An incubator for filmmakers in Taiwan, the annual Golden Harvest Awards and Short Film Festival (金穗獎入圍暨電影短片輔導金成果影展) recognizes excellence in producing short films with a lineup of narrative, animated, experimental and documentary shorts by up-and-coming Taiwanese filmmakers and film students. Over 75 films will be screened at Spot — Huashan (光點華山電影館).
The most noticeable trends in documentary filmmaking over the past year are the increased concerns for social and political issues. In the realm of narrative shorts, by contrast, family matters and the experience of growing up remain the most frequently covered topics, while there is a surge of interest in the suspense and thriller genres.
Organized by the Taiwan Film Institute (國家電影中心) under the auspices of the Ministry of Culture (MOC), the film festival also includes the Golden Harvest Awards (金穗獎), the oldest film festival in Taiwan.
Photo courtesy of Taiwan Film Institute
For the Golden Harvest Awards, which celebrates its 37th edition this year, 49 films were selected from 232 entries to compete for over NT$5 million in prize money. Led by renowned director Cheng Wen-tang (鄭文堂), the panel of judges includes film critic Ryan Cheng (鄭秉泓), director Lin Cheng-sheng (林正盛) and academic Sing Song-yong (孫松榮), who will announce the winners at an awards ceremony on Thursday.
GOLDEN HARVEST
Death is a popular motif at this year’s Golden Harvest. Under the Water (溺境), for example, tells of the mysterious drowning of a boy, while The Evil Inside (噬心魔) is a psychological thriller revolving around a bet on an old man’s death. A finely crafted work of social critique, The Death of a Security Guard (保全員之死) examines today’s manipulative, sensationalist media through a story about a security guard who is found dead at work.
Photo courtesy of Taiwan Film Institute
There are a broad range of topics covered in the documentary category. Taiwan’s recent democracy and social movements take center stage in Chen Yu-ching’s (陳育青) award-winning Civil Disobedience (公民不服從). In Luscious Lips (厚唇), director Lin Kai–ti (林開地) looks at the life of his grandmother to explore the history of the Chinese diaspora in Southeast Asia. Meanwhile, the worldview of people with visual impairment is explored in Listen, Darling.
The animated works at this year’s festival have enjoyed success on the local festival circuit. Black Bear Moon, a nominee at the Kaohsiung Film Festival’s (高雄電影節) short film competition last year, spins a whimsical yarn about a girl and her best friend, a black bear. Nominated for last year’s Taipei Film Awards (台北電影獎), Rock Rabbit (搖滾搖籃曲) blends fantasy and rock ‘n’ roll through a story about a rock band formed by four bunnies.
To further facilitate exchanges among filmmakers from home and abroad, this year’s festival also includes a program of short films selected from Fresh Wave (鮮浪潮), an annual international short film festival in Hong Kong.
Photo courtesy of Taiwan Film Institute
Most of the screenings are followed by a Q&A session. Film professionals, including blockbuster director Yeh Tien-lun (葉天倫), promising filmmaker Sean Kao (高炳權), film professor and animation director Jay Shih (石昌杰) and actor and director Cheng Yu-chieh (鄭有傑), will hold panel discussions on various topics.
The combined festival runs until March 29, after which it will tour the rest of the nation including Miaoli, Yunlin, Chiayi, Changhua, Pingtung, Hualien, Penghu, Kinmen and Green Island until May 3. For more information, visit the event’s Web site at www.movieseeds.com.tw or its Facebook fan page at www.facebook.com/gha.tw.
Photo courtesy of Taiwan Film Institute
The breakwater stretches out to sea from the sprawling Kaohsiung port in southern Taiwan. Normally, it’s crowded with massive tankers ferrying liquefied natural gas from Qatar to be stored in the bulbous white tanks that dot the shoreline. These are not normal times, though, and not a single shipment from Qatar has docked at the Yongan terminal since early March after the Strait of Hormuz was shuttered. The suspension has provided a realistic preview of a potential Chinese blockade, a move that would throttle an economy anchored by the world’s most advanced and power-hungry semiconductor industry. It is a stark reminder of
May 11 to May 17 Traversing the southern slopes of the Yushan Range in 1931, Japanese naturalist Tadao Kano knew he was approaching the last swath of Taiwan still beyond colonial control. The “vast, unknown territory,” protected by the “fierce” Bunun headman Dahu Ali, was “filled with an utterly endless jungle that choked the mountains and valleys,” Kano wrote. He noted how the group had “refused to submit to the measures of our authorities and entrenched themselves deep in these mountains … living a free existence spent chasing deer in the morning and seeking serow in the evening,” even describing them as
As a different column was being written, the big news dropped that Chinese Nationalist Party (KMT) caucus whip Fu Kun-chi (傅?萁) announced that negotiations within his caucus, with legislative speaker Han Kuo-yu (韓國瑜) of the KMT, party Chair Cheng Li-wun (鄭麗文), Taichung Mayor Lu Shiow-yen (盧秀燕) and Taiwan People’s Party (TPP) Chair Huang Kuo-chang (黃國昌) had produced a compromise special military budget proposal. On Thursday morning, prior to meeting with Cheng over a lunch of beef noodles, Lu reiterated her support for a budget of NT$800 or NT$900 billion — but refused to comment after the meeting. Right after Fu’s
What government project has expropriated the most land in Taiwan? According to local media reports, it is the Taoyuan Aerotropolis, eating 2,500 hectares of land in its first phase, with more to come. Forty thousand people are expected to be displaced by the project. Naturally that enormous land grab is generating powerful pushback. Last week Chen Chien-ho (陳健和), a local resident of Jhuwei Borough (竹圍) in Taoyuan City’s Dayuan District (大園) filed a petition for constitutional review of the project after losing his case at the Taipei Administrative Court. The Administrative Court found in favor of nine other local landowners, but