Hong Kong is calling, and in full artistic force. Today marks the beginning of Hong Kong Week 2012 — Culture and Creativity@Taipei (香港周2012 — 文化創意@台北), which is a program of shows from dozens of musicians, actors, dancers and filmmakers from the former British colony. Performances and shows take place at venues across Taipei until Dec. 2.
The event was created by the Hong Kong-Taiwan Cultural Co-operation Committee, a group devoted to promoting arts and culture exchanges between Hong Kong and Taiwan.
The purpose of this first edition of Hong Kong Week is “to show Taiwanese audiences what Hong Kong is doing in terms of cultural and creative development,” said Heidi Liu (廖珮賢) of the Hong Kong Economic, Trade and Cultural Office in Taipei, one of the event co-organizers.
Photos courtesy of Hong Kong Economic, Trade and Cultural Office
In other words, the event is a chance for Hong Kongophiles to get their fill.
The opening program kicks off tonight with the Hong Kong Repertory Theatre’s I Have a Date with Autumn (我和秋天有個約會). The production is a follow-up to the theatre’s popular and award-winning play I Have a Date with Spring (我和春天有個約會), which is about an unknown nightclub singer who, by a twist of fate, is propelled to stardom in the late 1960s. The show, in Cantonese with Mandarin subtitles takes place tonight, tomorrow and Sunday at Novel Hall for Performing Arts.
Modern multimedia comes together with ancient Chinese history in 1587, A Year of No Significance (萬曆十 五年), a play performed by experimental theatre group Zuni Icosahedron. The play, set in 1587, is based on a book on the decline of the Ming Dynasty by the historian Ray Huang (黃仁宇). The show, in Cantonese with Mandarin subtitles, takes place at the Taiwan Cement Building’s Cement Hall (台泥士敏廳) tonight, tomorrow and Sunday.
Photo courtesy of Hong Kong Economic, Trade and Cultural Office
Music plays prominently in the program — the closing show on Dec. 2 is a performance by the well-reputed Hong Kong Chinese Orchestra at Zhongshan Hall (中山堂). Fans of jazz and world music might be interested in Collision, which features jazz fusion band SIU2, which uses traditional Chinese instruments along with conventional jazz instruments, and will be joined by another HKCO4U, the youth branch of the Hong Kong Chinese Orchestra. They perform at Legacy tonight and tomorrow.
Taiwanese artists are also part of Hong Kong Week. Let’s Swing Taipei sees two jazz orchestras, one from Hong Kong, the other from Taipei, performing together (see Live Wire, Page 11). Two star Taiwanese pop figures, Waa Wei (魏如萱) and Wu Bai (伍佰) will make guest appearances as part of Gen S, a showcase of both up-and-coming and well-known singer-songwriters, including Hong Kong rock musician and guitar maven Paul Wong (黃貫中) and his band The Postman. These shows take place at Legacy on Monday and Tuesday (See Contemporary Listings, page 11, for details).
Modern dance enthusiasts have the Hong Kong-Taipei Dance Exchange, with some 50 dancers and choreographers teaming up for an interactive, “environmental” performance at the Tsai Jui-yueh Dance Research Institute/Rose Historic Site (蔡瑞月舞蹈社). This event takes place on Dec. 1. Jumping Frames is modern dance in video form, with screenings taking place at Eslite Bookstore’s Xinyi Branch (誠品信義店) on Dec. 1 and Dec. 2.
Photo courtesy of Hong Kong Economic, Trade and Cultural Office
For film buffs, there’s the Hong Kong Contemporary Film Showcase, which takes place from Nov. 28 to Dec. 1 at Cinema 7 (絕色影城) in Ximending. And comics fans might be interested to see Kaleidoscope — History of Hong Kong Comics Exhibition, which features animation shorts and panel discussions between Hong Kong and Taiwanese artists. The exhibition is on at Chung Shan Creative Hub (中山創意基地URS21) from today until Dec. 8.
For more information and a full schedule with times and ticket prices is available at www.hongkongweek2012taipei.hk. A downloadable PDF program in English is available under the “Programmes” page.
Photo courtesy of Hong Kong Economic, Trade and Cultural Office
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50