◆ Best Newcomer 最佳流行音樂演唱新人獎
Lin Yu-chung (林宇中／林宇中個人首張專輯)
◆ Best Aboriginal Album
最佳原住民語流行音樂演唱專輯獎
Halei-Ludamagan (哈雷-路達瑪幹 原住民創作專輯)
◆ Best Instrumental Album 最佳流行音樂演奏專輯獎
Yi Hu (意湖／山風音樂有限公司)
◆ Best Crossover Album 最佳跨界音樂專輯獎
Lin Yu-chung (林宇中／林宇中個人首張專輯)
◆ Best Newcomer 最佳流行音樂演唱新人獎
Jing Che (驚蟄)
◆ Best Hakka Singer 最佳客語演唱人獎
Liu Shao-hsi (劉劭希／果果台客)
◆ Best Aboriginal Singer 最佳原住民語演唱人獎
Ludamagan (路達瑪幹／哈雷-路達瑪幹 原住民創作專輯)
◆ Best Classical Music Album 最佳古典音樂專輯獎
Yuan ? Luo Wei-dao Chorus Compositions
(源－駱維道合唱作品集)
◆ Best Folk Music Album 最佳民族樂曲專輯獎
Taking Ina's Hands (牽Ina的手)
◆ Best Traditional Operatic Album
最佳戲曲曲藝專輯獎
Wu Dang Suo Zong (吳党所蹤下回分解)
◆ Best Children's Music Album 最佳兒童樂曲專輯獎
Love and Hope, Power of Life
(愛與希望，生命的原動力)
◆ Best Religious Music Album 最佳宗教音樂專輯獎
If Open The Window Gently (如果輕啟這扇窗)
◆ Best Composer 最佳作曲人獎
Lee He-pu
(李和莆／台灣是寶島第一篇：草螟弄雞公《歐陽伶宜
First Taiwanese Cello Quartet》)
◆ Best Lyricist 最佳作詞人獎
Gao Jun-ming
(高俊明／莿帕互火燒《源─駱維道合唱作品集》)
◆ Best Singing Performer 最佳演唱獎
The Formosa Aboriginal Song and Dance Troupe
(原舞者／牽Ina的手)
◆ Best Performer 最佳演奏獎
Ouyang Ling-yi, Chang Pei-jie, Chen Yu-han and
Hsu Shu-hsian (歐陽伶宜，張培節，陳昱翰，許書閑／
歐陽伶宜First Taiwanese Cello Quartet)
◆ Best Song 最佳年度歌曲
Winds from Pacific Ocean from In a Flash
(太平洋的風《匆匆》)
◆ Best Taiwanese-language Album 最佳台語流行
音樂演唱專輯獎
The Fish that Loves Dreaming (愛作夢的魚)
◆ Best Mandarin-language Album 最佳國語流行音
樂演唱專輯獎
The Great Leap Forward 2005 (太平盛世)
◆ Best Hakka Album 佳客語流行音樂演唱專輯獎
Hohak Carnival (好客戲／角頭文化事業股份有限公司)
◆ Best MV Director 最佳音樂錄影帶導演獎
Hsu Jun-ting (徐筠庭／表面的和平《華麗的冒險》)
◆ Best Composer 最佳作曲人獎
Penny Tai (戴佩妮／愛瘋了《愛瘋了》)
◆ Best Lyricist 最佳作詞人獎
Hu De-fu (胡德夫／太平洋的風《匆匆》)
◆ Best Arrangement 最佳編曲人獎
Hung Sheng-wen (洪晟文／暗舞《哈雷媽媽》)
◆ Best Producer 最佳專輯製作人獎
Chung Cheng-hu (鍾成虎／華麗的冒險)
◆ Best Taiwanese Male Singer 最佳台語男演唱人獎
Wu Bai (伍佰／雙面人)
◆ Best Mandarin-language Album 最佳國語流行音
樂演唱專輯獎
The Great Leap Forward 2005 (太平盛世)
◆ Best Mandarin Male Singer 最佳國語男演唱人獎
Wang Lee-hom (王力宏／蓋世英雄)
◆ Best Taiwanese Female Singer
最佳台語女演唱人獎
Huang Yi-ling (黃乙玲／甲你作伴)
◆ Best Band 最佳樂團獎
The Chairman (董事長樂團／找一個新世界)
◆ Best Singing Group 最佳演唱組合獎
Miss Gold Digger (拜金小姐／拜金小姐 2005)
◆ Best Producer 最佳專輯製作人獎 (Traditional and
Art Music Category)
Hung Rui-chen (洪瑞珍／台灣唸歌)
The depressing numbers continue to pile up, like casualty lists after a lost battle. This week, after the government announced the 19th straight month of population decline, the Ministry of the Interior said that Taiwan is expected to lose 6.67 million workers in two waves of retirement over the next 15 years. According to the Ministry of Labor (MOL), Taiwan has a workforce of 11.6 million (as of July). The over-15 population was 20.244 million last year. EARLY RETIREMENT Early retirement is going to make these waves a tsunami. According to the Directorate General of Budget Accounting and Statistics (DGBAS), the
Many will be surprised to discover that the electoral voting numbers in recent elections do not entirely line up with what the actual voting results show. Swing voters decide elections, but in recent elections, the results offer a different and surprisingly consistent message. And there is one overarching theme: a very democratic preference for balance. SOME CAVEATS Putting a number on the number of swing voters is surprisingly slippery. Because swing voters favor different parties depending on the type of election, it is hard to separate die-hard voters leaning towards one party or the other. Complicating matters is that some voters are
Five years ago, on the verge of the first COVID lockdown, I wrote an article asking what seemed to be an extremely niche question: why do some people invert their controls when playing 3D games? A majority of players push down on the controller to make their onscreen character look down, and up to make them look up. But there is a sizable minority who do the opposite, controlling their avatars like a pilot controls a plane, pulling back to go up. For most modern games, this requires going into the settings and reconfiguring the default controls. Why do they
Take one very large shark, a boat (we’re gonna need a bigger one of those) and a movie that ran way over budget and you’ve got all the ingredients of a career-making film for one of Hollywood’s most successful directors. Now fans of Jaws — Steven Spielberg’s terrifying thriller about a man-eating shark — can re-live the movie as it celebrates its 50th anniversary in an exhibition at the Academy Museum in Los Angeles. “The film certainly cost me a pound of flesh, but gave me a ton of career,” Spielberg told reporters as he toured exhibits of props and memorabilia
RSS