China's godfather of electric rock Cui Jian assaulted Beijing late Saturday with his loud and angry wall of sound in his first officially sanctioned concert in the capital in 12 years. Some 10,000 fans gathered in the Capital Gymnasium to hear the 44 year-old perform the latest versions of his songs, many of which have been banned by a government wary of Cui's social and political criticisms.
"It was 12 years ago that I last performed here just after the release of the Balls Under the Red Flag album," the Beijing-born, classically trained musician told the crowd.
"If we have to keep on waiting then maybe they will let us come back and play here again in another 12 years."
PHOTO: AFP
Cui has enjoyed a rebirth this year with the release of his fifth studio album Show Your Colors, dedicated to the pitfalls of China's unprecedented urbani-zation, and a videotaped concert performance that was aired on state-controlled television in February.
The easing of restrictions against Cui's angry rap-inflected rock has come as the government shows an increased awareness of the commercial value of modern music.
British electronic music whizz Matthew Herbert is hoping to become the first musician ever to use the sound of cancer in a dance track.
PHOTO: AP
"I've found a guy, an American, that can record the sound of it," he said during an interview before a performance in Paris. The London-based musician is working on the follow-up album to Plat du Jour, released worldwide this year, which was made using sampled recordings of food to raise awareness about the industrialization of modern farming methods.
"My new record is going to be a disco record. So people might be out having a good time on a Saturday night but they might be dancing to a disco record and the beats are made from cancer," he smiles.
The know-how for this extraordinary feat would be provided by NASA via a scientist specialized in recording cellular activity. Herbert, 33, estimates he has sold 750,000 records worldwide. His unique blend of music is a collection of recorded sounds, mixed together into thought-provoking music with the help of computer technology.
The Plat du Jour album took him two years of research and six months of recording, included no traditional instruments, and used recordings of a free-range chicken being killed and the noise of more than 3,000 people biting into an apple. He also recorded an armored tank driving over a recreation of a meal cooked by British chef Nigella Lawson for UK Prime Minister Tony Blair and US President George W. Bush when the president came to London to thank Blair for his support in Iraq.
J.K. Rowling's latest book Harry Potter and the Half-Blood Prince sold more than twice as many copies in the US in its first two weeks as any other author's book in a whole year. The latest in Rowling's series about a boy wizard won the Best Seller Award for the top-selling book in America in the year to Aug. 1, even though it only went on sale on July 16.
US digital media company, Snocap, run by Napster founder Shawn Fanning, said it signed deals with various independent labels. Snocap said it reached agreements with V2 Music, Matador Records and the Beggars Group under which the labels will upload and register their music catalogs with SNOCAP's database services, enabling the digital distribution of their content through commercial peer-to-peer services.
Soul singer Lemar won UK act of the year and best album at Britain's annual tribute to music of black origin, the Mobo Awards, last week.
The former Fame Academy star beat Joss Stone and Estelle to snag Act of the Year and won best album for Time To Grow, during the 10th edition of the Mobos in London's Royal Albert Hall.
The awards cover R 'n' B, hip hop, reggae, jazz, gospel and world music. Lemar said he was "over the moon to win." Public Enemy was honored with an award for outstanding contribution to black music, while American singer-songwriter John Legend won best R 'n' B act, beating Lemar and Mariah Carey. The best Reggae act went to Damian Marley, who also accepted a posthumous achievement award for his father Bob Marley.
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
Many people in Taiwan first learned about universal basic income (UBI) — the idea that the government should provide regular, no-strings-attached payments to each citizen — in 2019. While seeking the Democratic nomination for the 2020 US presidential election, Andrew Yang, a politician of Taiwanese descent, said that, if elected, he’d institute a UBI of US$1,000 per month to “get the economic boot off of people’s throats, allowing them to lift their heads up, breathe, and get excited for the future.” His campaign petered out, but the concept of UBI hasn’t gone away. Throughout the industrialized world, there are fears that
Taiwan’s democracy is at risk. Be very alarmed. This is not a drill. The current constitutional crisis progressed slowly, then suddenly. Political tensions, partisan hostility and emotions are all running high right when cool heads and calm negotiation are most needed. Oxford defines brinkmanship as: “The art or practice of pursuing a dangerous policy to the limits of safety before stopping, especially in politics.” It says the term comes from a quote from a 1956 Cold War interview with then-American Secretary of State John Foster Dulles, when he said: ‘The ability to get to the verge without getting into the war is
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on
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