Jack Reacher
The opening salvo in what producers probably hope will be a long running franchise, the release of Jack Reacher, could not have come at a worse possible time. The original material comes from a series of thrillers by writer Lee Child, who has already produced 17 Jack Reacher novels, in which the eponymous hero, an ex-MP who has chosen the life of a drifter, nevertheless ends up useing a mix of profound insight and physical strength to solve crimes. The fact that Tom Cruise has been cast as the hero might be a sufficient turn off for fans of the books. The fact that the first installment, based on a novel titled One Shot, about a sniper killing of innocent people heading home from work, resonates in all the wrong ways with the trauma created by the Sandy Hook shootings, might turn others off. For those who don’t care about either of these issues, Jack Reacher is a superior thriller that has both a good plot and solid action sequences.
Chinese Zodiac (十二生肖)
Jackie Chan (成龍) has produced some of the most memorable action features to come out of Hong Kong’s film industry, but now, with age and the impact of the Hollywood experience, his stunts have been toned down. Unfortunately, he has not grown as a filmmaker, and efforts to inject more drama and character interaction into his films has rarely been successful. Jackie Chan films were always primarily about Jackie being the wonderfully talented Jackie, and all the rest was just background for his star turn. Chinese Zodiac is a by-the-numbers story about a master thief who discovers his conscience and uses his skills to help recover treasures looted from the Summer Palace during the collapse of the Qing dynasty. Chan is a skilled operator, and some of the special effect scenes look good, but the story itself feels cobbled together, and the introduction of rather obvious wire work tells a story about Chan’s acrobatic abilities all by itself.
Wreck-It Ralph
The story of a video game villain who wants to be a good guy provides the pretext for a joyride through the world of arcade games that mixes up technical finesse with a solid dose of storytime sentimentality. Wreck-It Ralph doesn’t want to wreck things anymore, so he starts hopping through a multiverse of games, meeting up with all kinds of new friends from early version pixilated Pac-men to high-definition street fighters, and trying to save the world. Ralph is voiced by the talented actor John C. Reilly, and the absence of A-list stars from the cast is a bonus. It is a look back in wonder at the potency of games and the hold, like it or not, they have over our imagination. Tight pace, life affirming, uplifting and just a little bit sad, Wreck-It Ralph is festive season gold.
Ripples of Desire (花漾)
Following on from Spider Lilies (刺青), another lush historical romance from Taiwanese director Zero Chou (周美玲) featuring a cast of young local stars. Michelle Chen (陳妍希) and Ivy Chen (陳意涵) play a pair of courtesans, sisters with vastly different ideas about love and their prospective paths in life. They are protected and exploited by their madam, played by show host Sandra Ng (吳君如) as they navigate the dangerous shoals of love. A big budget production, but despite the lavish costumes and set pieces fight scenes, the acting retains too much the flavor of a TV soap opera.
Another Woman’s Life
Based on a French novel by Frederique Deghelt, starring Juliette Binoche and directed by Sylvie Testud, herself an accomplished actress (Sagan and Lourdes) and novelist in her own right, Another Woman’s Life is one of those high-concept films that sound superficially interesting, but which fail to either make sense or create believable drama due to an unwillingness to explain the central conceit. Binoche is an engaging young woman who falls asleep one day and wakes up a decade later with no memory of her intervening life. She has become a high-powered executive, pushed her marriage to the brink of divorce and become a mother. Suddenly she has no understanding of her new life, and this is used to generate some fish-out-of-water humor, but audiences are likely to be too confused to laugh.
In the mainstream view, the Philippines should be worried that a conflict over Taiwan between the superpowers will drag in Manila. President Ferdinand Marcos Jr observed in an interview in The Wall Street Journal last year, “I learned an African saying: When elephants fight, the only one that loses is the grass. We are the grass in this situation. We don’t want to get trampled.” Such sentiments are widespread. Few seem to have imagined the opposite: that a gray zone incursion of People’s Republic of China (PRC) ships into the Philippines’ waters could trigger a conflict that drags in Taiwan. Fewer
March 18 to March 24 Yasushi Noro knew that it was not the right time to scale Hehuan Mountain (合歡). It was March 1913 and the weather was still bitingly cold at high altitudes. But he knew he couldn’t afford to wait, either. Launched in 1910, the Japanese colonial government’s “five year plan to govern the savages” was going well. After numerous bloody battles, they had subdued almost all of the indigenous peoples in northeastern Taiwan, save for the Truku who held strong to their territory around the Liwu River (立霧溪) and Mugua River (木瓜溪) basins in today’s Hualien County (花蓮). The Japanese
Pei-Ru Ko (柯沛如) says her Taipei upbringing was a little different from her peers. “We lived near the National Palace Museum [north of Taipei] and our neighbors had rice paddies. They were growing food right next to us. There was a mountain and a river so people would say, ‘you live in the mountains,’ and my friends wouldn’t want to come and visit.” While her school friends remained a bus ride away, Ko’s semi-rural upbringing schooled her in other things, including where food comes from. “Most people living in Taipei wouldn’t have a neighbor that was growing food,” she says. “So
Whether you’re interested in the history of ceramics, the production process itself, creating your own pottery, shopping for ceramic vessels, or simply admiring beautiful handmade items, the Zhunan Snake Kiln (竹南蛇窯) in Jhunan Township (竹南), Miaoli County, is definitely worth a visit. For centuries, kiln products were an integral part of daily life in Taiwan: bricks for walls, tiles for roofs, pottery for the kitchen, jugs for fermenting alcoholic drinks, as well as decorative elements on temples, all came from kilns, and Miaoli was a major hub for the production of these items. The Zhunan Snake Kiln has a large area dedicated