Digital Restoration festival
The Taipei County Government is hosting this Chinese Taipei Film Archive program in its main building. The curator has assembled some interesting old (and not so old) films from around the world that have received a digital boost, even if the format seems to be HDCAM for all screenings. Entry is free, but some of these flicks would be worth paying to see. Taiwan is represented by Our Neighbors (街頭巷尾, 1963) by director Lee Hsing (李行), whose festival at the Spot theater concluded last week. Then there are rarely screened works by Antonioni (Le Amiche, 1955), Visconti (Senso, 1954) and Carl Theodor Dreyer (Die Gezeichneten, 1922). There are other early Scandinavian films from Norway and Denmark, an American documentary from 1958 (Grand Canyon) and an episode of the English sitcom Dad’s Army, of all things. Finally, there’s the original The Wizard of Oz, which demands repeat viewings regardless of format. The program starts this Tuesday and finishes the following Saturday, with individual films screening three times at most. More details at www.ctfa.org.tw/2009DRFS.
The Great Buck Howard
John Malkovich is back with another strange but true-to-life role as Buck Howard, a magician and one-time chat show regular with a never-fail trick that keeps the audiences coming back even as he plays to lesser and lesser rooms. Colin Hanks (producer Tom Hanks’ lad) is his gopher who guides the viewer through this odd man’s traveling show. Filled with cameos by media personalities playing themselves, this is worth a look, especially for those who long for the return of vaudeville.
Gu Gu the Cat
There’s been quite a few dog and cat-themed films out of Japan over the past few years. The most recent cat flick was Nekonade, in which a soulless older man warms to a stray kitten and learns to live a better life. Gu Gu the Cat has a similar theme, though the manga-drawing heroine is already a cat lover by the time she adopts the titular feline, but will it help her out of a deep depression? Curiously features one-time Megadeth guitarist Marty Friedman in the supporting role of an English teacher-cum-Greek chorus.
Rahtree Reborn
This is the second sequel to 2003’s Buppha Rahtree, a bloody comic-horror effort from Thailand, which turned The Exorcist into a comedy but kept the nasty stuff intact (Scary Movie 2 tried to do the same in its opening scene, and would have been a better film had it stuck with that idea). In this installment, the put-upon female ghost of the first two films is re-embodied at the expense of an abused schoolgirl — who conveniently has an awful lot of potential targets to slice up. Also known as Buppha Rahtree 3.1, and installment “3.2” is in the pipeline.
Jodhaa Akbar
This sprawling Indian historical saga secured a mainstream release in the US, which suggests it’s a mixture of Bollywood and Hollywood. Hrithik Roshan plays India’s first locally born Muslim emperor who marries a politically connected Hindu woman (Aishwarya Rai Bachchan) for practical reasons but ends up working for her love and respect anyway — even as court intrigue grows and war beckons. Even by Indian standards, this one’s an epic: It’s more than three-and-a-half hours long, but it’s quite intimate and well worth the trip, according to seasoned Western reviewers.
Der Bibelcode
This German TV movie about Da Vinci Code-style intrigue at the Vatican was supposed to start on July 4 but was pulled at the last minute. Those who can’t get enough of Dan Brown imitations might find something to enjoy, though as with last time, a warning is in order: This is likely a seriously pruned version of the three-hour original.
Starts tomorrow.
Killer Bees
Like Der Bibelcode, this made-for-German-TV disaster entry was pulled without notice three weeks ago. For those crestfallen that The Swarm (1978) did not spawn a hive of sequels and remakes, this movie about intrepid scientists, global threat and pissed-off insects is for you.
Starts tomorrow.
Sept.16 to Sept. 22 The “anti-communist train” with then-president Chiang Kai-shek’s (蔣介石) face plastered on the engine puffed along the “sugar railway” (糖業鐵路) in May 1955, drawing enthusiastic crowds at 103 stops covering nearly 1,200km. An estimated 1.58 million spectators were treated to propaganda films, plays and received free sugar products. By this time, the state-run Taiwan Sugar Corporation (台糖, Taisugar) had managed to connect the previously separate east-west lines established by Japanese-era sugar factories, allowing the anti-communist train to travel easily from Taichung to Pingtung’s Donggang Township (東港). Last Sunday’s feature (Taiwan in Time: The sugar express) covered the inauguration of the
The corruption cases surrounding former Taipei Mayor and Taiwan People’s Party (TPP) head Ko Wen-je (柯文哲) are just one item in the endless cycle of noise and fuss obscuring Taiwan’s deep and urgent structural and social problems. Even the case itself, as James Baron observed in an excellent piece at the Diplomat last week, is only one manifestation of the greater problem of deep-rooted corruption in land development. Last week the government announced a program to permit 25,000 foreign university students, primarily from the Philippines, Indonesia and Malaysia, to work in Taiwan after graduation for 2-4 years. That number is a
This year’s Michelin Gourmand Bib sported 16 new entries in the 126-strong Taiwan directory. The fight for the best braised pork rice and the crispiest scallion pancake painstakingly continued, but what stood out in the lineup this year? Pang Taqueria (胖塔可利亞); Taiwan’s first Michelin-recommended Mexican restaurant. Chef Charles Chen (陳治宇) is a self-confessed Americophile, earning his chef whites at a fine-dining Latin-American fusion restaurant. But what makes this Xinyi (信義) spot stand head and shoulders above Taipei’s existing Mexican offerings? The authenticity. The produce. The care. AUTHENTIC EATS In my time on the island, I have caved too many times to
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