An incubator for filmmakers in Taiwan, the annual Golden Harvest Awards and Short Film Festival (金穗獎入圍暨電影短片輔導金成果影展) recognizes excellence in producing short films with a lineup of narrative, animated, experimental and documentary shorts by up-and-coming Taiwanese filmmakers and film students. Over 75 films will be screened at Spot — Huashan (光點華山電影館).
The most noticeable trends in documentary filmmaking over the past year are the increased concerns for social and political issues. In the realm of narrative shorts, by contrast, family matters and the experience of growing up remain the most frequently covered topics, while there is a surge of interest in the suspense and thriller genres.
Organized by the Taiwan Film Institute (國家電影中心) under the auspices of the Ministry of Culture (MOC), the film festival also includes the Golden Harvest Awards (金穗獎), the oldest film festival in Taiwan.
Photo courtesy of Taiwan Film Institute
For the Golden Harvest Awards, which celebrates its 37th edition this year, 49 films were selected from 232 entries to compete for over NT$5 million in prize money. Led by renowned director Cheng Wen-tang (鄭文堂), the panel of judges includes film critic Ryan Cheng (鄭秉泓), director Lin Cheng-sheng (林正盛) and academic Sing Song-yong (孫松榮), who will announce the winners at an awards ceremony on Thursday.
GOLDEN HARVEST
Death is a popular motif at this year’s Golden Harvest. Under the Water (溺境), for example, tells of the mysterious drowning of a boy, while The Evil Inside (噬心魔) is a psychological thriller revolving around a bet on an old man’s death. A finely crafted work of social critique, The Death of a Security Guard (保全員之死) examines today’s manipulative, sensationalist media through a story about a security guard who is found dead at work.
Photo courtesy of Taiwan Film Institute
There are a broad range of topics covered in the documentary category. Taiwan’s recent democracy and social movements take center stage in Chen Yu-ching’s (陳育青) award-winning Civil Disobedience (公民不服從). In Luscious Lips (厚唇), director Lin Kai–ti (林開地) looks at the life of his grandmother to explore the history of the Chinese diaspora in Southeast Asia. Meanwhile, the worldview of people with visual impairment is explored in Listen, Darling.
The animated works at this year’s festival have enjoyed success on the local festival circuit. Black Bear Moon, a nominee at the Kaohsiung Film Festival’s (高雄電影節) short film competition last year, spins a whimsical yarn about a girl and her best friend, a black bear. Nominated for last year’s Taipei Film Awards (台北電影獎), Rock Rabbit (搖滾搖籃曲) blends fantasy and rock ‘n’ roll through a story about a rock band formed by four bunnies.
To further facilitate exchanges among filmmakers from home and abroad, this year’s festival also includes a program of short films selected from Fresh Wave (鮮浪潮), an annual international short film festival in Hong Kong.
Photo courtesy of Taiwan Film Institute
Most of the screenings are followed by a Q&A session. Film professionals, including blockbuster director Yeh Tien-lun (葉天倫), promising filmmaker Sean Kao (高炳權), film professor and animation director Jay Shih (石昌杰) and actor and director Cheng Yu-chieh (鄭有傑), will hold panel discussions on various topics.
The combined festival runs until March 29, after which it will tour the rest of the nation including Miaoli, Yunlin, Chiayi, Changhua, Pingtung, Hualien, Penghu, Kinmen and Green Island until May 3. For more information, visit the event’s Web site at www.movieseeds.com.tw or its Facebook fan page at www.facebook.com/gha.tw.
Photo courtesy of Taiwan Film Institute
April 28 to May 4 During the Japanese colonial era, a city’s “first” high school typically served Japanese students, while Taiwanese attended the “second” high school. Only in Taichung was this reversed. That’s because when Taichung First High School opened its doors on May 1, 1915 to serve Taiwanese students who were previously barred from secondary education, it was the only high school in town. Former principal Hideo Azukisawa threatened to quit when the government in 1922 attempted to transfer the “first” designation to a new local high school for Japanese students, leading to this unusual situation. Prior to the Taichung First
The Ministry of Education last month proposed a nationwide ban on mobile devices in schools, aiming to curb concerns over student phone addiction. Under the revised regulation, which will take effect in August, teachers and schools will be required to collect mobile devices — including phones, laptops and wearables devices — for safekeeping during school hours, unless they are being used for educational purposes. For Chang Fong-ching (張鳳琴), the ban will have a positive impact. “It’s a good move,” says the professor in the department of
On April 17, Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) launched a bold campaign to revive and revitalize the KMT base by calling for an impromptu rally at the Taipei prosecutor’s offices to protest recent arrests of KMT recall campaigners over allegations of forgery and fraud involving signatures of dead voters. The protest had no time to apply for permits and was illegal, but that played into the sense of opposition grievance at alleged weaponization of the judiciary by the Democratic Progressive Party (DPP) to “annihilate” the opposition parties. Blamed for faltering recall campaigns and faced with a KMT chair
Article 2 of the Additional Articles of the Constitution of the Republic of China (中華民國憲法增修條文) stipulates that upon a vote of no confidence in the premier, the president can dissolve the legislature within 10 days. If the legislature is dissolved, a new legislative election must be held within 60 days, and the legislators’ terms will then be reckoned from that election. Two weeks ago Taipei Mayor Chiang Wan-an (蔣萬安) of the Chinese Nationalist Party (KMT) proposed that the legislature hold a vote of no confidence in the premier and dare the president to dissolve the legislature. The legislature is currently controlled
RSS