Carnival, football and samba are typical images of Brazil. But you won’t find any of those in the Brazilian program at this year’s Taipei Film Festival (台北電影節). What you will get are more than 20 feature and documentary films selected to show different facets of the South American country from the 1950s to the present day.
Among the festival’s rare finds is Rio, 40 Degrees (1955) by Nelson Pereira dos Santos, which illustrates the complexity of social relations through a semi-documentary portrait of five peanut venders in Rio de Janeiro. Santos’ black-and-white feature debut is often regarded as the first major work of Cinema Novo, a Brazilian new wave movement that flourished in the 1950s and 1960s.
Cinema Novo’s directors are noted for using the country’s impoverished hinterland and urban slums as settings for critiques and commentary on imperialism and neocolonialism. Glauber Rocha’s Earth Entranced (1967) and Antonio das Mortes (1969) are two Cinema Novo magnum opuses that allegorically portray the political scene after Brazil’s 1964 coup ushered in an era of authoritarianism that forced many artists into exile.
Festival curator Jane Yu (游惠貞) said this year’s Brazilian program presented a challenging task. The less-than-systematic preservation of films in Brazil meant it took more time and effort to track down certain movies. Brazil’s enthusiasm for football also presented an obstacle when organizers tried to invite the country’s filmmakers to Taipei. “You [get] responses like, ‘It’s World Cup month. Is there any way you can re-schedule your festival?’” Yu said.
Another central feature of this year’s festival is a retrospective for what would have been the 100th birthday of Chinese actress Run Lingyu (阮玲玉). The silent movie star made 29 movies before she took her own life in 1935 at the age of 25. The festival’s program features Run’s eight surviving movies on loan from the Beijing Film Archive (北京電影資料館).
Run’s legendary life was immortalized half a century after her death in Hong Kong director Stanley Kwan’s (關錦鵬) Center Stage (阮玲玉, 1992), featuring Maggie Cheung (張曼玉) as Run. Kwan’s film will also be screened at the festival.
To make Run’s silent movies more accessible to contemporary audiences, special screenings of three selected films will be accompanied by live music performances and a pien shih (辯士), or onstage narrator, a job from the silent movie era that involved explaining the movie and commenting on the plot.
Taipei Film Festival organizers faced criticism two years ago when they decided to focus on feature-length films at the Taipei Awards, an annual competition and an important platform for young filmmakers in Taiwan. The disputed changes included more award categories for feature-length films and limiting the top prize of NT$1 million, previously open to all types of film, to feature-length works.
In response to the criticism, the Taipei Film Festival changed the rules this year and made all feature, documentary, animation and short works eligible for award categories including best director, best cinematography and best editing, as well as the coveted top cash prize.
“Our film committee members think the festival should maintain its spirit, which encourages openness and creativity,” said festival director Hu Yu-feng (胡幼鳳).
Sept.16 to Sept. 22 The “anti-communist train” with then-president Chiang Kai-shek’s (蔣介石) face plastered on the engine puffed along the “sugar railway” (糖業鐵路) in May 1955, drawing enthusiastic crowds at 103 stops covering nearly 1,200km. An estimated 1.58 million spectators were treated to propaganda films, plays and received free sugar products. By this time, the state-run Taiwan Sugar Corporation (台糖, Taisugar) had managed to connect the previously separate east-west lines established by Japanese-era sugar factories, allowing the anti-communist train to travel easily from Taichung to Pingtung’s Donggang Township (東港). Last Sunday’s feature (Taiwan in Time: The sugar express) covered the inauguration of the
The corruption cases surrounding former Taipei Mayor and Taiwan People’s Party (TPP) head Ko Wen-je (柯文哲) are just one item in the endless cycle of noise and fuss obscuring Taiwan’s deep and urgent structural and social problems. Even the case itself, as James Baron observed in an excellent piece at the Diplomat last week, is only one manifestation of the greater problem of deep-rooted corruption in land development. Last week the government announced a program to permit 25,000 foreign university students, primarily from the Philippines, Indonesia and Malaysia, to work in Taiwan after graduation for 2-4 years. That number is a
This year’s Michelin Gourmand Bib sported 16 new entries in the 126-strong Taiwan directory. The fight for the best braised pork rice and the crispiest scallion pancake painstakingly continued, but what stood out in the lineup this year? Pang Taqueria (胖塔可利亞); Taiwan’s first Michelin-recommended Mexican restaurant. Chef Charles Chen (陳治宇) is a self-confessed Americophile, earning his chef whites at a fine-dining Latin-American fusion restaurant. But what makes this Xinyi (信義) spot stand head and shoulders above Taipei’s existing Mexican offerings? The authenticity. The produce. The care. AUTHENTIC EATS In my time on the island, I have caved too many times to
In a stark demonstration of how award-winning breakthroughs can come from the most unlikely directions, researchers have won an Ig Nobel prize for discovering that mammals can breathe through their anuses. After a series of tests on mice, rats and pigs, Japanese scientists found the animals absorb oxygen delivered through the rectum, work that underpins a clinical trial to see whether the procedure can treat respiratory failure. The team is among 10 recognized in this year’s Ig Nobel awards (see below for more), the irreverent accolades given for achievements that “first make people laugh, and then make them think.” They are not