The popular image of a belly dancer is a scantily clad woman in a darkened, smoke-filled nightclub seductively rolling her hips for the titillation of a male audience. Over the past five years, however, belly dancing has gradually entrenched itself in Taiwan’s popular culture — and many dancers view it as a form of female empowerment.
Belly dancing troupes featured prominently on Wulindadao (舞林大道), a popular television dance competition, US-based troupe Bellydance Superstars recently made a well-received second tour of the country (and already have another trip planned) and students, who range from kindergartners to office workers and grandmothers, are attracted to the dance’s graceful but challenging movements.
Belly dancing classes were initially advertised as a way for girlfriends and wives to please their partners, remembers dancer and instructor Betty Lee (李梅林), who with her troupe the Shimmy Tribe made it to 16th place out of more than 150 competitors on Wulindadao. But she scoffs at the notion of belly dancing as a mere seduction technique.
“We have to understand the music and what rhythm is. We have know how to fit the right movements to the music,” says Lee. “Dancers don’t dance to please men. They do it for themselves.”
She also credits belly dancing’s popularity to its body-positive message. “When women take up belly dancing, they learn how attractive they are. The dance is based on women’s shapes and women’s muscles that are totally different from what men have,” Lee says. She also notes that routines with male partners are almost completely absent from belly dance choreography.
Lee took her first belly dancing class six years ago. She saw it as an extension of her interest in Arabic culture and was frustrated when her instructor was unable to answer her questions about belly dance traditions. So she decided to do her own research on the Internet, where she discovered the diversity of dance styles and their rich history.
“It was just so amazing to me,” says Lee, who has since built a Web site (www.bellydancing.com.tw), taken research trips to Egypt and Turkey and performed at Tribal Fest, an annual alternative dance festival in San Francisco. She and her dancing partner, Essa Wen (聞子儀), teach different styles of belly dancing (including a street dance fusion) at studios throughout Taipei and Taichung. In their classes, Lee and Wen emphasize the cultural depth of belly dance, explaining the origin and meaning of dance movements, costumes (coins and shells sewn onto costumes are meant to symbolize wealth, for example) and props like finger cymbals and Moroccan drums.
Students are sometimes eager to jump into choreographed routines, but Lee emphasizes building a solid foundation first.
“Sometimes I tell them to put their hands on my waist and tell them to feel how I use my muscles,” says Lee, “Belly dance is all about isolation. The muscle isolation is different from that of other dances, and that’s not easy.”
In a recent class taught by dancer and instructor Jenny Lin (林麗美) at Songshan Community College (松山社區大學) near the Core Pacific City Mall (京華城) in Taipei City, exercises included practicing how to focus on swaying waists and hips in one direction while keeping arms flowing gracefully in the opposite direction, footwork and dancing with a partner. It wasn’t easy — Lin kept a close eye on her students in the studio’s mirror, constantly calling out directions and floating from student to student, correcting their posture or the position of their limbs. But there was a lot of laughter and joking among the 38 students, who represented a wide range of experience levels, ages and body types.
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