◆ Best Newcomer 最佳流行音樂演唱新人獎
Lin Yu-chung (林宇中/林宇中個人首張專輯)
◆ Best Aboriginal Album
最佳原住民語流行音樂演唱專輯獎
Halei-Ludamagan (哈雷-路達瑪幹 原住民創作專輯)
◆ Best Instrumental Album 最佳流行音樂演奏專輯獎
Yi Hu (意湖/山風音樂有限公司)
◆ Best Crossover Album 最佳跨界音樂專輯獎
Lin Yu-chung (林宇中/林宇中個人首張專輯)
◆ Best Newcomer 最佳流行音樂演唱新人獎
Jing Che (驚蟄)
◆ Best Hakka Singer 最佳客語演唱人獎
Liu Shao-hsi (劉劭希/果果台客)
◆ Best Aboriginal Singer 最佳原住民語演唱人獎
Ludamagan (路達瑪幹/哈雷-路達瑪幹 原住民創作專輯)
◆ Best Classical Music Album 最佳古典音樂專輯獎
Yuan ? Luo Wei-dao Chorus Compositions
(源-駱維道合唱作品集)
◆ Best Folk Music Album 最佳民族樂曲專輯獎
Taking Ina's Hands (牽Ina的手)
◆ Best Traditional Operatic Album
最佳戲曲曲藝專輯獎
Wu Dang Suo Zong (吳党所蹤下回分解)
◆ Best Children's Music Album 最佳兒童樂曲專輯獎
Love and Hope, Power of Life
(愛與希望,生命的原動力)
◆ Best Religious Music Album 最佳宗教音樂專輯獎
If Open The Window Gently (如果輕啟這扇窗)
◆ Best Composer 最佳作曲人獎
Lee He-pu
(李和莆/台灣是寶島第一篇:草螟弄雞公《歐陽伶宜
First Taiwanese Cello Quartet》)
◆ Best Lyricist 最佳作詞人獎
Gao Jun-ming
(高俊明/莿帕互火燒《源─駱維道合唱作品集》)
◆ Best Singing Performer 最佳演唱獎
The Formosa Aboriginal Song and Dance Troupe
(原舞者/牽Ina的手)
◆ Best Performer 最佳演奏獎
Ouyang Ling-yi, Chang Pei-jie, Chen Yu-han and
Hsu Shu-hsian (歐陽伶宜,張培節,陳昱翰,許書閑/
歐陽伶宜First Taiwanese Cello Quartet)
◆ Best Song 最佳年度歌曲
Winds from Pacific Ocean from In a Flash
(太平洋的風《匆匆》)
◆ Best Taiwanese-language Album 最佳台語流行
音樂演唱專輯獎
The Fish that Loves Dreaming (愛作夢的魚)
◆ Best Mandarin-language Album 最佳國語流行音
樂演唱專輯獎
The Great Leap Forward 2005 (太平盛世)
◆ Best Hakka Album 佳客語流行音樂演唱專輯獎
Hohak Carnival (好客戲/角頭文化事業股份有限公司)
◆ Best MV Director 最佳音樂錄影帶導演獎
Hsu Jun-ting (徐筠庭/表面的和平《華麗的冒險》)
◆ Best Composer 最佳作曲人獎
Penny Tai (戴佩妮/愛瘋了《愛瘋了》)
◆ Best Lyricist 最佳作詞人獎
Hu De-fu (胡德夫/太平洋的風《匆匆》)
◆ Best Arrangement 最佳編曲人獎
Hung Sheng-wen (洪晟文/暗舞《哈雷媽媽》)
◆ Best Producer 最佳專輯製作人獎
Chung Cheng-hu (鍾成虎/華麗的冒險)
◆ Best Taiwanese Male Singer 最佳台語男演唱人獎
Wu Bai (伍佰/雙面人)
◆ Best Mandarin-language Album 最佳國語流行音
樂演唱專輯獎
The Great Leap Forward 2005 (太平盛世)
◆ Best Mandarin Male Singer 最佳國語男演唱人獎
Wang Lee-hom (王力宏/蓋世英雄)
◆ Best Taiwanese Female Singer
最佳台語女演唱人獎
Huang Yi-ling (黃乙玲/甲你作伴)
◆ Best Band 最佳樂團獎
The Chairman (董事長樂團/找一個新世界)
◆ Best Singing Group 最佳演唱組合獎
Miss Gold Digger (拜金小姐/拜金小姐 2005)
◆ Best Producer 最佳專輯製作人獎 (Traditional and
Art Music Category)
Hung Rui-chen (洪瑞珍/台灣唸歌)
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your