I know this isn’t the best way to begin an article in which I try to persuade people that a place is worth visiting, but I should be honest. Traveling on the train or driving on Freeway 3, I must have passed through Jhutian (竹田) a dozen times before it left any impression on me. This rural township in the heart of Pingtung County has no beaches or mountains. In between groves of betel nut, there are lemon orchards and fields in which adzuki beans are cultivated.
According to an ethnicity map in the Taiwan Hakka Museum (臺灣客家文化館) in Miaoli County, Jhutian is the only township in Pingtung where more than 70 percent of the population is Hakka. During the long reign of Qing Emperor Kangxi (康熙, 1661 to 1722), Hakka pioneers began reshaping the landscape to boost agricultural productivity.
Of the six local militias that protected Hakka settlements in southern Taiwan during the tumult of the 18th and 19th centuries, the one associated with Jhutian is said to be the oldest. In English, these self-defense groups are often referred to as the Liudui (六堆, literally “six heaps”). Jhutian was the “middle heap” (中堆).
Photo: Steven Crook
Being flat — and thinly populated by the standards of Taiwan’s lowlands — Jhutian is perfect for exploring by pedal power. If you bring your own bike, be aware that you can detrain at Jhutian, but bicycles cannot be loaded there. When leaving, you’ll need to board at Xishi (西勢) or Chaozhou (潮州).
Bikes suitable for short-distance touring can be rented (NT$100/2 hours on weekends; all day on weekdays) from the coffee-and-souvenirs business that occupies the old railway station. The new station, which was opened in 2015, looms over the 1919 original. Like many stations constructed during the Japanese colonial period, the latter is a single-story structure that incorporates a good amount of wood.
A couple of minor relics stand preserved a few meters away: An old bathhouse; and, beside it, the well from which begrimed railway employees had to draw water before washing.
Photo: Steven Crook
If you approach the town from the north, the first point of interest is the Zhang Wan-san Ancestral Shrine (張萬三祖祠). Chang Wan-san (張萬三) moved from China to Jhutian during the reign of Emperor Qianlong (乾隆, 1735 to 1796). According to the township office’s Web site, the hall in which he’s venerated by his descendants is open to the public. When I visited, however, it wasn’t possible to get on the grounds, let alone into the building. Even so, it’s a strikingly photogenic example of traditional architecture.
The Chang Wan-san Ancestral Shrine is near the northern end of Sanshan Road (三山路), the town’s most interesting thoroughfare. This road name, unique within Taiwan as far as I can tell, does not describe local topography (sanshan can be read as “three mountains”) but is instead a reference to the temple at number 63.
The Three Mountain Kings Temple (三山國王廟) is devoted to the spiritual rulers of three peaks in China. Non-Hakka seldom pray to this trio of deities, yet shrines that honor them can be found even in places like Changhua County’s Lukang (鹿港), where Hakka people are a small minority.
Photo: Steven Crook
Numbers 144 to 168 have been assigned to parts of a residential compound belonging to the extended Chen (陳) family. Most of the subdivisions still have traditional tiled roofs, but one has sprouted a second floor. The state of the numbered sections gives an idea, perhaps, of how some branches of the family have prospered more than others, or which property owners now live far away and seldom return.
The building at the center, the clan’s ancestral shrine, is left unlocked during the hours of daylight, a resident told me.
Japanese-era infrastructure and ancestral shrines aren’t uncommon in Taiwan; something more unusual lies 1.2km southwest of the train station. The Tiaodi Village Words-Worshipping Oblation Furnace (糶糴村敬字亭) is evidence of a custom that was practiced until fairly recently in many parts of the Sinosphere, but which appears to have been especially strong in Hakka villages.
Photo: Steven Crook
Reflecting a deep reverence for learning and literacy, any scraps of paper on which words had been written or printed were picked up, placed in special baskets, then carried to a special furnace for destruction.
Traditional Han communities had very few of the voluntary non-kinship groups we find in free, affluent societies like 21st-century Taiwan. The only exceptions, according to Americans and Chinese: Passage to Differences by Francis Hsu (許烺光), were groups that promoted teetotalism, provided free coffins to the indigent and “hired men to roam the streets [who] collected any piece of waste bearing written characters in the gutter or on the ground and burned what they collected at the end of the day in the specially provided urn in the local Confucian temple.”
Tiaodi Village’s oblation furnace is easy to find if you take Sanmin Road (三民路) southwest from the downtown, then turn right onto Sanhe Road (三和路). After less than 150m, look left and you’ll see the tower-like furnace beside a large sluice gate. It’s about six meters in height, and leans noticeably toward the waterway.
Photo: Steven Crook
The current furnace is thought to have been built around 1930. Thanks to a thorough renovation earlier this year, the site is now a pleasant picnic spot.
Given its laid-back character and appealing rural setting, it’s surprising that Jhutian hasn’t been mentioned as a candidate for slow-city status. Within Taiwan, four communities have already been recognized as “slow cities” by Cittaslow International, the Italy-based network that connects more than 200 towns across the world.
Only towns with fewer than 50,000 residents can apply (Jhutian has around 17,000). More importantly, they should be towns where people “are still curious of the old times… [and] still able to recognize the slow course of the seasons and genuine products respecting tastes, health and spontaneous customs.”
Photo: Steven Crook
That sounds like Jhutian to a tee.
Steven Crook has been writing about travel, culture, and business in Taiwan since 1996. Having recently co-authored A Culinary History of Taipei: Beyond Pork and Ponlai, he is now updating Taiwan: The Bradt Travel Guide.
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
This is a deeply unsettling period in Taiwan. Uncertainties are everywhere while everyone waits for a small army of other shoes to drop on nearly every front. During challenging times, interesting political changes can happen, yet all three major political parties are beset with scandals, strife and self-inflicted wounds. As the ruling party, the Democratic Progressive Party (DPP) is held accountable for not only the challenges to the party, but also the nation. Taiwan is geopolitically and economically under threat. Domestically, the administration is under siege by the opposition-controlled legislature and growing discontent with what opponents characterize as arrogant, autocratic
When Lisa, 20, laces into her ultra-high heels for her shift at a strip club in Ukraine’s Kharkiv, she knows that aside from dancing, she will have to comfort traumatized soldiers. Since Russia’s 2022 invasion, exhausted troops are the main clientele of the Flash Dancers club in the center of the northeastern city, just 20 kilometers from Russian forces. For some customers, it provides an “escape” from the war, said Valerya Zavatska — a 25-year-old law graduate who runs the club with her mother, an ex-dancer. But many are not there just for the show. They “want to talk about what hurts,” she