Golden Bough Theater (金枝演社) will be celebrating its 20th birthday with a brand new production of its hit musical Happiness (浮浪貢開花), which spawned two sequels after its 2006 debut. The new production, described as a “luxury edition,” brings a top-notch cast and gives star billing to double Golden Melody award winner Tseng Hsin-mei (曾心梅).
When it was founded in 1993 by Wang Rong-yu (王榮裕), Golden Bough dedicated itself to creating a modern yet grassroots style that could revive the popular appeal of local theater.
It is one of the few major theatrical groups that perform predominantly in Hoklo (also known as Taiwanese), rooting its shows in the language and culture of native Taiwanese. With its soap opera sensibility, melodramatic emotions, exaggerated performance style and a stream of hummable tunes, its shows have an exuberant kitschy quality that belies its expressive power. Wang, a veteran of Cloud Gate (雲門舞集) and U-Theater (優人神鼓), has drawn on a mix of ideas drawn from traditional and modern experimental theater to create a style of drama that differs from that which Asia has inherited from the West, and is able to embody the joy of old-style folk theater in a contemporary setting.
Photo courtesy of Golden Bough Theater
Tseng will be performing the role of Miss Meizhi (美智小姐), a songstress who developed her career in the US, but then succumbed to homesickness and returned to her hometown. In a press release, Tseng said that as a child she would often sing as her mother made handicrafts. After she became a well-known singer, she still fondly recalled these times, and could appreciate the feelings of Miss Meizhi, who longs for the simplicity and easy intimacy of rural life in 1960s Taiwan.
The original production was made on a relatively small scale and has been regularly revived since it first premiered at Taipei’s Red House Theater (紅樓劇場).
Kate Shen (沈婷茹), publicity manager for Golden Bough, said that this new production was an upgrade of the original, bringing in bigger names, notably Tseng, and redesigning the stage for greater realism.
Tseng, who is one of the divas of contemporary Taiwanese pop music and who is an experienced TV show host, will be taking to the stage for the first time for Happiness, but given the extensive musical content, she is likely to feel right at home. A number of new songs have been added to the track list, and the tone of the show is like a homage to a golden age, both of the Taiwanese music hall, but also for an idyllic age of simplicity and absurdity, of greater hardship but deeper human intimacy.
In addition to this new production of Happiness, Golden Bough will also be putting on two new shows for its 20th anniversary, one an offshoot of the Happiness series, the other a one-man adaptation of Hamlet by Golden Bough’s lead actor Shi Tung-lin (施冬麟).
Happiness opens in Greater Kaohsiung for two performances today and tomorrow at 7:30pm and 2:30pm respectively, and will be in Taipei City July 26 to July 28 for four shows before rounding off its tour in Tainan on August 17. Tickets for Greater Kaohsiung and Greater Tainan are NT$300 to NT$1,500, for Taipei City they are NT$400 to NT$1,800; available through National Theater Concert Hall ticketing and online at www.artsticket.com.tw.
Ajay Verma, a consultant gastroenterologist at Kettering general hospital in Northamptonshire, says our gut is a “complex machine.” “It is constantly providing us with the nutrition we need, initially to grow and develop, and then for us to survive, thrive and repair from injury and illness.” How can we keep it functioning well? Put simply: “Make sure what you put into it is balanced, and that you clear out its waste products adequately,” Verma says. “In a general gastroenterology clinic, the most common conditions we see are irritable bowel syndrome (IBS), gastroesophageal reflux disease, inflammatory bowel disease and constipation,” says Nisha
The arithmetic is straightforward and uncomfortable. By the end of 2025, Taiwan had committed itself to a 50-30-20 electricity mix — half natural gas, 30 per cent coal, 20 per cent renewables. The Ministry of Economic Affairs’s (MOEA) own monthly energy reports tell a different story. Natural gas reached 47.8 per cent of generation last year. Coal stood at 35.4 per cent, comfortably above its target ceiling. Renewables came in at 13.1 per cent, well short of the 20 per cent Taipei had pledged a decade earlier. Installed renewable capacity reached roughly half of the 12 gigawatts (GW) the government
Last week US President Donald Trump was asked by a reporter whether he would speak on the phone to the President of Taiwan. “l’ll speak to him. I speak to everybody. We have that situation very well in hand,” Trump said. This marked the second time in a couple of weeks he had said he would talk to the President of Taiwan. In 2016 he famously took a call from then-president Tsai Ing-wen (蔡英文), when he was president-elect. Despite warnings that the apocalypse was nigh because of a phone call, the world quickly forgot about the conversation between two democratically-elected presidents.
Taiwan’s drone exports are taking off, fuelled by the war in Ukraine, as Taiwanese companies seek a stake in the fast-growing global market for unmanned aerial vehicles (UAV). Low-cost drones used for reconnaissance and strikes are in high demand as governments around the world boost defense spending in the face of intensifying conflicts. A relative new player in the increasingly competitive industry, Taiwan’s pitch is to be an “Asian hub” for the production of UAVs and components free of Chinese materials, or “non-red.” That means its UAVs can be up to three times more expensive than their Chinese competitors, like the world’s biggest
RSS