There were high expectations for altnative music at last night's Golden Melody Awards, but with Wang Lee-hom (
In a drawn out ceremony last night, Taiwan's music industry gave out awards for its high achievers in the 17th Golden Melody Awards (十七屆金曲獎), which took place at Taipei Arena, Taipei (台北巨蛋). Thousands of fans crowded outside the stadium to get a sight of their favorite stars.
On the red carpet, Little S (小S) and Momoko Tao (陶子), the hosts for the night, enlivened proceedings by spraying "milk" from their breasts into the crowd. This little performance follows months of media reports about the birth of their baby girls and whether they would be back in shape for this glamorous event. Little S looked fine, but Tao clearly still has some way to go before achieving her previous slim shape.
This rather gross display was followed in the award ceremony by some poorly rehearsed performances by Stefanie Sun and Hong Kong pop star Eason Chan (
Taike promoters Chang Chen-yue (
Some familiar faces were missing from the nomination list, and last night's event featured an unusually large number of stars drawn from Taiwan's alt-music scene. While folk and folk-rock have always had a presence at the Golden Melody Awards, their prominence this year has been underlined by the inclusion of Puyuma folksinger and activist Kimbo, also known as Hu De-fu (
PHOTOS: TAIPEI TIMES
This year, awards were presented in 31 categories, with nominees selected by a 33-member panel of judges from a staggering 6,884 entries.
Kimbo had picked up the award for Best Lyricist and Best Song, which many people thought was long-overdue recognition of his contribution to music in Taiwan.
Kimbo's first album In a Flash, a retrospective record looking back at the legendary Aboriginal crooner's 30-year musical career from 1972 to 2001, was a talking point in the run up to the event. He is best known for his vocal prowess and his poetic folk music full of social
commentaries. Kimbo has also been an activist in Taiwan's social, political and Aboriginal movements and was blacklisted by the Chinese Nationalist Party (KMT) government in the late 1970s and early 1980s for his outspoken dissident voice.
Another veteran of the music scene Lin Jia-qing (
As many expected, Wu Bai (
Penny Tai (戴佩妮) took one of the first pop musical awards for best composer for Crazy Love. Speaking backstage after receiving the honor, Tai said she was shocked by the totally unexpected recognition. "I am a self-taught composer who has little talent in song-writing, and I never thought that my songs would get spread outside my room. Crazy Love is a very personal song, and at first I didn't even want to have it released," the misty-eyed songstress said in a humble tone.
The highlight of last night's event came when award presenters Wu Bai and Gigi Leung (
The Best Band category saw the emergence of underground and alternative acts such as the Hohak Band (
With little surprise, the better known Chairman (董事長) took the award for best band, squeezing out other nominees Nature Q, Sodagreen, Won Fu, LTK Commune and Hohak Band, which was awarded the Best Hakka Album award for Hohak Carnival.
The absence of heavyweight teen idols such as the Double J pair Jay Chou (周杰倫) and Jolin Tsai (蔡依林) and the dominant presence of Kimbo had generated considerable speculation about a shift in the Golden Melody Awards from big-ticket pop acts to smaller and more intimate singer/song writers. But in fact Penny Tai, Cheer Chen and songstress Tanya Tsai (蔡健雅), who were all nominated for Best Mandarin Female Singer this year are no strangers to the Golden Melodies, and Jolin Tsai has never been a jury favorite. A bias toward the alternative scene announced itself back in 2000 with Faith Yang (楊乃文) beating out Faye Wang (王菲) and A-mei (張惠妹) to walk away with Best Mandarin Female Singer title.
More recently, last year's award ceremony saw the alt-music songstress Sandy Chen (陳珊妮) take top honors in Best Album and Best Producer categories whereas the favorite Golden Melody winner Jay Chou walked away empty handed despite nominations in six categories.
Hakka and Aboriginal sounds have also risen to prominence at the Golden Melody in recent years. Last year Hakka band Sheng Xiang and Water 3 (生祥與瓦窯3) had seven nominations, winning Best Lyricist, Best Hakka Album and Best Band. Beinan musician Chen Chian-nien (陳建年) also took the best male singer title away from other high-profile contenders such as Wang Lee-hom (王力宏) and Jackie Cheung (張學友).
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
The breakwater stretches out to sea from the sprawling Kaohsiung port in southern Taiwan. Normally, it’s crowded with massive tankers ferrying liquefied natural gas from Qatar to be stored in the bulbous white tanks that dot the shoreline. These are not normal times, though, and not a single shipment from Qatar has docked at the Yongan terminal since early March after the Strait of Hormuz was shuttered. The suspension has provided a realistic preview of a potential Chinese blockade, a move that would throttle an economy anchored by the world’s most advanced and power-hungry semiconductor industry. It is a stark reminder of
May 4 to May 10 It was once said that if you hadn’t performed at the Sapphire Grand Cabaret (藍寶石大歌廳), you couldn’t truly be considered a star. Taking the stage at the legendary Kaohsiung club was more than just a concert. Performers were expected to entertain in every sense, wearing outlandish or revealing costumes and staying quick on their feet as sharp-tongued, over-the-top hosts asked questions and delivered jokes that would be seen as vulgar, even offensive, by today’s standards. Opening in May 1967 during a period of strict political and social control, Sapphire offered a rare outlet for audiences in