The hubbub over Zhang Ziyi’s (章子怡) recent sandy sweethearting has prompted considerable moralizing in China. As Pop Stop reported a few weeks back, Zhang and her Israeli fiance, Aviv “Vivi” Nevo, were caught noshing up the beaches of St Barts, a French territory in the Caribbean. A paparazzo snapped pictures of the Memoirs of Geisha and 2046 star in what one blogger from China described as Zhang’s “unpatriotic behavior,” for exposing herself in public so brazenly.
Song Zude (宋組德) blogged that Zhang did this because she was “only interested in her career and money.” Pop Stop must protest. Starlets only expose themselves when their careers are faltering, not when they are at the pinnacle of the celebrity firmament, as Zhang currently is.
Time passes, however, and it seems that nationalistic zeal has taken a backseat to criticism of Zhang’s body — particularly her “tiny” bust size. Which is hardly surprising, given the tabloids’ obsession with this particular part of a woman’s anatomy. This week’s edition of Next Magazine even published a detailed report on why an ageing model wants to have cosmetic surgery done on her breasts. (It’s because they “droop,” if you must know.)
Meanwhile, yWeekend, the online version of the Beijing Youth Daily, caught up with “Fred,” the mystery man from France behind the Zhang photos, who described for readers what he saw.
“Nevo kept rolling his body back and forth. Then he caressed Zhang Ziyi’s back. He caressed it again and again. His hand then slid further and further down. I could not believe what my eyes were seeing. It was getting too hot. Then they went into the ocean to swim. My guess was that they got too ‘hot’ and they had to cool down by jumping into the ocean.”
So this is what constitutes steamy behavior: a man and a woman who plan to marry caressing each other on a beach. Fred probably would have had a heart attack if he’d snapped last year’s photos of Edison Chen (陳冠希) with his coterie.
And speaking of marriage, Hong Kong director and one of the “Four Heavenly Kings of Canto-pop” Andy Lau (劉德華) said that Taiwanese actress Shu Qi (舒淇) would be worth marrying because she is good to her family, according to reports in Apple and the Liberty Times (the Taipei Times’ sister newspaper).
His comments at a press conference for the release of his new movie Look for a Star (游龍戲鳳) plus a wedding ring on his ring finger predictably sent the assembled gossip hounds into a frenzy. But Lau burst their bubble when he pointed out that the ring was the property of a certain French fashion house and that he and Shu were just old friends.
In other “Heavenly Kings of Cantopop” news, “God of Songs” (歌神) crooner Jacky Cheung (張學友) ended his one-year hiatus from the music industry with a press conference at Hong Kong Disneyland. He said he’ll release a new album, film a movie and hold a concert within the year, according to a report in the Oriental Daily News. He also lamented the lack of solidarity in the music industry and how he was powerless to remedy the situation.
It looks as though pop singer Wen Lan (溫嵐) has hooked up with another woman’s man — again, according to a report in Next. The saga began in July when Wen sent a flurry of text messages to dancer Lin Chun-che (林群哲), who had been in an 11-year relationship with fellow dancer Chen Hsien-he (陳仙禾). Both dancers have collaborated with Wen, and Chen and the singer had been close friends for years. Fast-forward six months and Lin dumps Chen to be with Wen. Par for the course for Lin, really, because the Casanova has allegedly cheated on Chen a number of times.
And finally, no Lunar New Year would be complete without a celebrity prediction. According to a report on Yahoo, a fortune-teller says that Jolin Tsai’s (蔡依林) career will tank this year and that she will be luckless in love because she devotes too much time to her career.
In the mainstream view, the Philippines should be worried that a conflict over Taiwan between the superpowers will drag in Manila. President Ferdinand Marcos Jr observed in an interview in The Wall Street Journal last year, “I learned an African saying: When elephants fight, the only one that loses is the grass. We are the grass in this situation. We don’t want to get trampled.” Such sentiments are widespread. Few seem to have imagined the opposite: that a gray zone incursion of People’s Republic of China (PRC) ships into the Philippines’ waters could trigger a conflict that drags in Taiwan. Fewer
March 18 to March 24 Yasushi Noro knew that it was not the right time to scale Hehuan Mountain (合歡). It was March 1913 and the weather was still bitingly cold at high altitudes. But he knew he couldn’t afford to wait, either. Launched in 1910, the Japanese colonial government’s “five year plan to govern the savages” was going well. After numerous bloody battles, they had subdued almost all of the indigenous peoples in northeastern Taiwan, save for the Truku who held strong to their territory around the Liwu River (立霧溪) and Mugua River (木瓜溪) basins in today’s Hualien County (花蓮). The Japanese
Pei-Ru Ko (柯沛如) says her Taipei upbringing was a little different from her peers. “We lived near the National Palace Museum [north of Taipei] and our neighbors had rice paddies. They were growing food right next to us. There was a mountain and a river so people would say, ‘you live in the mountains,’ and my friends wouldn’t want to come and visit.” While her school friends remained a bus ride away, Ko’s semi-rural upbringing schooled her in other things, including where food comes from. “Most people living in Taipei wouldn’t have a neighbor that was growing food,” she says. “So
Whether you’re interested in the history of ceramics, the production process itself, creating your own pottery, shopping for ceramic vessels, or simply admiring beautiful handmade items, the Zhunan Snake Kiln (竹南蛇窯) in Jhunan Township (竹南), Miaoli County, is definitely worth a visit. For centuries, kiln products were an integral part of daily life in Taiwan: bricks for walls, tiles for roofs, pottery for the kitchen, jugs for fermenting alcoholic drinks, as well as decorative elements on temples, all came from kilns, and Miaoli was a major hub for the production of these items. The Zhunan Snake Kiln has a large area dedicated