Bartabas, enigmatic visionary behind one of the world's most spectacular circuses, says his latest equestrian extravaganza is a celebration of life that transcends nationality, religion and race.
The show - in which 36 horses and their riders gallop around an arena for 90 minutes of fast-paced, acrobatic and comic story-telling - is a showcase, he says, for his philosophy of tolerance.
The theme is in the show's name: Battuta - a term he created from a combination of words cherry-picked from his native French, Romanian and Romany which he says aims to convey the energy and beauty of Gypsy music.
"I went to Romania and I was very surprised to see how these people (Gypsies) are treated," said Bartabas, who is known only by his stage name.
"In Europe they are outsiders, even though more than 20 years ago, people in Europe were talking about open borders. But we don't accept that people live differently, because their values are different."
Sitting in the stalls of the four-pointed tent erected on the northern shore of Hong Kong harbor in which the show takes place, Bartabas said this latest production by his company Zingaro - Gypsy in Italian - continues a tradition of drawing inspiration from a variety of cultures and lifestyles.
"It is a very important idea for Zingaro, to be able to live with people of all religions, nationalities and philosophies," he said.
"They come and live with us," he says of Zingaro's performers and musicians who hail from across Europe.
"We live always in the theater - not because we are a family of gypsies, but because we need to live with the horses and live together. The idea is that we have to learn from one another."
Bartabas is regarded in Europe as an almost mythical figure because he insists on using his stage name only, and stories abound of his origins stretching from Romania to Rajasthan.
A day in the life of a gypsy family
But as he watches riders exercise two of the 38 horses who arrived in Hong Kong aboard two Boeing 747 jets, he says there is no mystery about him.
"I come from outside Paris, my father was an architect, I did not grow up riding, but I was always fascinated by horses and I followed many disciplines - racing, dressage, bullfighting, jumping - before I came to this."
From his base near Versailles, Bartabas has built an equestrian academy, with support from the French government, where he trains horses and riders and creates his narrative spectacles.
The current show, which has been thrilling Hong Kong audiences since early last month, took three years to perfect, he says.
It portrays a day in the life of a Gypsy community, beginning with the breaking of camp at dawn through a rambunctious series of events from women fighting over stolen washing, to a young bride eloping with her lover, being chased and brought home by her irate father and brothers - all on horseback.
Two Gypsy orchestras - a brass ensemble from Moldova and fiddlers from Transylvania - provide a jolly, pace-setting soundtrack to the breathtaking acrobatics.
Riders perform somersaults, headstands and stripteases on horseback; they dance, ride two horses at once and swap mounts mid-stride; one rider makes her horse skip in double-time; another leaps on and off a cantering draft horse.
A gang of youths show off to each other by throwing their hats on the ground and picking them up again, all the while maintaining a frenetic gallop, standing in their saddles, beating their chests and shouting at each other like young men hanging out on street corners the world over.
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