VIEW THIS PAGE Determined to look after his girlfriend if he dies on the operating table, the terminally ill Van Fan (范逸臣) searches for a man who has exactly the same voice as he has to take his place.
Blue Lan (藍正龍), a reticent music video director, re-encounters old flame Annie Liu (劉心悠) and realizes a car accident has erased her memories of their love.
Movie stuntman Ethan Ruan (阮經天) dashes out the door after a lover’s spat with his flight attendant girlfriend, Alice Tzeng (曾愷玹).
Plain homebody Tracy Chou (周采詩) turns to a fortune-teller for love advice, who tells her she’ll meet six guys sporting bangs with the last being Mr Right.
The four love stories that form L-O-V-E (愛到底) are directed by four celebrities turned first-time film directors.
With homegrown stars making cameos and guest appearances, the film is an entertaining hodgepodge of comedy and romance, glossed up with A-lister charm and a blitz of publicity. But the filmmaking delivered by some of its creators barely passes muster and hinders the wannabe blockbuster from living up to its star-studded ambitions.
Jiu Ba-dao (九把刀), also known as Giddens, a best-selling blogger, writer and cultural pundit, applies his talent in literature to filmmaking in his story about a young man’s dying wish to look after the woman he loves long after he’s gone. The narrative glides smoothly and turns from the fun, loving moments between the lovers to a more melancholy tone, though the film could use some trimming to tighten things up a bit.
Both Fan and Megan Lai (賴雅妍), who plays the girlfriend, are well cast as the young couple and turn in naturalistic performances that help make the opening scene in which the two frolic with toy lightsabers look cute.
In terms of technique, music video director Chen Yi-xian’s (陳奕先) tale about the stuntman and flight attendant is the most professional looking of the four. Pop idols Ruan and Tzeng are on top form, appearance-wise. The former has matured into a charismatic soup opera actor and young heartthrob. Chen presents his thin subject matter, lovers’ bickering and reconciliation, in images that are pleasing to look at, but which lack narrative punches.
The segment about an awkward girl’s search for Mr Right feels more like a variety show than a film. Aiming for goofy humor and exaggerated hilarity, veteran entertainer Mickey Zi-jiao Huang (黃子佼) calls on a legion of showbiz luminaries to make surprise guest appearances that raise the level of entertainment and fun. The lineup includes “godmother of television” Chang Hsiao-yen (張小燕), former idol and actor Alec Su (蘇有朋), Ken Chu (朱孝天) of F4, boy group Lollipop (棒棒堂), established actress Lu Yi-ching (陸弈靜) and Makiyo, who are possibly the hottest gas pump girls on screen to date.
But as the exaggerated humor repeats and becomes overused, the picture grows tedious and feeble toward the end.
Vincent Wen-shan Fang (方文山) is the weakest link in the quartet. His story isn’t engaging, while actors Lan and Liu struggle embarrassingly with the lead characters, which they portray as dreadfully lifeless. VIEW THIS PAGE
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
Beijing’s ironic, abusive tantrums aimed at Japan since Japanese Prime Minister Sanae Takaichi publicly stated that a Taiwan contingency would be an existential crisis for Japan, have revealed for all the world to see that the People’s Republic of China (PRC) lusts after Okinawa. We all owe Takaichi a debt of thanks for getting the PRC to make that public. The PRC and its netizens, taking their cue from the Chinese Communist Party (CCP), are presenting Okinawa by mirroring the claims about Taiwan. Official PRC propaganda organs began to wax lyrical about Okinawa’s “unsettled status” beginning last month. A Global
Taiwan’s democracy is at risk. Be very alarmed. This is not a drill. The current constitutional crisis progressed slowly, then suddenly. Political tensions, partisan hostility and emotions are all running high right when cool heads and calm negotiation are most needed. Oxford defines brinkmanship as: “The art or practice of pursuing a dangerous policy to the limits of safety before stopping, especially in politics.” It says the term comes from a quote from a 1956 Cold War interview with then-American Secretary of State John Foster Dulles, when he said: ‘The ability to get to the verge without getting into the war is
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on
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