When documentary filmmakers Henri Li (林文龍) and Chang Shu-man (張淑滿) first asked the children of a Rukai (魯凱族) tribal village in Maolin Township (茂林鄉), Kaohsiung County, about Typhoon Morakot, which devastated their community in August, the youngsters didn’t show any signs of trauma.
Only after Li and Chang devised art courses that encouraged self-expression through painting and taught the children how to make clay animation and shadow puppets did their inner thoughts and feelings emerge: mudslides became monsters and rescue helicopters turned into hovering shadows.
The resulting short film, Rainbow Over Troubled Water (大雨過後的美勞課), is part of the four-part documentary Bye-Bye Monster Morakot (Bye-Bye莫拉克), which features young survivors of the calamity recounting their own tales. The documentary is being screened in its entirety at the Taiwan International Children’s Film Festival (台灣國際兒童影展).
Bye-Bye Monster Morakot was initiated by the festival within a week of Morakot smashing into southern Taiwan, and took six months to complete.
“It’s [the festival’s] first self-produced project. Rather than just showing films from other countries, we thought we should make our own works that address local issues and problems, especially as there are very few local movies made for children,” said festival curator Wang Chiung-wen (王瓊文), who is also the documentary project’s producer.
Set up by the Public Television Service in 2004, this year’s
10-day edition of the biennial festival comprises film screenings, an art exhibition and workshops, and ends Sunday.
Among the movies showing at Vie Show Cinema and Eslite Xinyi Store in Taipei, the animation, documentary and fiction films in the Kids as Directors segment saw children from Norway, Italy, Belgium, Ethiopia, Kenya and Taiwan take over the filmmaking process.
Under this year’s theme, listening and understanding, the festival highlights works that encourage young minds to probe the wider world.
Apart from Bye-Bye Monster Morakot, featured documentaries include Katrina’s Children and Syawal Was Very Scared ... , which respectively reveal the stories of young survivors of Hurricane Katrina and the catastrophic Indian Ocean tsunami of 2005.
On a lighter note, The Magic Tree, an immensely popular television series-turned-film from Poland, tells the tale of two children who chance upon a chair made from a magical oak tree that fulfils the wishes of anyone who sits on it, while Little Nicholas, the festival’s closing film, brings the children’s literature classic Le Petit Nicolas (Little Nicholas) to the bring screen.
The workshops to be held at Juming Museum (朱銘美術館) this coming weekend include a class on stop-motion animation using edible materials such as cookies and candy.
For more information on the workshops, call (02) 2633-2000 or (02) 2498-9940.
Festival picks
A Beautiful Tragedy
David Kinsella’s documentary follows one girl’s struggle to become a prima ballerina. Perfection doesn’t come easy for 15-year-old Oksanna, who has spent the last nine years studying at a prestigious ballet school in Russia. The students are permitted to only see their parents twice a year, and are subjected to immense pressure in the quest for physical and artistic excellence.
Antoine
Antoine is a blind five-year-old boy of Vietnamese origin who leads a happy school life at a regular school in Montreal, Canada. Director Laura Bari doesn’t just follow Antoine and his schoolmates with her camera; she devises games, plays with the children and examines how they interact with each other. The students argue, laugh, fight and cry, but being blind, or not, is never a problem.
A Light in the Darkness
Professor Satoshi Fukushima is the first deaf-blind person to pass Japan’s university entrance exam. In A Light in the Darkness, part of the Tell Us About Your Life series produced by Japan’s NHK, he returns to his former elementary school to share his world with its students. After an exercise that simulates blindness, one child says what he fears most is the feeling of absolute solitude. The professor cries, and says that that was also his biggest fear.
Esterhazy
Our hero Esterhazy, a young, diminutive rabbit of the Esterhazy dynasty, is sent by the head of his family to find a large wife in divided Berlin, circa 1989. After several setbacks, he discovers rabbit Eden and Mimi, the love of his life. But the Berlin Wall falls and Esterhazy and his new friends get caught up in the politics of the day. Human history as seen through bunny eyes.
Knitting for Human Rights
What would a group of 13-year-olds make of The Universal Declaration of Human Rights? In this stop-motion animation short made by Italian teenagers, the concept of human rights is envisioned as a hand and cotton thread that try to discover ways to stay together.
For a Moment, Freedom
Movie about the plight of Iranian refugees who flee to Europe. Three groups are stuck in Turkey’s capital, Ankara, grinding through the asylum application process. Two of the refugees, youngsters Asy and Arman, try to join their parents, who are in Austria, but can’t help wondering why they can’t just stay home and play with their friends.
Hudud
Hudud, a short animation film made by 12 young Palestinians from Bethlehem and the Dheisheh Refugee Camp in the West Bank, shows how everyday life for teenagers living in the Palestinian territories involves curfews, heavily guarded check points and violence. A Palestinian song plays as the end credits roll: “Enough of the promises and lies! Now we want the truth. Enough dreams. Time to wake up … We are hungry for freedom.”
The Crocodiles
The Crocodiles is the coolest gang that every kid wants to join. Ten-year-old Hannes and his wheelchair-bound friend Kai are no exception. After a burglary takes place, the two friends join The Crocodiles to solve the case and get to take on a real criminal gang along the way. This well-crafted teen adventure movie is based on Max von der Grun’s novel of the same title. Actor Nick Romeo Reimann, who plays Hannes, is in Taipei for the festival.
The Way I Miss You
The story of Yu-mi, a young girl from Siaolin Village (小林村), Kaohsiung County, which was completely wiped out by Typhoon Morakot in August. Out of the 78 students at Siaolin elementary school, which she attended, 46 died in the disaster. The film forms one segment of Bye-Bye Monster Morakot (Bye-Bye莫拉克), a four-part documentary that tells the tales of young survivors of the typhoon.
Behind a car repair business on a nondescript Thai street are the cherished pets of a rising TikTok animal influencer: two lions and a 200-kilogram lion-tiger hybrid called “Big George.” Lion ownership is legal in Thailand, and Tharnuwarht Plengkemratch is an enthusiastic advocate, posting updates on his feline companions to nearly three million followers. “They’re playful and affectionate, just like dogs or cats,” he said from inside their cage complex at his home in the northern city of Chiang Mai. Thailand’s captive lion population has exploded in recent years, with nearly 500 registered in zoos, breeding farms, petting cafes and homes. Experts warn the
No one saw it coming. Everyone — including the Chinese Nationalist Party (KMT) — expected at least some of the recall campaigns against 24 of its lawmakers and Hsinchu Mayor Ann Kao (高虹安) to succeed. Underground gamblers reportedly expected between five and eight lawmakers to lose their jobs. All of this analysis made sense, but contained a fatal flaw. The record of the recall campaigns, the collapse of the KMT-led recalls, and polling data all pointed to enthusiastic high turnout in support of the recall campaigns, and that those against the recalls were unenthusiastic and far less likely to vote. That
The unexpected collapse of the recall campaigns is being viewed through many lenses, most of them skewed and self-absorbed. The international media unsurprisingly focuses on what they perceive as the message that Taiwanese voters were sending in the failure of the mass recall, especially to China, the US and to friendly Western nations. This made some sense prior to early last month. One of the main arguments used by recall campaigners for recalling Chinese Nationalist Party (KMT) lawmakers was that they were too pro-China, and by extension not to be trusted with defending the nation. Also by extension, that argument could be
The centuries-old fiery Chinese spirit baijiu (白酒), long associated with business dinners, is being reshaped to appeal to younger generations as its makers adapt to changing times. Mostly distilled from sorghum, the clear but pungent liquor contains as much as 60 percent alcohol. It’s the usual choice for toasts of gan bei (乾杯), the Chinese expression for bottoms up, and raucous drinking games. “If you like to drink spirits and you’ve never had baijiu, it’s kind of like eating noodles but you’ve never had spaghetti,” said Jim Boyce, a Canadian writer and wine expert who founded World Baijiu Day a decade
RSS