Director Wang Quan'an's (王全安) Tuya's Marriage (圖雅的婚事), which follows the troubles of a young shepherdess in fast-changing rural China, won the top Golden Bear award at the annual Berlin film festival, while a Taiwanese director won the festival's gay film prize.
Tuya's Marriage was chosen from among 22 competitors at the festival by a seven-member jury led by Taxi Driver screenwriter Paul Schrader.
“A very beautiful dream has become reality for me here,” director Wang said after receiving the Golden Bear statuette on Saturday. He said he believed the award “will bring good fortune to Chinese cinema.” The movie stars Yu Nan (余男) as Tuya, a herdswoman on the steppe of Inner Mongolia trying to resist pressure to leave her pastures and move to the city as China's industry expands.
She and her handicapped husband, Bater, decide to get divorced after she falls ill, and Tuya seeks a respectable new husband who can look after Bater and her two children. An old classmate appears to fill that role, and he persuades Tuya and the children to move to town.
”You see in the film how things disappear — cultural things as well — through this rapid economic expansion,” Wang, speaking through an interpreter, said at a news conference.
The best actor award went to Argentina's Julio Chavez for his role in director Ariel Rotter's El Otro (The Other) as Juan, a man who decides to take on a new identity amid a crisis triggered by his wife's pregnancy and his father's illness.
Best actress was Germany's Nina Hoss for her role in Yella, directed by Christian Petzold. Hoss plays the heroine of the film's title, a young woman who quits her job and broken marriage and moves from eastern Germany to the west, and is increasingly haunted by voices and sounds from the past.
US-born Israeli director Joseph Cedar won the best director award for Beaufort, depicting the fear and futility felt by soldiers guarding a famed military outpost in southern Lebanon just before Israel's withdrawal from that country in 2000.
“It seems pretty obvious that we're against war and that war is horrible — hopefully there's something in my film that gives insight into a more specific nature of how absurd combat ... is,” Cedar said.
Taiwanese director Zero Chou (周美玲) won the festival's gay film prize, the Teddy, for her film Spider Lilies (刺青) about the love affair between two women in the Internet age.
The Berlinale's top prize has often gone to less heralded productions such as Tuya's Marriage, which was one of two Chinese entries at this year's festival. Last year's Golden Bear went to Grbavica, a film by Jasmila Zbanic on the aftermath of the Bosnian war.
On Saturday, the cast of Robert De Niro's The Good Shepherd — which traces the origins of the CIA through the eyes of one of its earliest agents, played by Matt Damon — won the festival's award for an outstanding artistic contribution, but the movie missed out on the top prizes.
Other US entries — including Steven Soderbergh's The Good German and Gregory Nava's Bordertown, starring Jennifer Lopez — came away empty-handed. So did a strong contingent of four films by French directors — including Olivier Dahan's La Vie en Rose and Francois Ozon's English-language Angel. The award for best music went to Scottish director David Mackenzie for Hallam Foe. South Korean director Park Chan-wook's I'm a Cyborg, But That's OK was honored as a work of particular innovation.
The Berlin festival, in its 57th edition this year, opened on Feb. 8 and ended yesterday.
The previous Golden Bear winners from China were Xie Fei (謝飛) in 1993 for his movie Women from the Lake of Scented Souls (香魂女), and Zhang Yimou (張藝謀) for Red Sorghum (紅高粱) in 1988.
Taiwan’s rapid economic development between the 1950s and the 1980s is often attributed to rational planning by highly-educated and impartial technocrats. Those who look at history through blue-tinted spectacles argue that, for much of the post-war period, the government was staffed by Chinese who fled China after the Chinese Nationalist Party (KMT) lost the civil war “who had no property interests in Taiwan and no connections with a landlord class,” leaving “the KMT party-state more autonomous from societal influences than governments [elsewhere in East Asia],” writes Gaye Christoffersen in Market Economics and Political Change: Comparing China and Mexico. At the same
It’s impossible to write a book entirely in the Taokas language. There are only about 500 recorded words in the Aboriginal tongue, whose speakers shifted to Hoklo (also known as Taiwanese) generations ago while preserving certain Taokas phrases in their speech. “When I first started recording the language around 1997, I really had to jog the memories of the elders to find anything,” says Liu Chiu-yun (劉秋雲) a member of the Taokas community and a language researcher. The Taokas last month unveiled a picture book, Osubalaki, Balalong Ramut the community’s first-ever commercial publication using the language. The lavishly illustrated book
In his 1958 book, A Nation of Immigrants, then US senator from Massachusetts John F Kennedy wrote the following words: “Little is more extraordinary than the decision to migrate, little more extraordinary than the accumulation of emotions and thoughts which finally lead a family to say farewell to a community where it has lived for centuries, to abandon old ties and familiar landmarks, and to sail across dark seas to a strange land.” As an epithet, the book’s title is commonly associated with America and, in the face of the xenophobic rhetoric that has marked US President Donald Trump’s tenure,
It seems that even the filmmakers don’t know what happened in 49 Days (驚夢49天). After spending too much of the film building up the mystery and constantly introducing confusing elements, they wrap up the film in the last couple of minutes in the laziest way, with the protagonist actually uttering “nobody knows.” That is bloody annoying, having sat through over 90 minutes of disjointed and head-scratching storytelling. Billed as a horror flick featuring the chilling Taoist ritual of guanluoyin (觀落陰), or visiting hell, 49 Days was meant to scare the pants off viewers over Dragon Boat Festival weekend. Horror movies