Tsao Yan-hao (曹彥豪) and indie-electronica group KbN (凱比鳥) want to alleviate the stresses of everyday life.
Their artistic panacea is a collaborative exhibition that utilizes video projections of nightlife scenes from around the world.
“People go inside and listen to the music and dance on the dance floor,” Tsao said in a telephone interview.
The installation is one of roughly 20 on display as part of [Room19] Shake Your Mind!, a group exhibition at the Kuandu Museum of Fine Arts (台北藝術大學關渡美術館).
The exhibit’s theme is a response to Doris Lessing’s short story To Room Nineteen, a work about a woman who embarks on a journey of self-discovery after learning that her husband is having an affair. But whereas the story reflects on the dreariness of life, the exhibition is a celebration.
In Lessing’s melancholic musings on love, the hotel room is a symbol of oppression, but in [Room19] the nightclub is a space of freedom and individuality where people can express themselves without reservation.
Curated by Wu Dar-kuen (吳達坤), the exhibition brings together some of Taiwan’s finest contemporary musicians and visual artists, including Akibo Lee (李明道), New York-based Taiwanese photographer Daniel Lee (李小鏡) and expressionist Lee Ming-chung (李民中), in collaborations that have produced a variety of light, sound and image installations (often a combination of all three) that are designed to lift visitors out of their daily blahs.
President William Lai (賴清德) yesterday delivered an address marking the first anniversary of his presidency. In the speech, Lai affirmed Taiwan’s global role in technology, trade and security. He announced economic and national security initiatives, and emphasized democratic values and cross-party cooperation. The following is the full text of his speech: Yesterday, outside of Beida Elementary School in New Taipei City’s Sanxia District (三峽), there was a major traffic accident that, sadly, claimed several lives and resulted in multiple injuries. The Executive Yuan immediately formed a task force, and last night I personally visited the victims in hospital. Central government agencies and the
Australia’s ABC last week published a piece on the recall campaign. The article emphasized the divisions in Taiwanese society and blamed the recall for worsening them. It quotes a supporter of the Taiwan People’s Party (TPP) as saying “I’m 43 years old, born and raised here, and I’ve never seen the country this divided in my entire life.” Apparently, as an adult, she slept through the post-election violence in 2000 and 2004 by the Chinese Nationalist Party (KMT), the veiled coup threats by the military when Chen Shui-bian (陳水扁) became president, the 2006 Red Shirt protests against him ginned up by
As with most of northern Thailand’s Chinese Nationalist Party (KMT) settlements, the village of Arunothai was only given a Thai name once the Thai government began in the 1970s to assert control over the border region and initiate a decades-long process of political integration. The village’s original name, bestowed by its Yunnanese founders when they first settled the valley in the late 1960s, was a Chinese name, Dagudi (大谷地), which literally translates as “a place for threshing rice.” At that time, these village founders did not know how permanent their settlement would be. Most of Arunothai’s first generation were soldiers
Among Thailand’s Chinese Nationalist Party (KMT) villages, a certain rivalry exists between Arunothai, the largest of these villages, and Mae Salong, which is currently the most prosperous. Historically, the rivalry stems from a split in KMT military factions in the early 1960s, which divided command and opium territories after Chiang Kai-shek (蔣介石) cut off open support in 1961 due to international pressure (see part two, “The KMT opium lords of the Golden Triangle,” on May 20). But today this rivalry manifests as a different kind of split, with Arunothai leading a pro-China faction and Mae Salong staunchly aligned to Taiwan.