In a city with a rich, diverse past like Taipei, serendipity comes in many ways. Tom Chen (陳登壽) owns Jimmy’s Kitchen, a famous Shanghai restaurant with its own history — one that included the original owner fleeing to Taiwan from Shanghai in 1949. But Chen always had another dream.
Chen began work in the service industry at the Grand Hotel, which sent him to Lubeck, Germany to learn bar tending. While there, he became fascinated with the vibrant, raucous atmosphere of salons — places where artists, writers and academics would meet and discuss art and other topics. Chen’s dream was to bring that experience back to Taiwan.
Enter Wolfgang Kroll (1906-1992), a Professor Emeritus in Physics at National Taiwan University (NTU) who grew up in Germany at the height of the Art Deco period. Kroll held the belief that art, literature and science should interrelate.
Photo: Jerome Keating
Kroll may not be a household name with most Taipei residents, but he is well known in the medical and science community because he helped draw international attention to the university, and was responsible for teaching theoretical physics as well as German to generations of physicists and future doctors even after his official retirement.
Kroll, who studied quantum mechanics in Germany under Nobel Prize-winning physicist Werner Heisenberg, emigrated from his home country after Hitler and the Nazi party came to power because one grandparent had Jewish ancestry. With a fascination for Japanese language and culture, Kroll went to Japan in 1937, and then, in 1941, its then-colony Taiwan. One of Kroll’s research papers became the first paper from Taiwan to be published in an international journal.
Until his death in 1992, Kroll lived for half a century in a small Japanese-style house belonging to the university. After his death, the building returned to NTU, which offered it up for development. Still nurturing the dream of a salon, Chen, along with his artist and interior designer-friend Tsai Wen-hsiung (蔡文雄), signed a seven-year lease with the university with an option for renewal. Six months later, the split-level, upscale salon with plenty of natural lighting and artwork, opened to the public as Jimmy’s Garden.
Not strictly a gallery, though art is everywhere, or a restaurant, though you can go there for a meal as well as teatime, Jimmy’s Garden tries to replicate the ambiance of a salon, where he hopes that a new generation of artists, academics and intellectuals will come together over a glass of wine or cup of coffee to discuss and debate current events.
Artists are encouraged to submit an application to display their work at Jimmy’s Garden. Yu Lien-chun’s (余連春) terracotta and metal sculptures are on display until Jan. 31. The salon is open daily from 11am to 9pm and closed on Mondays. 5, Ln 11, Xinsheng S Rd, Sec 3, Taipei City (台北市新生南路三段11巷5號); tel: (02) 2368-1197.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby