In this gritty Indian city, a crumbling palace and a few church graves whisper the curious history of Muslim queens who allied with scions of a French royal family.
It is a tale that Balthazar-Napoleon Bourbon, a portly lawyer and part-time farmer whose family traces its lineage back to the Bourbons who began ruling France in the 16th century, knows well.
"As soon as I could have consciousness -- when I was six or seven years of age -- it [my royal heritage] was instilled in me," says Bourbon at his house next to a church founded by his great-grandmother, Isabella.
PHOTO: AFP
The doorway to the house is emblazoned with a brass sign -- "House of Bourbon" -- and the fleur-de-lis, the heraldic crest bearing a lily that has been associated with the French monarchy for centuries. In the church, stones engraved with the Bourbon name mark the graves of Isabella and her children.
The Bourbon dynasty ruled France from 1589 until the bloody 1789 French Revolution.
"We regularly had guests coming from Europe, so time and again the [family] history used to be repeated," Bourbon says.
And what a history it is -- even if some details are murky.
According to family accounts, a man named Jean-Philippe de Bourbon Navarre arrived in 1560 at the court of Emperor Akbar, the third king of the Mughal dynasty, which ruled from the early 16th century until the mid 19th century.
"The young adventurer was tall, his bearing gallant," said the writer C.A. Kincaid, in a 1946 issue of The Illustrated Weekly of India.
The 16th-century was a time in India's history when "there were plenty of Europeans of all nationalities roaming about ... trying to make their fortunes in one way or another," notes English history lecturer Siobhan Lambert-Hurley, who has written about the Bourbons.
The family accounts say Jean-Philippe, the hot-blooded son of a duke who was a cousin of King Henry IV, had fled France after killing another French nobleman in a duel.
He ended up in Goa on India's southwestern coast after being kidnapped by pirates and escaping their clutches. From there, he made his way to the royal court where he ingratiated himself swiftly.
In the 18th century, descendants of the family moved to the princely realm of Bhopal, now capital of the central Indian state of Madhya Pradesh.
Louis Rousselet, in India and its Native Princes, first published in French in 1875, describes a visit to the poisoned Balthazar's wife Elizabeth.
"I was at once struck by her type, which is evidently European," wrote Rousselet who was "received by a number of armed domestics, who, after having assisted us to dismount from our elephant, conducted us to a large salon."
With the abolition of royal titles and privileges in 1971 in India, the Bourbons lost their royal patrons -- but retain their memories of grander times.
"The jagirs [lands] which the Bourbons had were confiscated. Then the Bourbons took up jobs. Prior to my father nobody did," says Bourbon, who bears no resentment over their change in circumstances and often jokes that he and his family are "Bourbons on the rocks."
The descendants of the Begums, meanwhile, have become royalty in other walks of life in modern India and Pakistan.
The family counts former captain of the Indian cricket team, the Nawab of Pataudi Mansur Ali Khan, and his son, Bollywood superstar Saif Ali Khan, along with former Pakistani foreign secretary Shaharyar Khan among its luminaries.
For the Bourbons now, their name and Roman Catholic faith are the family's only legacies of their French past. Bourbon does not speak French, though his children are learning the language.
"I'm totally Indian, I have to live in this country, I was born here, I was bred here and I have to suit my place," says Bourbon. "I have to earn my bread, I can't rest on my fortunes, which anyway are gone."
In November, Bourbon finally met a relative from a European branch of the family, Prince Michael of Greece, who lives in France.
"Daddy was just delighted," says daughter Michelle, 16, recalling the visit. "It was the first time he met another Bourbon."
Nine Taiwanese nervously stand on an observation platform at Tokyo’s Haneda International Airport. It’s 9:20am on March 27, 1968, and they are awaiting the arrival of Liu Wen-ching (柳文卿), who is about to be deported back to Taiwan where he faces possible execution for his independence activities. As he is removed from a minibus, a tenth activist, Dai Tian-chao (戴天昭), jumps out of his hiding place and attacks the immigration officials — the nine other activists in tow — while urging Liu to make a run for it. But he’s pinned to the ground. Amid the commotion, Liu tries to
The slashing of the government’s proposed budget by the two China-aligned parties in the legislature, the Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP), has apparently resulted in blowback from the US. On the recent junket to US President Donald Trump’s inauguration, KMT legislators reported that they were confronted by US officials and congressmen angered at the cuts to the defense budget. The United Daily News (UDN), the longtime KMT party paper, now KMT-aligned media, responded to US anger by blaming the foreign media. Its regular column, the Cold Eye Collection (冷眼集), attacked the international media last month in
A pig’s head sits atop a shelf, tufts of blonde hair sprouting from its taut scalp. Opposite, its chalky, wrinkled heart glows red in a bubbling vat of liquid, locks of thick dark hair and teeth scattered below. A giant screen shows the pig draped in a hospital gown. Is it dead? A surgeon inserts human teeth implants, then hair implants — beautifying the horrifyingly human-like animal. Chang Chen-shen (張辰申) calls Incarnation Project: Deviation Lovers “a satirical self-criticism, a critique on the fact that throughout our lives we’ve been instilled with ideas and things that don’t belong to us.” Chang
Feb. 10 to Feb. 16 More than three decades after penning the iconic High Green Mountains (高山青), a frail Teng Yu-ping (鄧禹平) finally visited the verdant peaks and blue streams of Alishan described in the lyrics. Often mistaken as an indigenous folk song, it was actually created in 1949 by Chinese filmmakers while shooting a scene for the movie Happenings in Alishan (阿里山風雲) in Taipei’s Beitou District (北投), recounts director Chang Ying (張英) in the 1999 book, Chang Ying’s Contributions to Taiwanese Cinema and Theater (打鑼三響包得行: 張英對台灣影劇的貢獻). The team was meant to return to China after filming, but
RSS