Broken electric fans, a lawnmower, a bedstead and a fuel tank — these are just some of the everyday objects, not to mention gadgets salvaged from junkyards, that come to life as penguins, a zebra, an octopus, a flamingo and other animals from around the world at Taipei’s Bopiliao Historical Block (剝皮寮歷史街區), as part of the Taipei Children’s Arts Festival (台北兒童藝術節).
Now in its 15th year, the annual event offers children and their parents a diverse lineup of theater, music, opera, puppetry acrobatics, exhibitions, film screenings and do-it-yourself workshops until Aug. 3 at a number of venues across the capital.
With this year’s focus on environmental protection and recycling, organizers want to expose young minds to different environmental issues and propose refreshing ways to look at limited natural resources and human-made waste.
Photos courtesy of Taipei Children’s Arts Festival
The exhibition of installation art, for example, features works that make use of discarded items and stuff usually deemed as junk. From Catalunya, Spain, artist studio KataKrak helps to turn the exhibition space into a laugh-infested playground, bringing 26 colorful, interactive installation works of various sizes and in the shape of animals, which are composed of domestic appliances and mechanical parts.
Aiming to raise awareness of the importance of marine conservation, the Taiwan Environmental Information Association (台灣環境資訊協會) uses bottle caps collected by its members and volunteers during shoreline cleanup operations to piece together paintings and statuettes portraying marine animals.
Among the six paid international performances, 3-Legged Tale by Canada’s Theatre de l’OEil reveals life in a junkyward during changing seasons through the eyes of a three-legged camera that comes to life. The creative work shows the circle of life with all kinds of creatures.
Photo courtesy of Taipei Children’s Arts Festival
To encourage and support children’s theater productions and performances, each year the festival sends out a call for proposals. Winners are provided with funding for their productions. Starting last year, festival organizers no longer require troupes to submit finished scripts, but only project plans.
“This shift enables us to open up to much more diverse performances that are not script-based, such as music, dance and multi-media shows” says Liu Li-ting (劉麗婷), the associate executive director at Taipei Culture Foundation’s (台北市文化基金會) Department of Taipei Arts Festivals, which organizes the event.
The end results of last year’s change include O Theatre’s (O劇團) Nobody (墓園裡的男孩), which mixes live action, puppetry and 3D animation to tell the story of a little boy raised by a company of ghosts in a graveyard. HighSun Taiwanese Opera Troupe’s (海山戲館) Peacock (孔雀開屏) is a fun update of the traditional operative form designed for children aged three and up.
Photo courtesy of Taipei Children’s Arts Festival
While the international performances are usually sold out within days, tickets for the local productions remain available. There is also an extensive program of free community performances and outdoor events that take place at various community centers, parks and schools across the city.
Highlights from the performance lineup for the community events include France-based company Anonima Teatro’s engrossing show in which puppets and toy cars are used to enact exhilarating car chase scenes from action movies. The performance by Spanish vaudeville duo Hermanos Infoncudibles will feature flamenco dance, music by Beethoven and a healthy dose of humor.
Staged at Taipei’s Daan Forest Park (大安森林公園) and Dahu Park (大湖公園) in Neihu (內湖) District, the outdoor performances are eclectic, and include drum sessions by Sibongile African Drumming and Dancing Troupe (嬉班子非洲鼓舞劇團), Taiwu Children’s Ancient Ballad Troupe (泰武古謠傳唱) chanting ancient songs of the Paiwan (排灣) tribe and performances by Sun Son Theatre (身聲劇場), noted for blending theater with world music, masks and puppetry.
Photo courtesy of Taipei Children’s Arts Festival
Detailed information about the festival can be found at www.taipeicaf.org.
Photo courtesy of Taipei Children’s Arts Festival
Sept.16 to Sept. 22 The “anti-communist train” with then-president Chiang Kai-shek’s (蔣介石) face plastered on the engine puffed along the “sugar railway” (糖業鐵路) in May 1955, drawing enthusiastic crowds at 103 stops covering nearly 1,200km. An estimated 1.58 million spectators were treated to propaganda films, plays and received free sugar products. By this time, the state-run Taiwan Sugar Corporation (台糖, Taisugar) had managed to connect the previously separate east-west lines established by Japanese-era sugar factories, allowing the anti-communist train to travel easily from Taichung to Pingtung’s Donggang Township (東港). Last Sunday’s feature (Taiwan in Time: The sugar express) covered the inauguration of the
The corruption cases surrounding former Taipei Mayor and Taiwan People’s Party (TPP) head Ko Wen-je (柯文哲) are just one item in the endless cycle of noise and fuss obscuring Taiwan’s deep and urgent structural and social problems. Even the case itself, as James Baron observed in an excellent piece at the Diplomat last week, is only one manifestation of the greater problem of deep-rooted corruption in land development. Last week the government announced a program to permit 25,000 foreign university students, primarily from the Philippines, Indonesia and Malaysia, to work in Taiwan after graduation for 2-4 years. That number is a
This year’s Michelin Gourmand Bib sported 16 new entries in the 126-strong Taiwan directory. The fight for the best braised pork rice and the crispiest scallion pancake painstakingly continued, but what stood out in the lineup this year? Pang Taqueria (胖塔可利亞); Taiwan’s first Michelin-recommended Mexican restaurant. Chef Charles Chen (陳治宇) is a self-confessed Americophile, earning his chef whites at a fine-dining Latin-American fusion restaurant. But what makes this Xinyi (信義) spot stand head and shoulders above Taipei’s existing Mexican offerings? The authenticity. The produce. The care. AUTHENTIC EATS In my time on the island, I have caved too many times to
In a stark demonstration of how award-winning breakthroughs can come from the most unlikely directions, researchers have won an Ig Nobel prize for discovering that mammals can breathe through their anuses. After a series of tests on mice, rats and pigs, Japanese scientists found the animals absorb oxygen delivered through the rectum, work that underpins a clinical trial to see whether the procedure can treat respiratory failure. The team is among 10 recognized in this year’s Ig Nobel awards (see below for more), the irreverent accolades given for achievements that “first make people laugh, and then make them think.” They are not