, led the cacao comeback in 2000. He was seeking a new business direction, recognizing that the popularity of betel nut was beginning to wane.
Chiu discovered that growing cacao under betel nut palms is the best way to develop a new business while continuing with the old. The ideal cacao plantation is hot and humid, but sheltered from both sunshine and wind. Betel nut palms provide shade. During the typhoon season, tying cacao trees to the trunks of betel nut palms prevents the former from toppling.
With support from an extended family and a great deal of effort to develop new techniques, in 2010 Choose Chius became the first Taiwanese “from tree to bar” chocolate brand. There are now more than 30 across Pingtung.
Photo: Katy Hui-wen Hung
CHOCOLATE CURRY AND NOODLES
Wugawan founder Lai Hsi-hsian (賴錫賢), a pineapple farmer who practices eco-friendly agriculture, developed with his wife a curry recipe that uses 100-percent chocolate and chocolate-flavored noodles. The cacao trees he cultivates are protected by banana trees and betel nut palms.
Another kind of companion planting was pointed out to this reporter during a visit to Namasia (那瑪夏), a mountainous indigenous township in the northeastern part of Kaohsiung.
Photo: Katy Hui-wen Hung
Some fields in Namasia are used to grow Jinhuang (金煌) mangoes. This highly popular variety is named after the Taiwanese farmer who spent 12 years developing it, then considerable time improving its appearance and taste. The Jinhuang mango last year received the presidential seal of approval when President Tsai Ing-wen (蔡英文) planting a Jinhuang cutting while visiting Palau.
Alas Istandah, a local indigenous woman who co-manages a restaurant and a campsite, identified intertwining aiyu (愛玉, an endemic subspecies of Ficus pumila used to make a jelly dessert) among the mango trees.
According to Istandah, mango tree roots grow so extensively and deep into the soil that they absorb enough water to nourish what grows around them. They also function as an ideal support for a climbing fig.
Photo: Katy Hui-wen Hung
“You can see different generations of companion planting methods here,” says Istandah.
She further explains that “older generation” refers to the traditional “marriage of the two” method, in which the farmer planted mango and aiyu roots deep into the soil. The “younger generation” is a shortcut method of growing aiyu by wrapping the vine around a concrete post up for some ten years, before tying it to a supporting mango tree.
“These companion methods have been around for decades,” says Istandah.
Last week the government announced that by year’s end Taiwan will have the highest density of anti-ship missiles in the world. Its inventory could exceed 1,400, or enough for the opening two hours of an invasion from the People’s Republic of China (PRC). Snark aside, it sounds impressive. But an important piece is missing. Lost in all the “dialogues” and “debates” and “discussions” whose sole purpose is simply to dawdle and delay is what the Chinese Nationalist Party (KMT) alternative special defense budget proposal means for the defense of Taiwan. It is a betrayal of both Taiwan and the US. IT’S
March 16 to March 22 Hidden for decades behind junk-filled metal shacks, trees and overgrowth, a small domed structure bearing a Buddhist swastika resurfaced last June in a Taichung alley. It was soon identified as a remnant of the 122-year-old Gokokuzan Taichuu-ji (Taichung Temple, 護國山台中寺), which was thought to have been demolished in the 1980s. In addition, a stone stele dedicated to monk Hoshu Ono, who served as abbot from 1914 to 1930, was discovered in the detritus. The temple was established in 1903 as the local center for the Soto school
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.