Dance lovers have a wealth of programs to choose from this weekend, ranging from the very classic — in fact ancient — to the very contemporary.
The National Theater complex is playing host to two of the productions, with Neo-Classic Dance Company (新古典舞團) in the main theater and the Sun-Shier Dance Theatre (三 十 舞蹈劇場) up in the Experimental Theater. Meanwhile, in Guandu at Taipei National University of the Arts, Meimage Dance (玫舞擊) has taken over the Dance Hall for its show in the 2011 Kuandu Arts Festival (關渡藝術節).
Starting with the oldest company, and the oldest works, Liu Feng-shueh’s (劉鳳學) Neo-Classic troupe is performing the kind of dance that has made them both famous: meticulously researched reconstructions of Tang Dynasty (618 to 907) music and dance. The result of almost six decades of research conducted by Liu, the company’s founder and artistic director, The Joy of Drinking a Toast (傾盃樂) will also be the 86-year-old’s swan song to the Tang era. She announced in August that this production would be the last in the series, though she will continue to choreograph more modern works for the company.
Photo Courtesy of Meimage Dance
The show includes one new work, from which the program takes its title, and extracts of four of Liu’s previous pieces: The Singing of Spring Orioles (春鶯囀), Pa Tou (拔頭), Whirl Around (團亂旋) and Liquid Amber (蘇合香).
The 40-minute The Joy of Drinking a Toast is based on three chapters of dance notations and score that Liu found, all that remains of a piece she believes was first performed in 627. Liu used her knowledge of Tang culture to flesh out the work. Pa Tou stands out from the other snippets of earlier works in its use of face masks, rather than just painted faces.
The entire show runs 80 minutes, with no intermission, and there is a pre-show introduction to the production that starts 30 minutes before show time in the theater’s main lobby.
At 14 years, San-Shier is the second-oldest troupe performing this weekend, though still relatively young compared with Liu’s company. Co-founder and choreographer Chang Hsiu-ping’s (張秀萍) latest work, titled Proclaiming of Skin Surface (膚演宣言), examines the texture of human skin and its other attributes. Not exactly a subject that lends itself to dance, one might think, but Chang has built a reputation for unconventional and feminist-oriented topics — like last year’s Too Much Vinegar (黑醋加太多), which delved into accidents and absurdist tragedy.
Tonight’s show at the Experimental Theater is sold out, but there are still tickets left for matinees today and tomorrow.
At just a year old, Meimage Dance may be one of the youngest dance troupes in Taiwan, but founder and choreographer Ho Hsiao-mei (何曉玫) is no babe in the woods, having years of experience choreographing for Taipei Crossover Dance Company (台北越界舞團), as well as pieces for her students at Taipei National University of the Arts.
I was impressed by her Beyond the Pale (紙境) when she showed a sample as a work in progress at the Quanta Hall in Taoyuan County’s Hwa Ya Science Park (華亞科技園區) in August. A stark white paper backdrop and big rolls of black paper served as both a stage for the dancers and an interactive prop as they pulled and tore seams in the paper and ripped it up over the course of the dance, stripping it away just as Ho’s choreography is stripped and spare, with no wasted movements.
The dancers switch back and forth from white suits to black outfits while the score changes from high-speed train sounds to spoken word (English-language poetry) to Mozart to who-knows-what. There was also a touch of the late German post-modern choreographer Pina Bausch to the piece, with the dancers playing with a microphone and breathing or shouting into it.
It will be interesting to see what changes Ho has made to the piece in the past two months.
Given the disparity in styles, dance fans will be able to pick and choose based on their own preferences — and what their wallets will allow.
Performance Notes
WHAT: Neo-Classic Dance Company’s The Joy of Drinking a Toast (傾盃樂)
WHEN: Tonight at 7:30pm, tomorrow at 2:30pm
WHERE: National Theater, 21-1 Zhongshan S Rd, Taipei City (台北市中山南路21-1號)
ADMISSION: NT$800 to NT$1,500; available through NTCH ticketing or online at www.artsticket.com.tw or 7-Eleven ibon kiosks
WHAT: Sun-Shier Dance Theatre’s Proclaiming of Skin Surface (膚演宣言)
WHEN: Tonight at 7:30pm (sold out), this afternoon and Sunday at 2:30pm
WHERE: Experimental Theater (國家戲劇院實驗劇場), 21-1 Zhongshan S Rd, Taipei City (台北市中山南路21-1號)
ADMISSION: NT$500; available through NTCH ticketing or online at www.artsticket.com.tw or 7-Eleven ibon kiosks
WHAT: Meimage Dance’s Beyond the Pale (紙境)
WHEN: Today at 2:30pm and 7:30pm
WHERE: Taipei National University of the Arts Dance Hall (國立臺北藝術大學展演藝術中心舞蹈廳), 1 Xueyuan Rd, Taipei City (台北市學園路1號)
ADMISSION: NT$600 and 800; available through NTCH ticketing or online at www.artsticket.com.tw or 7-Eleven ibon kiosks
Towering high above Taiwan’s capital city at 508 meters, Taipei 101 dominates the skyline. The earthquake-proof skyscraper of steel and glass has captured the imagination of professional rock climber Alex Honnold for more than a decade. Tomorrow morning, he will climb it in his signature free solo style — without ropes or protective equipment. And Netflix will broadcast it — live. The event’s announcement has drawn both excitement and trepidation, as well as some concerns over the ethical implications of attempting such a high-risk endeavor on live broadcast. Many have questioned Honnold’s desire to continues his free-solo climbs now that he’s a
As Taiwan’s second most populous city, Taichung looms large in the electoral map. Taiwanese political commentators describe it — along with neighboring Changhua County — as Taiwan’s “swing states” (搖擺州), which is a curious direct borrowing from American election terminology. In the early post-Martial Law era, Taichung was referred to as a “desert of democracy” because while the Democratic Progressive Party (DPP) was winning elections in the north and south, Taichung remained staunchly loyal to the Chinese Nationalist Party (KMT). That changed over time, but in both Changhua and Taichung, the DPP still suffers from a “one-term curse,” with the
Jan. 26 to Feb. 1 Nearly 90 years after it was last recorded, the Basay language was taught in a classroom for the first time in September last year. Over the following three months, students learned its sounds along with the customs and folktales of the Ketagalan people, who once spoke it across northern Taiwan. Although each Ketagalan settlement had its own language, Basay functioned as a common trade language. By the late 19th century, it had largely fallen out of daily use as speakers shifted to Hoklo (commonly known as Taiwanese), surviving only in fragments remembered by the elderly. In
Lines between cop and criminal get murky in Joe Carnahan’s The Rip, a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie The Instigators there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is Miami Vice territory or Elmore Leonard Land, not Southie or The Town. In The Rip, they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon)
RSS