Formosa Aboriginal Song and Dance Troupe (原舞者) has long played an important role in the renaissance of Aboriginal culture taking place in Taiwan. The troupe's young performers aim to preserve and revive the disappearing songs and dances of their ancestors by exposing audiences to traditional stories and myths.
Tomorrow's performance at Novel Hall (新舞台), however, will take a different approach.
"This is the first time we've used the life of a single person to mount a performance," said Moly Chen (陳孟莉), the troupe's spokeswoman.
PHOTO: COURTESY OF FORMOSA ABORIGINAL SONG AND DANCE TROUPE
Memories of Azalea Mountain pays tribute to Uyongu Yatauyungana (高一生), a musician, educator and politician of the Tsou (鄒族) tribe who is today considered a hero by many.
Another unique feature of this piece is that it includes the music of other cultures. The result is a seamless performance that blends traditional music of an Aboriginal tribe with the compositions of one of its members and places his musical compositions into the greater context of Taiwan's recent history.
The performance, like the last hundred years of Taiwan's history, has Aboriginal, Japanese and Chinese elements. Complementing the performance are American and Latin American songs.
PHOTO: COURTESY OF FORMOSA ABORIGINAL SONG AND DANCE TROUPE
Born a decade after the beginning of Japanese colonization, Yatauyungana studied at Tainan Normal College, where he showed an aptitude for literature and music. After graduating, he worked as a teacher and policeman, all the while composing songs based on the oral myths of his people and learning the popular songs of the island's colonial rulers.
"[Yatauyungana] lived during a time of enormous change in Taiwan," said Chen. "This is reflected in the music used in the performance."
Yatauyungana served as mayor of Wu Fong Township (吳鳳鄉) - since renamed Alishan Township (阿里山) - in 1945, demonstrating his leadership in the community and the respect the Japanese showed him.
Shortly after the Chinese Nationalist Party (KMT) assumed control of the island, Yatauyungana was arrested and jailed during the 228 Incident (二二八事件) because his tribe had trapped a number of KMT soldiers in the Chiayi airport, but also, reportedly, because he promoted the idea of Aboriginal autonomy.
While Yatauyungana was in prison, his daughter Gao Chu-hua (高菊花) supported the family by singing American and Latin music to US soldiers stationed in Taiwan - the reason for infusing the program with these musical elements.
He was later accused of harboring former Tainan County Governor Yuen Kuo-chin (袁國欽), who the KMT considered a communist spy, and was executed in 1954.
Yatauyungana's life was memorialized in a biography published last year by the Council of Cultural Affairs that included his musical works.
Like all of Formosa Aboriginal Song and Dance Troupe's performances, Memories of Azalea Mountain is based on long-term field observation and participation. Assisted by anthropologists and tribal elders, troupe members and Aboriginal students are dispatched to different villages to study their rituals through the oral tradition.
Since its inception in 1991, the company has toured Taiwan, staging hundreds of performances and holding workshops to spark the interest of young Aboriginal people in traditional dance through reinterpretations and integration with contemporary theatrical elements. The troupe has gained considerable international recognition and has performed at art festivals in the US, Belgium, the UK, Germany, France, Spain, Singapore and Hong Kong.
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
There are shadowy cabals plotting to sell out Taiwan to be annexed by China, by invasion if necessary. Fortunately, they are buffoons. In 2019, former Bamboo Union gangster and founder of the China Unification Promotion Party (CUPP), Chang An-le (張安樂, colorfully known as “White Wolf”), led a protest at the Legislative Yuan against comments made by then-premier Su Tseng-chang (蘇貞昌) that in the event of an attack by China, he would never surrender, but would protect the nation by fighting to the end, even if he only had a broom. Chang had party members bring a wooden casket that they
June 1 to June 7 "If all Taiwanese were as afraid of dying as you, then what would happen?” Physician Shih Chiang-nan (施江南) reportedly said this to his wife Chen Chiao-tung (陳焦桐) after she urged him to stop intervening on behalf of Taiwanese soldiers stranded overseas after serving in the Japanese Army during World War II. Shih had clashed with high-ranking officials over the issue, engaged in several heated arguments with Taiwan governor-general Chen Yi (陳儀) and allegedly shouted at general Ko Yuan-fen (柯遠芬), chief of staff of the Taiwan Garrison Command, over