The museum at the National Taipei University of Education (北師美術館) presents Bishijo: Young Pretty Girls in Art History (美少女的美術史), an exhibition about a special lineage of Japanese art that focuses on bishojo, a Japanese term that literally means “beautiful young girls.” The show includes various depictions of feminine beauty from the 17th century to the present, as depicted in Japanese traditional and western paintings, manga, sculptures and new media art. Works by over 60 artists are featured in the show, beginning with examples of ukiyo-e, a popular painting and woodcut style of the Tokugawa shogunate. Later in the 20th century, a burgeoning market for young female consumers inspired many cartoons, video games and illustrations about youth and beauty. One of the latest manifestations of bishojo is Hatsune Miku, a 16-year-old virtual idol that incorporates audiovisual technologies during live performances.
■ Museum of National Taipei University of Education (北師美術館),134 Heping E Rd Sec 2, Taipei City (台北市和平東路二段134號), tel: (02) 2732-4084. Open Tuesdays to Sundays from 10am to 5pm
■ Until Nov. 24
Photo Courtesy of Eslite Gallery
As a founding member of the painting alliance Fifth Moon Group (五月畫會), Han Hsiang-ning(韓湘寧) has been a significant figure in the modern art scene since the 1960s. His early work explored form and space in abstract painting, while experiments with photography also played a big part in his art vocabulary. Han eventually moved to New York, where art trends of the time such as minimalism and pop art greatly influenced his work and shaped his later photorealist style, for which he is best known. A retrospective of his work at Asia Art Center (亞洲藝術中心) focuses on Han’s achievements in the 60s, an exciting time marked by radical art movements. Highlights include Representing 1960 (再現1960), a series of digital prints based on Han’s paintings modified with layers of acrylic and varnish. Two of Han’s experimental films are also on view, including Run, which pays homage to John Cage’s seminal work 4’33”.
■ Asia Art Center I (亞洲藝術中心一館), 93, Lequn 2nd Rd, Taipei City (台北市樂群二路93號); Asia Art Center II (亞洲藝術中心二館) 93 Lequn 2nd Rd, Taipei City (台北市樂群二路93號). tel: (02) 8502-7939. Open Tuesdays to Sundays from 10am to 6:30pm
■ Until Sept. 15
Photo Courtesy of Museum of National Taipei University of Education
Gems from the National Palace Museum’s Collection of Rare and Antiquarian Books (院藏善本古籍選粹) is currently on view at the National Palace Museum (國立故宮博物院). The show is a selection of prints, manuscripts, copied volumes and annotated works by renowned scholars from the Song, Yuan, Ming and Qing dynasties. Providing valuable insight into the developments of scholarly studies and book-making technology in China, many of these artifacts were originally commissioned and purchased by imperial order for the enjoyment of the emperor only. Other works, mostly Ming dynasty prints and maps, were part of the former National Library of Beiping (北平圖書館). The Kangxi Kangyur is a Tibetan script of Buddhist sutras and monastic codes elaborately decorated with painted images, jewelry and embroidery.
■ National Palace Museum (國立故宮博物院), 221 Zhishan Rd Sec 2, Taipei City (台北市至善路二段221號), tel: (02) 2881-2021. Open daily from 8:30am to 6:30pm; closes at 9pm on Fridays and Saturdays
■ Until Feb. 16
Photo Courtesy of Lin & Lin Gallery
Lin & Lin Gallery’s (大未來林舍畫廊) A Thousand Faces: The Transformation of Laksana (伶變：眾相流轉) is a group exhibition of seven established and mid-career Chinese and Taiwanese artists. Isa Ho (何孟娟) is a Keelung-born photographer and mixed-media artist interested in exploring human psychology and urban narratives. Her single channel video, Peony (牡丹), includes elements of K-pop, Peking opera, Kun opera, cosplay and Buddhist imagery, which together trace a kinship amongst East Asian cultures, says the gallery. Chen Ching-yao (陳擎耀) is a Taipei-based artist who creates video installations, paintings and photographs that often appropriate symbols of popular culture and tradition. The show includes a series of Chen’s photographs in which cosplay actors imitate scenes from Japanese oral history.
■ Lin & Lin Gallery (大未來林舍畫廊), 16 Dongfeng St, Taipei City (台北市東豐街16號), tel: (02) 2700-6866. Open Tuesdays to Sundays from 11am to 7pm
■ Until Aug. 31
Photo Courtesy of Lin & Lin Gallery
In traditional Chinese painting, leaving blank space is an essential compositional technique that fosters an appreciation of emptiness. Art of Absence (留白) is a group exhibition that examines how such aesthetic traditions are interpreted in art practices today. The show presents a selection of drawings, paintings, objects and sculptures from different generations of contemporary artists. Cheng Nung-hsuan (鄭農軒) is a Taipei-born painter who deconstructs classical forms with abstract gestures. Through a process of layering and erasing contours and colors, Cheng negotiates with fragments of narratives, opening up a space of uncertainty. Lee Mau-cheng (李茂成) is a painter with a background in traditional ink art. Depicting natural scenes with countless, refined marks, Lee’s work expresses a rich dynamic between the abstract and concrete.
■ Eslite Gallery (誠品畫廊), 5F, 11 Songgao Rd, Taipei City (台北市松高路11號5樓), tel: (02) 8789-3388. Open Tuesdays to Sundays from 11am to 7pm
■ Until Sept. 1
May 11 to May 18 The original Taichung Railway Station was long thought to have been completely razed. Opening on May 15, 1905, the one-story wooden structure soon outgrew its purpose and was replaced in 1917 by a grandiose, Western-style station. During construction on the third-generation station in 2017, workers discovered the service pit for the original station’s locomotive depot. A year later, a small wooden building on site was determined by historians to be the first stationmaster’s office, built around 1908. With these findings, the Taichung Railway Station Cultural Park now boasts that it has
The latest Formosa poll released at the end of last month shows confidence in President William Lai (賴清德) plunged 8.1 percent, while satisfaction with the Lai administration fared worse with a drop of 8.5 percent. Those lacking confidence in Lai jumped by 6 percent and dissatisfaction in his administration spiked up 6.7 percent. Confidence in Lai is still strong at 48.6 percent, compared to 43 percent lacking confidence — but this is his worst result overall since he took office. For the first time, dissatisfaction with his administration surpassed satisfaction, 47.3 to 47.1 percent. Though statistically a tie, for most
Six weeks before I embarked on a research mission in Kyoto, I was sitting alone at a bar counter in Melbourne. Next to me, a woman was bragging loudly to a friend: She, too, was heading to Kyoto, I quickly discerned. Except her trip was in four months. And she’d just pulled an all-nighter booking restaurant reservations. As I snooped on the conversation, I broke out in a sweat, panicking because I’d yet to secure a single table. Then I remembered: Eating well in Japan is absolutely not something to lose sleep over. It’s true that the best-known institutions book up faster
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and
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