A ferocious pianist with a madcap rubberband of a voice and bombastic stage personality, Little Richard, who died Saturday at 87, will go down in history as a key architect behind years of rock’s music world dominance.
But though his pancake makeup and gaudy costumes oozed sexual ambiguity, Little Richard’s upbringing in the church underwrote his complicated lifelong journey with religion and sexuality.
Born Richard Wayne Penniman in the southern US state of Georgia, the performer was raised attending Seventh-day Adventist, Baptist and Holiness churches, where he would linger for the music, aspiring to a life as a minister.
Photo: AFP
He took early inspiration from Sister Rosetta Tharpe, an influential artist of the 1930s and 1940s and forerunner of rock, who fused gospel and spiritual lyrics with the hip-shaking rhythms of R&B.
As a teenager he traveled around his home state as a part of medicine and minstrel shows, and by the 1940s and 1950s was a cross-dressing performer who later sang alongside strippers and drag queens.
Little Richard’s star was born in the mid-1950s with his defining hit Tutti Frutti, which intoxicated legions of teenage fans eager to break loose from buttoned-up mid-century America.
But it was only after re-writing a cheeky section of the song referencing anal sex that his producer released it.
GENDER BENDER
As his fame soared, Little Richard tore down barriers as a sexually fluid black man coming from the US south where the legacy of slavery and enduring segregation were still very much open wounds.
He splashed onto the then-macho world of rock and changed it forever, electrifying the stage with his frenetic rhythms at the keys, sky-high pompadour and peacockish garb.
His flamboyant look echoed for generations among stars who would bend gender norms onstage including Prince, David Bowie, Michael Jackson, Elton John and Mick Jagger. And long before the notorious wild parties of rockers in the 1960s, Richard spoke fondly of nightly orgies in his hotel rooms where he was both an avid bisexual participant and a self-gratifying voyeur.
Offstage he would describe himself as gay, bisexual and much later “omnisexual.”
“We are all both male and female. Sex to me is like a smorgasbord. Whatever I feel like, I go for,” he’s quoted as saying in GQ in 2012.
But even his wildest days, Richard maintained his childhood interest in the church and would even read scripture to women in the morning after his orgies.
At the height of his fame in 1957, Richard abruptly canceled a tour of Australia mid-way and became a missionary for the evangelical Church of God.
Richard had seen several signs he took as divine — a fireball in the sky revealed to be part of Russia’s Sputnik first satellite launch, and news that a plane on which he had been due to return had crashed.
After his conversion, he married Ernestine Campbell, a formal-mannered secretary from Washington who was part of the church, and they adopted a son.
Richard’s sole marriage lasted four years, with the couple divorcing after Richard was arrested for approaching men in a restroom. Richard — resentful that rock ‘n’ roll was taking off without him — soon returned to music with a triumphant tour of England.
‘DEMONIC’ MUSIC
He again turned more deeply into religion in the mid-1970s and mid-1980s after the deaths of his brother Tony and his mother. By the late 1980s he had managed to merge his religious life and his stage persona, touring as a preacher and officiating at flashy celebrity weddings.
His views on sexuality remained complicated, however. In 1995, he told Penthouse magazine, “I’ve been gay my whole life and I know God is a God of love, not hate.”
But he re-emerged in public in late 2017 to speak to an evangelical church television station in Illinois, calling same-sex attraction “unnatural” and deploring Western society’s growing tolerance for transgender people.
Reverend Bill Minson, a close friend of the late performer, called Little Richard “a GIANT FOR JESUS” in a post following the singer’s death.
“In my nearly 41 years of gospel ministry I never met anyone who exemplified the love of CHRIST and honored GOD faithfully more then Rock & Roll King Little Richard,” Minson wrote.
In his biography, Richard said he was convinced that God made him famous so he could become a preacher.
And though he once dubbed himself the “inventor” of rock and graciously accepted praise that he was among its founding fathers, Richard also contradicted himself with sharp words for the genre he fashioned at the piano.
“My true belief about rock ‘n’ roll — and there have been a lot of phrases attributed to me over the years is this: I believe that this kind of music is demonic.”
June 23 to June 29 After capturing the walled city of Hsinchu on June 22, 1895, the Japanese hoped to quickly push south and seize control of Taiwan’s entire west coast — but their advance was stalled for more than a month. Not only did local Hakka fighters continue to cause them headaches, resistance forces even attempted to retake the city three times. “We had planned to occupy Anping (Tainan) and Takao (Kaohsiung) as soon as possible, but ever since we took Hsinchu, nearby bandits proclaiming to be ‘righteous people’ (義民) have been destroying train tracks and electrical cables, and gathering in villages
Swooping low over the banks of a Nile River tributary, an aid flight run by retired American military officers released a stream of food-stuffed sacks over a town emptied by fighting in South Sudan, a country wracked by conflict. Last week’s air drop was the latest in a controversial development — private contracting firms led by former US intelligence officers and military veterans delivering aid to some of the world’s deadliest conflict zones, in operations organized with governments that are combatants in the conflicts. The moves are roiling the global aid community, which warns of a more militarized, politicized and profit-seeking trend
The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping
Dr. Y. Tony Yang, Associate Dean of Health Policy and Population Science at George Washington University, argued last week in a piece for the Taipei Times about former president Ma Ying-jeou (馬英九) leading a student delegation to the People’s Republic of China (PRC) that, “The real question is not whether Ma’s visit helps or hurts Taiwan — it is why Taiwan lacks a sophisticated, multi-track approach to one of the most complex geopolitical relationships in the world” (“Ma’s Visit, DPP’s Blind Spot,” June 18, page 8). Yang contends that the Democratic Progressive Party (DPP) has a blind spot: “By treating any