Hsu Che-yu’s (許哲瑜) exhibit The Perfect Suspects (無姓之人) plays on the animated news of the Apple Daily and Next Media Animation. For Hsu, the “medium is no longer invisible, but an opaque intermediary faithfully transmitting the message,” where “an event becomes a product self-directed and self-acted by someone, a nameless character — the perfect suspects.” At the same time, his video and photography raise questions about the boundary between truth and fiction.
■ Digital Arts Center (台北數位藝術中心), 180 Fuhua Rd, Taipei City (台北市福華路180號), tel: (02) 7736-0708. Open Tuesdays to Sundays from 10am to 6pm
■ Opening reception and guided tour by artist on Saturday at 2pm. Until Oct. 23
Photo courtesy of Digital Arts Center
Yuan Goang-ming (袁廣鳴) examines what he sees as the temporal and positional registers of memory in Before Memory (在記憶之前), a solo exhibit at Tina Keng Gallery’s Neihu space. Working in video installation and photography, Yuan nostalgically recalls his childhood home, which serves as a starting point to expand on his ideas of place and remembrance. Yuan invites viewers along for the journey — one that enables us to explore our own pasts.
■ Tina Keng Gallery (耿畫廊), 15, Ln 548, Ruiguang Rd, Taipei City (台北市瑞光路548巷15號), tel: (02) 2659-0798. Open Tuesdays to Sundays from 10am to 7pm
■ Opening reception on Saturday at 6pm. Until Nov. 6
Photo courtesy of 99° Art Center
Return to Innocence (歸真) is a solo exhibit of oil paintings by Chen Hsien-tung (陳顯棟). Chen’s work celebrates the beauty of nature with fine, elegantly textured paintings rendered with perfectly proportioned blocks of color reminiscent of abstract expressionism. The lines, shapes and colors woven into the painting are natural forms that suggest Chen’s “uninhibited innocence.”
■ 99° Art Center (99度藝術中心), 5F, 259, Dunhua S Rd Sec 1, Taipei City (台北市敦化南路一段259號5樓), tel: (02) 2700-3099. Open Tuesdays to Sundays from 11am to 6pm
■ Until Oct. 2
FIT: Fashionista in Taiwan (臺灣當潮時尚設計展) explores the broad range of Taiwan’s contemporary design styles and thinking under one roof, showcasing the country’s talent. The exhibit features work by veteran designers such as Jasper Huang (黃嘉祥) and Isabelle Wen (溫慶珠), as well as those like Chen Shao-yan (陳劭彥) and Liao Ying-yi (廖瑩怡), who now enjoy significant international attention.
■ Museum of Contemporary Art, Taipei (MOCA, Taipei), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2552-3720. Open Tuesdays to Sundays from 10am to 6pm. Admission: NT$50
■ Until Nov. 13
A Fable of Japanese Contemporary — Ten Sols brings together some of the hottest artists working in Japan, including Yayoi Kusama, Yoshitomo Nara, Takashi Murakami and Yoshitaka Amano. The media range from oil and acrylic painting to video installation and sculpture.
■ Metaphysical Art Gallery (形而上畫廊), 7F, 219, Dunhua S Rd Sec 1, Taipei City (台北市敦化南路一段219號7樓), tel: (02) 2711-0055. Open Tuesdays to Sundays from 11am to 6:30pm
■ Until Oct. 23
On the Edge Between History and Design — Exhibition of Taiwan’s 100 Years of Design (歷史與設計的交鋒 — 2011臺灣百年設計大展) is a poster exhibit timed to coincide with next month’s International Design Alliance (IDA) Congress. The exhibit is divided into three sections: Taiwan Poster Archives surveys the history of Taiwanese posters; Exhibition of Well Known Poster Designers presents a selection of posters related to culture, art and museums by international artists; and Design at the Edges contains 36 works from the forthcoming IDA. Combined, the exhibit aims “to provide a comprehensive view of the poster, past and present,” and to reveal the design link between Taiwan and the world.
■ National Museum of History (國立歷史博物館), 49 Nanhai Rd, Taipei City (台北市南海路49號), tel: (02) 2361-0270. Open Tuesdays to Sundays from 10am to 6pm. Admission: NT$30
■ Begins Friday. Until Nov. 13
Chiu Chien-ching’s (邱建清) ceramic sculptures fired in tones of ochre resemble the morphology of the rocks of the coast of Yilan where he grew up. With the Jialoushui Series (佳洛水系列), Chiu examines his relationship to the ocean and rocks by juxtaposing the motion of the former with the “solidified tranquility” of the latter.
■ Yingge Ceramics Museum (鶯歌陶瓷博物館), 200 Wenhua Rd, Yingge District, New Taipei City (新北市鶯歌區文化路200號), tel: (02) 8677-2727. Open daily from 9:30am to 5pm, closes at 6pm on Saturdays and Sundays
■ Until Oct. 2
Riverbed Theatre’s (河床劇團) Just for You exhibition at the Urban Core Art Block (城中藝術街區) consists of props, sets and video clips from the four plays in its Just for You festival, which was performed at Hotel Eight Zone (八方美學商旅) in Taipei last month.
■ Urban Core, 89-4, Zhonghua Rd Sec 1, Taipei City (台北市中華路一段89-4號). Open daily from 12:30pm to 8:30pm
■ Until Oct. 2
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50