For about 1,200 years, the treasure was lying hidden between rocks and coral reefs in the shallow waters of the Gelasa Strait, a passage between the Indonesian islands of Belitung and Bangka.
Then, in 1998, fishermen diving for sea cucumbers stumbled across ceramic bowls embedded in a pile of sand and corals.
They dug a hole, and 17m beneath the ocean surface, and discovered a sunken vessel with more than 60,000 artifacts on board, mostly ceramics from Tang Dynasty China but also unique pieces dating back to the ninth century.
The discovery excited scholars, who viewed it as a proof of a maritime silk road, the watery counterpart of the overland Silk Road, which connected Asia to the Mediterranean.
Eleven years on, the treasure of the Belitung wreck remains hidden from the eyes of the general public.
Most artifacts are kept in a depot in the basement of Singapore’s Hua Song Museum, waiting to possibly become the core of a Maritime Silk Road museum yet to be built in the city-state.
“On board the ship were rare treasures,” said Alvin Chia, executive with the Sentosa Leisure Group, which develops tourist attractions on Singapore’s Sentosa island.
In 2005, the company purchased the ship’s cargo for more than US$32 million, out rivaling bidders like Qatar and Shanghai, after German treasure hunter Tilman Walterfang salvaged the artifacts from the bottom of the sea.
In the entrance hall of the storeroom, Chia explained the most impressive pieces, shown on wall charts.
“Let’s see the real stuff now,” he then said, drawing a
black curtain.
Arranged on 25m-wide steps leading up to the ceiling, rows of jars and bowls fill the vast storeroom, all once packed on board a 20m-long and about 5m-wide Arabic dhow that sank on its way from China to Oman, most scholars believe.
At first, it was the sheer scale of the ceramics, originating from different kilns from all over China, which struck the researchers.
“The quantity of pottery on the ship demonstrates that there was a highly organized production system in China ... a mass production system more highly organized than any known previously,” said John Miksic, an expert on Southeast Asian archeology at Singapore National University.
An inscription on one bowl reads, “the 16th day of the seventh month of the second year of the Baoli reign,” dating it to the year 826 in the latter period of the Tang Dynasty (618 to 907).
It was also the motifs on the pottery that captivated the scholars.
“The artists are kind of crazy,” Chia said, cautiously pulling out one bowl after the other from the racks. “They go around with a lot of patterns.”
Lotuses, dragons, Chinese calligraphy and Buddhist symbols are mixed with geometric decorations from the Muslim world and Islamic scripts praising Allah.
“The fusion of these two cultural worlds,” as Miksic put it, was also represented in the presumably most spectacular object — an octagonal cup, made of solid gold and featuring dancers from Central Asia.
With a weight of 684g and a height of 8.9cm, it is “the largest Tang Dynasty gold cup ever found,” Chia said.
A cargo with the value found aboard the Belitung shipwreck is rare, Miksic said.
“Perhaps a shipment of this quality left China once every decade or even longer,” the archeologist said. “We may never find another.”
Not surprisingly, the gold cup along with 10,000 pieces of silverware and blue and white Chinese porcelain, is not kept with the pottery.
“We have it in a very high-security government store,” said Pamelia Lee, head of Singapore’s Maritime Silk Road Project.
Singapore bought the treasure with the objective “to be able to tell the story of Singapore’s early origins and to be able to tell the story with our neighbors,” Lee said, adding that the emphasis was now on doing research, studying the artifacts and building up a collection, rather than on constructing an iconic museum.
“We are at the beginning of a big, long and mountainous road,” Lee said.
A few weeks ago I found myself at a Family Mart talking with the morning shift worker there, who has become my coffee guy. Both of us were in a funk over the “unseasonable” warm weather, a state of mind known as “solastalgia” — distress produced by environmental change. In fact, the weather was not that out of the ordinary in boiling Central Taiwan, and likely cooler than the temperatures we will experience in the near-future. According to the Taiwan Adaptation Platform, between 1957 and 2006, summer lengthened by 27.8 days, while winter shrunk by 29.7 days. Winter is not
Taiwan’s post-World War II architecture, “practical, cheap and temporary,” not to mention “rather forgettable.” This was a characterization recently given by Taiwan-based historian John Ross on his Formosa Files podcast. Yet the 1960s and 1970s were, in fact, the period of Taiwan’s foundational building boom, which, to a great extent, defined the look of Taiwan’s cities, determining the way denizens live today. During this period, functionalist concrete blocks and Chinese nostalgia gave way to new interpretations of modernism, large planned communities and high-rise skyscrapers. It is currently the subject of a new exhibition at the Taipei Fine Arts Museum, Modern
March 25 to March 31 A 56-year-old Wu Li Yu-ke (吳李玉哥) was straightening out her artist son’s piles of drawings when she inadvertently flipped one over, revealing the blank backside of the paper. Absent-mindedly, she picked up a pencil and recalled how she used to sketch embroidery designs for her clothing business. Without clients and budget or labor constraints to worry about, Wu Li drew freely whatever image came to her mind. With much more free time now that her son had found a job, she found herself missing her home village in China, where she
In recent years, Slovakia has been seen as a highly democratic and Western-oriented Central European country. This image was reinforced by the election of the country’s first female president in 2019, efforts to provide extensive assistance to Ukraine and the strengthening of relations with Taiwan, all of which strengthened Slovakia’s position within the European Union. However, the latest developments in the country suggest that the situation is changing rapidly. As such, the presidential elections to be held on March 23 will be an indicator of whether Slovakia remains in the Western sphere of influence or moves eastward, notably towards Russia and