exhibition presents viewers with works
that draw inspiration from Eastern and
Western traditions of art and music
The Museum of Contemporary Art's (MOCA, 台北當代藝術館) newest installment, Duologue: Exhibition by Lee Mingwei and Tse Su-mei (複音:李明維、謝素梅雙個展), shows 16 works of art created by two internationally renowned artists.
Taiwan-born Lee Mingwei (李明維) has had solo exhibitions at museums and galleries in Europe, the US and Australia. He now lives and works in New York. Tse Su-mei (謝素梅) represented Luxembourg at the 2003 Venice Biennale and won the prestigious Golden Lion award. Both draw upon their Asian heritage and their experience of living abroad to raise questions of identity and place.
Like much contemporary art, their work is interactive, and allows viewers to become part of the creation process. As part of an ongoing performance and installation project called The Dinner Project, Lee randomly selected five museumgoers to join him for dinner in the art space after the museum closed. Dinner was served in a traditional Japanese room. In this project, Lee has been using food to build trust and intimacy in an effort to transform the museum's public space into a more personal realm.
Three of Lee's other works - The Living Room Project, The Letter Writing Project and Fabric of Memory - also use objects provided by the public to create art. According to the curator Iris Huang (黃舒屏), "all these spaces serve as a 'passenger's lounge,' which preserves and blends together travelers' thoughts and memories."
While Lee's work investigates travel and space, Tse infuses her work with sound. In her video installation l'Echo, Tse alters images of herself so that she appears to play the cello in the vastness of a mountain landscape, highlighting harmony between nature and humans.
In Son Pour Insomniaques, or Sound for Insomniacs, Tse records cats purring and combines the sounds with images meant to relax viewers and sooth anxiety.
Though Tse focuses on aural sensations to create her works, she is also interested in space as it relates to the identity of an individual or culture. The neon installation Dong Xi Nan Bei (E, W, S, N) forces viewers to consider their own subjectivity, partiality and self-centeredness.
Proposition de Detour brings the viewer back to themes of travel with a Persian carpet, 9m in diameter, emblazoned with flora and fauna has been cut to resemble a labyrinth. Like a traveler discovering different cultures of the world, the installation provides a new discovery with every step.
A recent report from the Environmental Management Administration of the Ministry of Environment highlights a perennial problem: illegal dumping of construction waste. In Taoyuan’s Yangmei District (楊梅) and Hsinchu’s Longtan District (龍潭) criminals leased 10,000 square meters of farmland, saying they were going to engage in horticulture. They then accepted between 40,000 and 50,000 cubic meters of construction waste from sites in northern Taiwan, charging less than the going rate for disposal, and dumped the waste concrete, tile, metal and glass onto the leased land. Taoyuan District prosecutors charged 33 individuals from seven companies with numerous violations of the law. This
As mega K-pop group BTS returns to the stage after a hiatus of more than three years, one major market is conspicuously missing from its 12-month world tour: China. The omission of one of the group’s biggest fan bases comes as no surprise. In fact, just the opposite would have been huge news. China has blocked most South Korean entertainment since 2016 under an unofficial ban that also restricts movies and the country’s popular TV dramas. For some Chinese, that means flying to Seoul to see their favorite groups perform — as many were expected to do for three shows opening
What is the importance within the Chinese Nationalist Party (KMT) of the meeting between Xi Jinping (習近平), the leader Chinese Communist Party (CCP), and Cheng Li-wun (鄭麗文), the leader of the KMT? Local media is an excellent guide to determine how important — or unimportant — a news event is to the public. Taiwan has a vast online media ecosystem, and if a news item is gaining traction among readers, editors shift resources in near real time to boost coverage to meet the demand and drive up traffic. Cheng’s China trip is among the top headlines, but by no means
Apr. 13 to Apr. 19 From 17th-century royalty and Presbyterian missionaries to White Terror victims, cultural figures and industrialists, Nanshan Public Cemetery (南山公墓) sprawls across 95 hectares, guarding four centuries of Taiwan’s history. Current estimates show more than 60,000 graves, the earliest dating to 1642. Besides individual tombs, there are also hundreds of family plots, one of which is said to contain around 1,000 remains. As the cemetery occupies valuable land in the heart of Tainan, the government in 2018 began asking families to relocate the graves to make way for development. That