Bridge of Spies
Not only is Bridge of Spies the fourth collaboration between Steven Spielberg and Tom Hanks, it features the Coen Brothers as screenwriters — meaning that this film better be good, as we’ll hopefully enjoy as much of Spielberg’s epic visuals and storytelling as the Coens’ satirical, irreverent humor. Based on a true story and set during the height of the Cold War, the plot is quite complex. Hanks plays James Donovan, an everyday lawyer who takes on the task of representing a Soviet agent during a trial and gets flack from the public for actually attempting to defend the guy simply because he believes in due process. “Everyone matters,” he says. When he is later tasked by the CIA with negotiating the agent’s exchange for a detained US soldier in East Germany, he defies orders and attempts to rescue a second American whom the CIA doesn’t care about. The “bridge” refers to the Glienicke Bridge spanning East and West Germany, where three prisoner exchanges took place during the Cold War.
Crimson Peak
With the abundance of uninspired haunted house flicks of recent years, it’s easy to be skeptical about Guillermo del Toro’s latest piece about said subject, which took nine years to make. But hey, when horror master Stephen King tweets that a film is “gorgeous and f—ing terrifying” and claims that it is as electrifying as the 1981 classic The Evil Dead, well, you have to stop and listen. It’s more than just a haunted house story — Del Toro says it’s actually more of a gothic romance tale, as it features a young woman (who can see ghosts) whose new husband takes her to live in his ancestral home, which, ahem, has its dark secrets that make up the premise of the story. It’s filmed in a classic, period-piece throwback style, which is a very refreshing break from the hand-held camera horror that’s so popular nowadays. Just be warned: you will see blood. Tons of it.
No Escape
The critics hate this one, featuring a white American family who moves to an unnamed Southeast Asian country (for the record, it was filmed in Thailand) only to get caught up in a violent uprising. With the bloodthirsty natives killing each other and every foreigner they see, Owen Wilson must lead his family to safety, with their only salvation being a mysterious Brit played by Pierce Brosnan. Inevitably, cries of racial insensitivity and exploitation arise, one critic comparing it to a World War Z with Asians instead of zombies. Each person is entitled to their own opinion, but there really doesn’t seem to be much more to the plot as the directors reportedly hide any factual, cultural or political context as to not directly offend anybody. Directors John and Drew Dowdle are known for their people-attacked-by-scary-things horror films, but some things just don’t seem to work when you try to root the story in reality.
The Green Inferno
Interestingly, this gory exploitation film, about bloodthirsty cannibals in the Amazon forest attacking and eating a group of college students who travel there to protest the forest’s destruction, has garnered mostly positive reviews, despite there also being accusations of racism against the area’s indigenous tribes. Maybe it’s so unreal and over the top that it’s seen as a legit throwback to the campy cannibal horror films of the 70s, which provides an actual reason to make or like this film? Or maybe it’s because director Eli Roth seems to always know that he’s being offensive, or that the white protagonists turn out to actually be quite unlikeable, unlike No Escape where they try to escape in earnest and we’re supposed to feel sympathetic. Also, Roth managed to convince an actual Amazonian tribe to play the part of the cannibals, which is, at best, morally questionable. Oh, by the way, Stephen King likes this film as well.
Bodybuilder
The third directorial effort by French actor Roschdy Zem is a classic estranged father and son tale, but one revolving around lots of muscle. Troublemaking 20-year-old Antoine is on the run from a gang he owes money to, and his mother and brother send him to live with his father, who despite his old age is running a gym and training for a national bodybuilding competition. What could make this film unique is the endeavors of the father, who is played by a 58-year-old former world champion bodybuilder with no prior acting experience. Through this authentic casting, we get a matter-of-fact peek into the everyday lives of bodybuilders and what it takes to succeed as the gradual reconciliation between father and son unfolds.
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50